“Rich characters, a forensic artist’s eye for detail, and plot twists—Carrie Stuart Parks hits all the right notes!” —Mary Burton, New York Times bestselling author An unsolved case. A tempest of memories. The future’s at stake—and time is running out . . . Gwen Marcey has done a good job keeping the pain of her past boxed up. But as she investigates the case of a missing child in Lapwai, Idaho, details keep surfacing that are eerily similar to her childhood traumas. She doesn’t believe in coincidences. So what’s going on here? No one knows more about the impact of the past than the Nez Perce people of Lapwai. Gwen finds herself an unwelcome visitor to some, making her investigation even more difficult. The questions keep piling up, but answers are slow in coming—and the clock is ticking for a missing little girl. Meanwhile, Gwen’s ex-husband is threatening to take sole custody of their daughter. As Gwen’s past and present collide, she’s in a desperate race for the truth. Because only truth will ensure she still has a future.

In this "relentlessly gripping, brilliant" epic fantasy (James Islington), an ousted queen must join forces with a young warrior in order to reclaim her throne and save her people. Tau and his Queen, desperate to delay the impending attack on the capital by the indigenous people of Xidda, craft a dangerous plan. If Tau succeeds, the Queen will have the time she needs to assemble her forces and launch an all out assault on her own capital city, where her sister is being propped up as the 'true' Queen of the Omehi. If the city can be taken, if Tsiora can reclaim her throne, and if she can reunite her people then the Omehi have a chance to survive the onslaught. "This gritty series set in a South African–inspired fantasy world is an intense reading experience, and the second book is just as phenomenal as the first."—BuzzFeed News "The Fires of Vengeance is epic fantasy at its finest."—Winter Is Coming The Books of The Burning Series The Rage of Dragons The Fires of Vengeance The Lord of Demons

In a gripping sequel to celebrated novel, Fracture, New York Times bestselling author Megan Miranda once again straddles the line between life and death. When Carson pulled Delaney out of the frozen water of Falcon Lake, he died on the side of the road with his mouth pressed to hers. When Troy tried to recreate Delaney's accident, the lake took him instead. All the talk about a curse doesn't shake Decker, until yet another unthinkable tragedy strikes. There's just too much coincidence and death for Decker to take . . . and too much anger. Because Delaney knew it was coming, and she never said a word. Falcon Lake still has a hold on them both, and Decker can't forgive Delaney until he knows why.

A dark, twisty thriller about a centuries-old, ivy-covered boarding school haunted by its history of witchcraft and two girls dangerously close to digging up the past. The dangerous romance and atmospheric setting makes it a perfect read for fans of dark academia. Felicity Morrow is back at the Dalloway School. Perched in the Catskill Mountains, the centuries-old, ivy-covered campus was home until the tragic death of her girlfriend. Now, after a year away, she's returned to finish high school. She even has her old room in Godwin House, the exclusive dormitory rumored to be haunted by the spirits of five Dalloway students—girls some say were witches. The Dalloway Five all died mysteriously, one after another, right on Godwin grounds. Witchcraft is woven into Dalloway's past. The school doesn't talk about it, but the students do. In secret rooms and shadowy corners, girls convene. And before her girlfriend died, Felicity was drawn to the dark. She's determined to leave that behind now, but it's hard when Dalloway's occult history is everywhere. And when the new girl won't let her forget. It's Ellis Haley's first year at Dalloway, and she has already amassed a loyal following. A prodigy novelist at seventeen, Ellis is a so-called method writer. She's eccentric and brilliant, and Felicity can't shake the pull she feels to her. So when Ellis asks Felicity to help her research the Dalloway Five for her second book, Felicity can't say no. Given her history with the arcane, Felicity is the perfect resource. And when history begins to repeat itself, Felicity will have to face the darkness in Dalloway—and herself.

Of Vengeance portrays the evolution of an innocuous girl into a brilliant, cold-blooded killer, whose painstaking preparation makes every crime untraceable, and whose faultless reasoning makes her all too sympathetic.

