In a city full of police controversies, hippie artist punk houses, and overzealous liberals, Portland, Oregon, is a place where even its fiction blurs with its bizarre realities. Brand-new stories by: Gigi Little, Justin Hocking, Christopher Bolton, Jess Walter, Monica Drake, Jamie S. Rich (illustrated by Joelle Jones), Dan DeWeese, Zoe Trope, Luciana Lopez, Karen Karbo, Bill Cameron, Ariel Gore, Floyd Skloot, Megan Kruse, Kimberly Warner-Cohen, and Jonathan Selwood. Editor Kevin Sampsell is a bookstore employee and writer. He is the author of a short story collection, Creamy Bullets (Chiasmus Press), and the upcoming memoir The Suitcase (HarperPerennial, summer 2009). He is also the editor of The Insomniac Reader (Manic D Press) and the publisher of the micropress Future Tense Books.

“Featuring short, edgy fiction on the Emerald City’s seamy underbelly . . . seedy characters, private detectives and the like from all over urban Seattle.” —Kitsap Daily News Early Seattle was a hardscrabble seaport filled with merchant sailors, longshoremen, lumberjacks, rowdy saloons, and a rough-and-tumble police force not immune to corruption and graft. Now it’s home to big businesses and a flourishing art, theatre, and club scene. Seattle’s evolution to high-finance and high-tech has simply provided even greater opportunity and reward to those who might be ethically, morally, or economically challenged (crooks, in other words). Seattle Noir features stories by G.M. Ford, Skye Moody, R. Barri Flowers, Thomas P. Hopp, Patricia Harrington, Bharti Kirchner, Kathleen Alcalá, Simon Wood, Brian Thornton, Lou Kemp, Curt Colbert, Robert Lopresti, Paul S. Piper, and Stephan Magcosta. You’ll find tales of a wealthy couple whose marriage is filled with not-so-quiet desperation; a credit card scam that goes over-limit; femmes fatales and hommes fatales; a group of mystery writers whose fiction causes friction; a Native American shaman caught in a web of secrets and tribal allegiances; sex, lies, and slippery slopes . . . “Stories that reflect Seattle’s ethnic diversity as well as tales from its rough past to its glory days of Boeing, Starbucks and Microsoft.” —Publishers Weekly “A new collection of stories all set in Seattle, with characters that break the mold. In many of the Seattle Noir stories, it’s the heroes, not the subsidiary characters, that are African-American, Native-American, Hispanic-American.” —The Seattle Times

City of Weird conjures what we fear: death, darkness, ghosts. Hungry sea monsters and alien slime molds. Blood drinkers and game show hosts. Set in Portland, Oregon, these thirty stories blend imagination, literary writing, and pop culture into a cohesive weirdness that honors the city’s personality, its bookstores and bridges and solo volcano, as well as the tradition of sci-fi pulp magazines. Including such authors as Rene Denfeld, Justin Hocking, Leni Zumas, and Kevin Sampsell, editor Gigi Little has curated a collection that is quirky, chilling, often profound—and always perfectly weird.

"Patrick Millikin...as if to prove his witty claim that 'sunshine is the new noir, ' offers one superb specimen, 'Whiteout on Van Buren, ' in which author] Don Winslow makes skillful use of a city street at high noon to provide the perfect metaphor for life and death."--New York Times Book Review Brand-new stories by: Diana Gabaldon, Lee Child, James Sallis, Luis Alberto Urrea, Jon Talton, Megan Abbott, Charles Kelly, Robert Anglen, Patrick Millikin, Laura Tohe, Kurt Reichenbaugh, Gary Phillips, David Corbett, Don Winslow, Dogo Barry Graham, and Stella Pope Duarte. Patrick Millikin is a bookseller at the Poisoned Pen Bookstore in Scottsdale. As a freelance writer, his articles, interviews, and reviews have appeared in Publishers Weekly, Firsts Magazine, Paradoxa, Yourflesh Quarterly, and other publications. Millikin currently lives in central Phoenix.

Portland's biggest dirty little secret: The untold story behind the Great Portland Vice Scandal of 1956-57.

Authoritative, up-to-date travel information in a handy, compact format features tips on dining and lodging to suit any budget, facts on local transportation and holidays, detailed maps, sightseeing tips, and advice on shopping, nightlife, side trips, and outdoor activities.

Praise for North American Pinot Noir: "Every religion needs its scripture. Now pinot noir worshipers have theirs."—Carol Emert, San Francisco Chronicle "A great resource . . . . Exciting, thought-provoking reading."—Tara Q. Thomas, Wine & Spirits magazine

