Based on the popular international collaborative art project, Julia Kay's Portrait Party, this book features hundreds of portraits in multiple mediums and styles teamed with tips and insights on the artistic process. The human face is one of the most important subjects for artists, no matter their chosen medium. Pulling from 50,000 works of portraiture created by the artists of the international online collaborative project Julia Kay’s Portrait Party, Portrait Revolution presents a new look at this topic—one that doesn’t limit itself to one medium, one style, one technique, or one artist. By presenting portraits in pencil, pen, charcoal, oils, watercolors, acrylics, pastels, mixed media, digital media, collage, and more, Julia Kay and co. demonstrate the limitless possibilities available to aspiring artists or even to professional artists who are looking to expand creatively. Along with works in almost every conceivable medium, Portrait Revolution shines a spotlight on different portrait-making techniques and styles (featuring everything from realism to abstraction). With tips, insights, and recommendations from accomplished portrait artists from around the globe, this all-in-one inspiration resource provides everything you’ll need to kick-start your own portrait-making adventure.

In 1920 Julia Robertson is a young, beautiful war widow, aware of the radical new ideas bursting into the settled thinking of post-Victorian Canada. That new thinking, about the human unconscious through Freud and Jung, about sexual frankness, about women as well as skepticism about religion, shaped the emerging 20th century world and infused modern painting, music, and literature. Julia struggles with her conscience over the man she most trusts when she is passionately infatuated with another, an Englishman. He leads her into the orbit of the young and charming Prince of Wales. Leaving behind the stuffy world of Halifax, she goes to London and Paris and then the South of France where she renews her close friendship with one of the great Canadian painters of the period, J.W. Morrice. She becomes part of Morrice's circle of artists and admirers, among them Henri Matisse, who was Morrice's close friend. Ultimately Julia has to resolve a dilemma that dramatically tests all her progressive ideas. With this novel Robert MacNeil returns to a character who first appears in his bestselling novel set at the time of the Halifax Explosion, Burden of Desire. "Julia's appetite for life and her bold embrace of the modern world was so vivid to me that I had to follow her life into the postwar world," says MacNeil. The result is a fascinating account of a young woman in the midst of a world in transformation.

This book is a celebration of the famous painting which launched Sargent as a fashionable portrait painter and made Lady Agnew's name as a society celebrity. The story of Sargent and Lady Agnew is recounted in the essay and catalogue by Julia Rayer Rolfe, Librarian at the National Gallery of Scotland. Three leading scholars in the fields of fine art, history and music have contributed essays which serve to put the portrait into a wider context: Kenneth McConkey, Professor of Art History at the University of Northumbria at Newcastle; David Cannadine, Professor of History at Columbia University, New York, and Wilfrid Mellers, Emeritus Professor of Music at the University of York.

This new biography—featuring over 150 archival images and full-color photographs printed throughout—introduces Julia Morgan as both a pioneering architect and a captivating individual. Julia Morgan was a lifelong trailblazer. She was the first woman admitted to study architecture at the École des Beaux-Arts in Paris and the first licensed to practice architecture in California. Over the first half of the 20th century, she left an indelible mark on the American West. Of her remarkable 700 creations, the most iconic is Hearst Castle. Morgan spent thirty years constructing this opulent estate on the California coast for the newspaper magnate William Randolph Hearst—forging a lifelong friendship and creative partnership with him. Together, they built a spectacular and unequalled residence that once hosted the biggest stars of Hollywood's golden age, and that now welcomes hundreds of thousands of visitors each year. This compelling biography draws on interviews, letters, and Morgan's diaries, including never-before-seen reflections on faith, art, and her life experiences. Morgan's friendship with Hearst, her passion for California's landscape, her struggles with familial dementia, and her devotion to architecture reveal her to have been a singularly brilliant and determined artist. PREVIOUSLY UNPUBLISHED CONTENT: Victoria Kastner has spent years compiling photographs, interviews, letters, drawings, and diaries—including material never published before—to create the first truly comprehensive portrait of this amazing woman. OVER 150 PHOTOGRAPHS: This book features over 150 photographs, printed throughout the text. These include both fascinating archival images and beautiful, full-color contemporary shots of Morgan's buildings. INSPIRING STORY: By exploring both Morgan's work and her life, Kastner weaves a captivating tale about courage, vision, and resilience. Julia Morgan forged a path for herself against the odds, and her story will inspire contemporary women and creatives. ARCHITECTURAL ICON: Julia Morgan created 700 buildings during her career, from hotels to churches to private homes. Born in San Francisco and trained in Paris, she developed a distinctive aesthetic that now defines certain regions of California. But only in the last twenty years has her contribution to architecture been fully recognized and celebrated. In 2014, the American Institute of Architects' posthumously awarded her its Gold Medal; she was the first female recipient. Perfect for: • History buffs • Students, enthusiasts, and professional architects • Aspiring creatives in all fields • Feminists seeking role models • Visitors to Hearst Castle and Morgan's other buildings • Californians and visitors to California

