A highly original history of American portraiture that places the experiences of enslaved people at its center This timely and eloquent book tells a new history of American art: how enslaved people mobilized portraiture for acts of defiance. Revisiting the origins of portrait painting in the United States, Jennifer Van Horn reveals how mythologies of whiteness and of nation building erased the aesthetic production of enslaved Americans of African descent and obscured the portrait's importance as a site of resistance. Moving from the wharves of colonial Rhode Island to antebellum Louisiana plantations to South Carolina townhouses during the Civil War, the book illuminates how enslaved people's relationships with portraits also shaped the trajectory of African American art post-emancipation. Van Horn asserts that Black creativity, subjecthood, viewership, and iconoclasm constituted instances of everyday rebellion against systemic oppression. Portraits of Resistance is not only a significant intervention in the fields of American art and history but also an important contribution to the reexamination of racial constructs on which American culture was built.

For fans of C. S. Harris comes Laura Joh Rowland's fifth Victorian mystery where Sarah must confront her own ghosts--and face her most elusive and deadly adversary yet. Victorian London is a city gripped by belief in the supernatural--but a grisly murder becomes a matter of flesh and blood for intrepid photographer Sarah Bain. London, October 1890. Crime scene photographer Sarah Bain is overjoyed to marry her beloved Detective Sergeant Barrett--but the wedding takes a sinister turn when the body of a stabbing victim is discovered in the crypt of the church. Not every newlywed couple begins their marriage with a murder investigation, but Sarah and Barrett, along with their friends Lord Hugh Staunton and Mick O'Reilly, take the case. The dead man is Charles Firth, whose profession is "spirit photography"-- photographing the ghosts of the deceased. When Sarah develops the photographs he took in the church, she discovers one with a pale, blurred figure attacking the victim. The city's spiritualist community believes the church is haunted and the figure is a ghost. But Sarah is a skeptic, and she and her friends soon learn that the victim had plenty of enemies in the human world--including a scientist who studies supernatural phenomena, his psychic daughter, and an heiress on a campaign to debunk spiritualism and expose fraudulent mediums. In the tunnels beneath a demolished jail, a ghost-hunting expedition ends with a new murder, and new suspects. While Sarah searches for the truth about both crimes, she travels a dark, twisted path into her own family's sordid history. Her long lost father is the prime suspect in a cold-case murder, and her reunion with him proves that even the most determined skeptic can be haunted by ghosts from the past.

Go beyond the basic rules of photography to capture stunning portraits Portrait photography is a vital topic for photographers of every level of experience, from amateur to professional. Written by renowned photographer Harold Davis, this inspirational book encourages you to define our own photographic style and capture stunning, creative, and unique portraits. You'll discover tips and techniques for "breaking the rules" of basic digital photography so that you can go beyond the fundamentals such as composition, lighting, and exposure in order to create memorable and incomparable portraits. Explores the most common subject of most photographers-people-and explains when, why, and how to forgo the fundamentals to capture memorable portraits Encourages you to define your own unique photographic style and offers information and inspiration to help you do so Delves into a variety of creative techniques that you can use when exploring ways to take lively and stunning portraits Illustrated with Harold Davis's striking portrait photography, Creative Portraits will both inform and inspire you.

Om portrætter af den franske maler Jean Auguste Dominique Ingres (1780-1867)