Malice and mayhem simmer beneath the surface of one of America's favorite vacation areas. “Youthful alienation and despair dominate the 13 stories in Akashic’s noir volume devoted to Cape Cod. [It] will satisfy those with a hankering for a taste of the dark side.” —Publishers Weekly “David L. Ulin has put together a malicious collection of short stories that will stay with you long after you return home safe.” —The Cult: The Official Chuck Palahniuk Website Akashic Books continues its groundbreaking series of original noir anthologies, launched in 2004 with Brooklyn Noir. Each story is set in a distinct neighborhood or location within the city of the book. Brand-new stories by: William Hastings, Elyssa East, Dana Cameron, Paul Tremblay, Adam Mansbach, Seth Greenland, Lizzie Skurnick, David L. Ulin, Kaylie Jones, Fred G. Leebron, Ben Greenman, Dave Zeltserman, and Jedediah Berry. From the introduction by David L. Ulin: “Here, we see the inverse of the Cape Cod stereotype, with its sailboats and its presidents. Here, we see the flip side of the Kennedys, of all those preppies in docksiders eating steamers, of the whale watchers and bicycles and kites. Here, we see the Cape beneath the surface, the Cape after the summer people have gone home. It doesn’t make the other Cape any less real, but it does suggest a symbiosis, in which our sense of the place can’t help but become more complicated, less about vacation living than something more nuanced and profound . . . "For me, Cape Cod is a repository of memory: forty summers in the same house will do that to you. But it is also a landscape of hidden tensions, which rise up when we least anticipate. In part, this has to do with social aspiration, which is one of the things that brought my family, like many others, to the Cape. In part, it has to do with social division, which has been a factor since at least the end of the nineteenth century, when then summer trade began. There are lines here, lines that get crossed and lines that never get crossed, the kinds of lines that form the web of noir. Call it what you want—summer and smoke is how I think of it—but that’s the Cape Cod at the center of this book.“

“All the heavy hitters, from Michael Connelly in Los Angeles to Joyce Carol Oates in suburban New Jersey . . . an important anthology.”—The New York Times Book Review (Editors’ Choice) Features Dennis Lehane’s story “Animal Rescue,” the inspiration for the movie The Drop starring Tom Hardy. Launched with the summer 2004 award-winning bestseller Brooklyn Noir, the groundbreaking Akashic Noir series now includes over sixty volumes and counting. The stories in USA Noir “represent the best of the U.S.-based anthologies, and the list of contributors include virtually anyone who’s made the best-seller list with a work of crime fiction in the last decade . . . a must-have anthology” (Booklist, starred review). Featuring stories by: Dennis Lehane, Don Winslow, Michael Connelly, George Pelecanos, Susan Straight, Jonathan Safran Foer, Laura Lippman, Pete Hamill, Joyce Carol Oates, Lee Child, T. Jefferson Parker, Lawrence Block, Terrance Hayes, Jerome Charyn, Jeffery Deaver, Maggie Estep, Bayo Ojikutu, Tim McLoughlin, Barbara DeMarco-Barrett, Reed Farrel Coleman, Megan Abbott, Elyssa East, James W. Hall, J. Malcolm Garcia, Julie Smith, Joseph Bruchac, Pir Rothenberg, Luis Alberto Urrea, Domenic Stansberry, John O’Brien, S.J. Rozan, Asali Solomon, William Kent Krueger, Tim Broderick, Bharti Kirchner, Karen Karbo, and Lisa Sandlin. One of Zoom Street Magazine’s Favorite Books of 2014 One of “100 Best Books for Readers Young and Old,” HispanicBusiness.com “Perhaps the single most impressive feature of the collection is its range of voices, from Joyce Carol Oates’ faux innocent young family to Megan Abbott’s impressionable high school kids to the chorus of peremptory voices S.J. Rozan plants in a haunted thief’s head. Eat your heart out, Walt Whitman: These are the folks who hear America singing, and moaning and screaming.”—Kirkus Reviews

Sixteen storytellers shed light on the darkness that lurks in the California city in this fun collection of crime tales. Akashic Books continues its award-winning series of original noir anthologies, launched in 2004 with Brooklyn Noir. Each book comprises all-new stories, each one set in a distinct neighborhood or location within the respective city. With stories by: Barry Gifford, Jim Nisbet, Lexi Pandell, Lucy Jane Bledsoe, Mara Faye Lethem, Thomas Burchfield, Shanthi Sekaran, Nick Mamatas, Kimn Neilson, Jason S. Ridler, Susan Dunlap, J.M. Curet, Summer Brenner, Michael David Lukas, Aya de León, and Owen Hill. Praise for Berkeley Noir “Each story evokes the dark side of a Berkeley neighborhood and pays tribute both to the city's history as a haven for outcasts and as a literary metropolis. If you race through it, consider picking up San Francisco Noir and Oakland Noir.” —Diablo Magazine, a Top Ticket choice “In “Lucky Day,” Thomas Burchfield reveals the evil that can come when a well-meaning aide breaks his boss’s cardinal rule never to allow patrons into the library early. A worried mom from Holloway wangles her son a prized place in the Berkeley school district in Aya de León’s “Frederick Douglass Elementary.” . . . . J.M. Curet’s “Wifebeater Tank Top,” the tale with the firmest criminal pedigree, is the most violent, but its poetic language and come-from-nowhere ending make it the best.” —Kirkus Reviews “The 16 stories set in Berkeley, Calif., in this above average Akashic noir anthology offer little actual noir but a heaping helping of crime, with almost every entry featuring at least a murder or kidnapping . . . . Readers will be glad that many of these tales are fun in a way that traditional noir isn’t.” —Publishers Weekly