Gwen Marcey was tops in her forensic field. Then breast cancer struck, her husband left, and her teenage daughter engaged in active rebellion. Gwen's best chance to start a new life was a temporary job in Utah reconstructing faces from an 1857 massacre site. The Mountain Meadows Interpretative Center asked Gwen to reconstruct the faces of three intact bodies that were discovered from the wagon train massacre of more than 120 people by Mormon fanatics calling themselves Avenging Angels. But just as she is nearing completion on her reconstructions, things around the center turn deadly. Gwen discovers the ritualized murder of a young college student with a stolen identity and is called on by the local police to use her forensic art skills to aid the investigation. Soon she discovers an uncanny resemblance between one of her reconstructions and the death mask of Joseph Smith, founder of the Mormon church. And realizes that she's the next target of the recreated Avenging Angels who believe she has an icon from the grave. Gwen must weave through a labyrinth of Mormon history, discovering secret societies and festering grudges in a race against time. Will she be able to stop another massacre?

The body of Bernice Hogan, a troubled young former nursing student with a tragic past, is found in a shallow grave near a forest creek. Jolene Peller, a single mom struggling to build a new life with her little boy, vanishes the night she tries to find Bernice. Hero cop Karl Styebeck is beloved by his community, but privately police are uneasy with the answers he gives to protect the life--and the lie--he's lived. The case haunts Jack Gannon, a gritty, blue-collar reporter whose own sister ran away from their family years ago. Gannon risks more than his job to pursue the story behind Styebeck's dark secret, his link to the women, and the mysterious big rig roaming America's loneliest highways on its descent into eternal darkness.

“Tense and evocative . . . . Despite its powerful social critique, Vengeance is cautious and prismatic, openly troubled by its own claims to authority.” —Katy Waldman, The New Yorker As the narrator attempts to sort out what happened in King’s life—paying visits to his devoted mother, his estranged young daughter and her mother, his girlfriend, his brother, and his cousin—the writer’s own sense of identity begins to feel more and more like a fiction. He is one of the “free people” while Kendrick, who studies theology and philosophy, will never get his only wish, expressed plainly as “I just need to get out of here.” The dichotomy between their lives forces the narrator to confront the violence in his own past, and also to reexamine American notions of guilt and penance, racial bias, and the inherent perversity of punitive justice. It is common knowledge that we have an incarceration crisis in our country. Vengeance, by way of vivid storytelling, helps us to understand the failure of empathy and imagination that causes it.

In the Russian winter of 1878 a shy, aristocratic young woman named Vera Zasulich walked into the office of the governor of St. Petersburg, pulled a revolver from underneath her shawl, and shot General Fedor Trepov point blank. "Revenge!," she cried, for the governor's brutal treatment of a political prisoner. Her trial for murder later that year became Russia's "trial of the century," closely followed by people all across Europe and America. On the day of the trial, huge crowds packed the courtroom. The cream of Russian society, attired in the finery of the day, arrived to witness the theatrical testimony and deliberations in the case of the young angel of vengeance. After the trial, Vera became a celebrated martyr for all social classes in Russia and became the public face of a burgeoning revolutionary fervor. Dostoyevsky (who attended the trial), Turgenev, Engels, and even Oscar Wilde all wrote about her extraordinary case. Her astonishing acquittal was celebrated across Europe, crowds filled the streets and the decision marked the changing face of Russia. After fleeing to Switzerland, Vera Zasulich became Russia's most famous "terroristka," inspiring a whole generation of Russian and European revolutionaries to embrace violence and martyrdom. Her influence led to a series of acts that collectively became part of "the age of assassinations." In the now-forgotten story of Russia's most notorious terrorist, Ana Siljak captures Vera's extraordinary life story--from privileged child of nobility to revolutionary conspirator, from assassin to martyr to socialist icon and saint-- while colorfully evoking the drama of one of the world's most closely watched trials and a Russia where political celebrities held sway.

When a terrorist crashes a truck loaded with explosives into her Washington, D.C., wedding, Major Brooke Grant resolves to track down the master terrorist responsible and joins a clandestine CIA team under the leadership of an unorthodox new commander-in-chief.