Julia's aspirations to become a model and an actress lead her to Milan, where she abandons her old life, full of lessons and troubles, for the prospect of a new one with a career and a man she loves. While her career soars to new heights, Julia is continually tested by memories of her past and hopes for her future. In Milan's romantic and, at times, dangerous setting, Julia gains all she ever desired only to lose it all in a single moment of betrayal. As a test of courage and faith in herself, she must fulfill her dreams again, discovering the power and creativity of the human imagination and the everlasting joys of love.

"Romano describes each piece completely, with measurements, accession data where known, report of condition, a list of the published sources, and commentary reflecting the most recent scholarship. Photographs provide additional information for each entry. An accompanying CD includes 54 color images, many of which are of the pieces. Various audiences will appreciate the accessibility of the scholarship presented here; students may engage in further study on some of the topics raised by individual pieces or groups of sculptures, and the scholarly community will welcome a work that provides an up-to-date and comprehensive examination of a significant Classical sculpture collection."--BOOK JACKET.

Lady Winton’s first marriage was blessedly brief; she would never marry again. Better an impoverished portrait painter than that. Lord Temple’s marriage had been equally disastrous; his unfaithful wife died by her own foolishness. Julia and Noel, however, are haunted by a ghostly woman in white, bringing mystery and menace. In the search for a solution, they find a second chance for love... Regency Romance by Emily Hendrickson; originally published by Signet

Julia Westgard commissioned a scandalous portrait of herself to regain her self-worth after years of a loveless, repressive marriage to her late husband. But the private portrait puts her directly in the path of Morgan St. Claire, one of the Marlborough Set's most notorious seducers. A man who fires her blood, threatens her control, and ignites a passion she thought dead. In short, he's a man who doesn't take no for an answer. From the moment Morgan sees Julia's portrait, he's determined to make her another conquest. But the woman he meets is a far cry from the image on canvas. What begins as a simple exercise in passion and seduction quickly evolves into a quest to reveal the true Julia. With each sensual, erotic encounter, he employs every weapon of seduction at his disposal in hopes of making Julia see she really is the woman in Love's Portrait.

Portrait sculptures are among the most vibrant records of ancient Greek and Roman culture. They represent people of all ages and social strata: revered poets and philosophers, emperors and their family members, military heroes, local dignitaries, ordinary citizens, and young children. The Met's distinguished collection of Greek and Roman portraits in stone and bronze is published in its entirety for the first time in this volume. Paul Zanker, a leading authority on Roman sculpture today, has brought his exceptional knowledge to the study of these portraits; in presenting them, he brings the ancient world to life for contemporary audiences. Each work is lavishly illustrated, meticulously described, and placed in its historical and cultural context. The lives and achievement of significant figures are discussed in the framework of the political, social, and practical circumstances that influenced their portrait's forms and styles—from the unvarnished realism of the late Republican period to the idealizing and progressively abstract tendencies that followed. Analyses of marble portraits recarved into new likenesses after their original subjects were forgotten or officially repudiated provide especially compelling insights. Observations on fashions in hairstyling, which typically originated with the Imperial family and spread as fast as the rulers' latest portraits could be distributed, not only edify and amuse but also link the Romans' motives and appetite for imitation to our own. More than a collection catalogue, Roman Portraits is a thorough and multifaceted survey of ancient portraiture. Charting the evolution of this art from its origins in ancient Greece, it renews our appreciation of an connection to these imposing, timeless works.

Profiles the life and work of a nineteenth century pioneer of photography and offers a selection of her portraits of women