This volume provides a collection of ‘imagined lives’ – individuals who, no matter their position on the social hierarchy, were crucial to the development of medieval Europe and the modern period that followed. Based on primary source materials and the latest historical research, these literary accounts of otherwise unsourced or under-sourced individuals are written by leading scholars in the field. The book’s approach transcends the limitations of both historical narrative and literary fiction, offering a research-informed presentation of real people that is enriched by informed speculation and creative storytelling. This enriched presentation of the lives of these individuals offers the quickest route to understanding medieval culture, society, and intellectual thought. Crucially, the book treats the whole of Europe, broadly defined: both conventional areas of study such as England and France, and also lesser studied but no less important areas such as eastern Europe, Iberia, and the Balkans. The reader of Portraits of Medieval Europe encounters the diversity present in the European past: the resulting portraits – unique, personal, and engaging – offer not only a wide geographical scope but also perspective on the formation of European society in its fullest form. This book is accessible and engaging for students new to medieval history as well as those wishing to expand their knowledge of medieval society.

This volume provides a collection of 'imagined lives'--individuals who, no matter their position on the social hierarchy, were crucial to the development of medieval Europe and the modern period that followed. Based on primary source materials and the latest historical research, these literary accounts of otherwise unsourced or under-sourced individuals are written by leading scholars in the field. The book's approach transcends the limitations of both historical narrative and literary fiction, offering a research-informed presentation of real people that is enriched by informed speculation and creative storytelling. This enriched presentation of the lives of these individuals offers the quickest route to understanding medieval culture, society, and intellectual thought. Crucially, the book treats the whole of Europe, broadly defined: both conventional areas of study such as England and France, and also lesser studied but no less important areas such as eastern Europe, Iberia, and the Balkans. The reader of Portraits of Medieval Europe encounters the diversity present in the European past: the resulting portraits--unique, personal, and engaging--offer not only a wide geographical scope, but also perspective on the formation of European society in its fullest form. This book is an accessible and engaging for students new to medieval history as well as those wishing to expand their knowledge of medieval society.

Earliest Christian art - Saints and holy places - Holy images - Artistic production for the wealthy - Icons & iconography.

YA. Biographical info. about the era's historic figures such as Charlemagne, Thomas Becket and Abelard and Heloise. 11 yrs+

This educational resource packet covers more than 1200 years of medieval art from western Europe and Byzantium, as represented by objects in the collection of The Metropolitan Museum of Art. Among the contents of this resource are: an overview of medieval art and the period; a collection of aspects of medieval life, including knighthood, monasticism, pilgrimage, and pleasures and pastimes; information on materials and techniques medieval artists used; maps; a timeline; a bibliography; and a selection of useful resources, including a list of significant collections of medieval art in the U.S. and Canada and a guide to relevant Web sites. Tote box includes a binder book containing background information, lesson plans, timeline, glossary, bibliography, suggested additional resources, and 35 slides, as well as two posters and a 2 CD-ROMs.

A Source Book for Mediæval History is a scholarly piece by Oliver J. Thatcher. It covers all major historical events and leaders from the Germania of Tacitus in the 1st century to the decrees of the Hanseatic League in the 13th century.

A fully updated and comprehensive companion to Romanesque and Gothic art history This definitive reference brings together cutting-edge scholarship devoted to the Romanesque and Gothic traditions in Northern Europe and provides a clear analytical survey of what is happening in this major area of Western art history. The volume comprises original theoretical, historical, and historiographic essays written by renowned and emergent scholars who discuss the vibrancy of medieval art from both thematic and sub-disciplinary perspectives. Part of the Blackwell Companions to Art History, A Companion to Medieval Art, Second Edition features an international and ambitious range of contributions covering reception, formalism, Gregory the Great, pilgrimage art, gender, patronage, marginalized images, the concept of spolia, manuscript illumination, stained glass, Cistercian architecture, art of the crusader states, and more. Newly revised edition of a highly successful companion, including 11 new articles Comprehensive coverage ranging from vision, materiality, and the artist through to architecture, sculpture, and painting Contains full-color illustrations throughout, plus notes on the book’s many distinguished contributors A Companion to Medieval Art: Romanesque and Gothic in Northern Europe, Second Edition is an exciting and varied study that provides essential reading for students and teachers of Medieval art.

Learn about how medicine was practiced long ago.

This important and overdue book examines illuminated manuscripts and other book arts of the Global Middle Ages. Illuminated manuscripts and illustrated or decorated books—like today’s museums—preserve a rich array of information about how premodern peoples conceived of and perceived the world, its many cultures, and everyone’s place in it. Often a Eurocentric field of study, manuscripts are prisms through which we can glimpse the interconnected global history of humanity. Toward a Global Middle Ages is the first publication to examine decorated books produced across the globe during the period traditionally known as medieval. Through essays and case studies, the volume’s multidisciplinary contributors expand the historiography, chronology, and geography of manuscript studies to embrace a diversity of objects, individuals, narratives, and materials from Africa, Asia, Australasia, and the Americas—an approach that both engages with and contributes to the emerging field of scholarly inquiry known as the Global Middle Ages. Featuring more than 160 color illustrations, this wide-ranging and provocative collection is intended for all who are interested in engaging in a dialogue about how books and other textual objects contributed to world-making strategies from about 400 to 1600.

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