This volume explores Irish rock's relationship to the wider world of international popular music through detailed analysis of the island's most prominent artists and bands such as U2, Van Morrison, Sinéad O'Connor, The Boomtown Rats, and Horslips - and key musical movements including the beat scene and the folk revival.

Made in Ireland: Studies in Popular Music serves as a comprehensive and thorough introduction to the history, sociology and musicology of 20th- and 21st-century Irish popular music. The volume consists of essays by leading scholars in the field and covers the major figures, styles and social contexts of popular music in Ireland. Each essay provides adequate context so readers understand why the figure or genre under discussion is of lasting significance to Irish popular music. The book is organized into three thematic sections: Music Industries and Historiographies, Roots and Routes and Scenes and Networks. The volume also includes a coda by Gerry Smyth, one of the most published authors on Irish popular music.

A facsimile edition containing the original collection of 1,850 melodies consisting of airs, jigs, reels, hornpipes, marches, and more for fiddle

(Guitar Solo). 15 favorites arranged for solo guitar in notes and tab, including: Down by the Salley Gardens * The Foggy Dew * The Galway Piper * The Gypsy Rover * Londonderry Air * Molly Malone * Sweet Rosie O'Grady * Water Is Wide * The Wearing of the Green * When Irish Eyes Are Smiling * Whiskey in the Jar * Wild Rover * and more.

The image of the Irish in the United States changed drastically over time, from that of hard-drinking, rioting Paddies to genial, patriotic working-class citizens. In 'Twas Only an Irishman's Dream, William H. A. Williams traces the change in this image through more than 700 pieces of sheet music--popular songs from the stage and for the parlor--to show how Americans' opinions of Ireland and the Irish went practically from one extreme to the other. Because sheet music was a commercial item it had to be acceptable to the broadest possible song-buying public. "Negotiations" about their image involved Irish songwriters, performers, and pressured groups, on the one hand, and non-Irish writers, publishers, and audiences on the other. Williams ties the contents of song lyrics to the history of the Irish diaspora, suggesting how ethnic stereotypes are created and how they evolve within commercial popular culture.

400 classic Irish session tunes from the author of "A Complete to Playing Irish Traditional Music on the Whistle." A unique collection of the most popular tunes played in Ireland... and throughout the world. Complete with 400-track downloadable audio of each tune played at moderate tempo on tin whistle - over 5 hours of music! Download details on copyright page of book. These tunes are suitable for all melody instruments - tin whistle, flute, fiddle, uilleann pipes, accordion, concertina, banjo, mandolin, harp - and feature widely-played session standards as well as less common tunes. All the main tune types are represented - jigs, reels, hornpipes, slip jigs, set dances, polkas, slides, barn dances, marches, waltzes, carolan tunes, mazurkas and flings.

(Educational Piano Solo). This delightful collection of Celtic favorites for the intermediate level pianist features 24 traditional Irish folk songs, as well as notes on the songs, illustrations, and even a map of Ireland! Songs include: As I Walked Out One Morning * Ballinderry * Carrickfergus * The Cliffs of Doneen * Down by the Salley Gardens * Follow Me Up to Carlow * The Gartan Mother's Lullaby * I'll Tell My Ma * Kitty of Coleraine * The Londonderry Air * Rocky Road to Dublin * Slieve Gallion Braes * and more.