In this historical treasure, now restored to posterity, text and drawings by a Union cartographer record the daily life of Civil war soldiers, the firsthand observation of officers, and the battles he witnessed from Yorkville to Bull Run. 85 full-color illustrations.

With this publication, produced in conjunction with the largest expansion in the history of the Virginia Museum of Fine Arts, the full scope of the museum's outstanding American art collection is represented for the first time. Following an introduction tracing the history of American art at this encyclopedic museum--a state-supported, privately endowed institution--readers will discover lively and generously illustrated essays about selected paintings, sculptures, and works on paper by many of America's leading artists: John James Audubon, Thomas Hart Benton, Mary Cassatt, Frederic Church, John Singleton Copley, Edward Hopper, Jacob Lawrence, Georgia O'Keeffe, Charles Willson Peale, Augustus Saint-Gaudens, John Singer Sargent, William Wetmore Story, Henry Ossawa Tanner, and James McNeill Whistler. Also included are decorative objects by well-known artisans and firms, such as John Henry Belter, the Goddard-Townsend group, Herter Brothers, Paul Revere, Louis Comfort Tiffany, and Frank Lloyd Wright. Organized in chronological sections ranging from the colonial era to the mid-twentieth century, this long-awaited book examines a noteworthy collection through a variety of interpretive lenses--aesthetic and cultural--for the benefit of a broad readership. Published by the Virginia Museum of Fine Arts in association with the University of Virginia Press

The essays in New Studies on the Portrait of Caligula in the Virginia Museum of Fine Arts address art historical, historical, and cultural issues raised by one of only two surviving statues of the Roman emperor Caligula (r. 37-41 C.E.).

Nelson Lankford draws upon Civil War-era diaries, letters, memoirs, and newspaper reports to vividly recapture the experiences of the men and women, both black and white, who witnessed the tumultuous fall of Richmond. In April 1865 General Robert E. Lee realized that his army must retreat from the Confederate capital and that Jefferson Davis's government must flee. As the Southern soldiers moved out they set the city on fire, leaving a blazing ruin to greet the entering Union troops. The city's fall ushered in the birth of the modern United States. Lankford's exploration of this pivotal event is at once an authoritative work of history and a stunning piece of dramatic prose.

"While this book is a stand-alone project, it also serves as the accompanying catalogue for the large-scale exhibition on view at JMU's Duke Hall Gallery of Fine Art during the fall of 2017." -- from page 12