This book examines how Pompeian peristyle gardens were utilized to represent the socioeconomic status of Roman homeowners, introducing fresh perspectives on how these spaces were designed, used, and perceived. Pompeian Peristyle Gardens provides a novel understanding of how the domus was planned, utilized, and experienced through a critical examination of all Pompeian peristyles – not just by selecting a few well-known examples. This study critiques common scholarly assumptions of ancient domestic space, such as the top-down movement of ideas and the relationship between wealth and socio-political power, though these possibilities are not excluded. In addition, this book provides a welcome contribution to exploring the largely unexamined middle class, an integral part of ancient Roman society. Pompeian Peristyle Gardens is of interest to students and scholars in art history, classics, archaeology, social history, and other related fields.

This volume explores the transformation of public space and administrative activities in republican and imperial Rome through an interdisciplinary examination of the topography of power. Throughout the Roman world building projects created spaces for different civic purposes, such as hosting assemblies, holding senate meetings, the administration of justice, housing the public treasury, and the management of the city through different magistracies, offices, and even archives. These administrative spaces – both open and closed – characterised Roman life throughout the Republic and High Empire until the administrative and judicial transformations of the fourth century CE. This volume explores urban development and the dynamics of administrative expansion, linking them with some of the most recent archaeological discoveries. In doing so, it examines several facets of the transformation of Roman administration over this period, considering new approaches to and theories on the uses of public space and incorporating new work in Roman studies that focuses on the spatial needs of human users, rather than architectural style and design. This fascinating collection of essays is of interest to students and scholars working on Roman space and urbanism, Roman governance, and the running of the Roman Empire more broadly.

Pompeii - Garten - Gartenpflege - ikonografische Quellen.

A complete introduction to the rich cultural legacy of Rome through the study of Roman art ... It includes a discussion of the relevance of Rome to the modern world, a short historical overview, and descriptions of forty-five works of art in the Roman collection organized in three thematic sections: Power and Authority in Roman Portraiture; Myth, Religion, and the Afterlife; and Daily Life in Ancient Rome. This resource also provides lesson plans and classroom activities."--Publisher website.

Domesticating Empire is the first contextually-oriented monograph on Egyptian imagery in Roman households. Caitlín Barrett draws on case studies from Flavian Pompeii to investigate the close association between representations of Egypt and a particular type of Roman household space: the domestic garden. Through paintings and mosaics portraying the Nile, canals that turned the garden itself into a miniature "Nilescape," and statuary depicting Egyptian themes, many gardens in Pompeii offered ancient visitors evocations of a Roman vision of Egypt. Simultaneously faraway and familiar, these imagined landscapes made the unfathomable breadth of empire compatible with the familiarity of home. In contrast to older interpretations that connect Roman "Aegyptiaca" to the worship of Egyptian gods or the problematic concept of "Egyptomania," a contextual analysis of these garden assemblages suggests new possibilities for meaning. In Pompeian houses, Egyptian and Egyptian-looking objects and images interacted with their settings to construct complex entanglements of "foreign" and "familiar," "self" and "other." Representations of Egyptian landscapes in domestic gardens enabled individuals to present themselves as sophisticated citizens of empire. Yet at the same time, household material culture also exerted an agency of its own: domesticizing, familiarizing, and "Romanizing" once-foreign images and objects. That which was once imagined as alien and potentially dangerous was now part of the domus itself, increasingly incorporated into cultural constructions of what it meant to be "Roman." Featuring brilliant illustrations in both color and black and white, Domesticating Empire reveals the importance of material culture in transforming household space into a microcosm of empire.

This volume offers a comprehensive survey of Roman villas in Italy and the Mediterranean provinces of the Roman Empire, from their origins to the collapse of the Empire. The architecture of villas could be humble or grand, and sometimes luxurious. Villas were most often farms where wine, olive oil, cereals, and manufactured goods, among other products, were produced. They were also venues for hospitality, conversation, and thinking on pagan, and ultimately Christian, themes. Villas spread as the Empire grew. Like towns and cities, they became the means of power and assimilation, just as infrastructure, such as aqueducts and bridges, was transforming the Mediterranean into a Roman sea. The distinctive Roman/Italian villa type was transferred to the provinces, resulting in Mediterranean-wide culture of rural dwelling and work that further unified the Empire.

In this study, Marcello Mogetta examines the origins and early dissemination of concrete technology in Roman Republican architecture. Framing the genesis of innovative building processes and techniques within the context of Rome's early expansion, he traces technological change in monumental construction in long-established urban centers and new Roman colonial cites founded in the 2nd century BCE in central Italy. Mogetta weaves together excavation data from both public monuments and private domestic architecture that have been previously studied in isolation. Highlighting the organization of the building industry, he also explores the political motivations and cultural aspirations of patrons of monumental architecture, reconstructing how they negotiated economic and logistical constraints by drawing from both local traditions and long-distance networks. By incorporating the available evidence into the development of concrete technology, Mogetta also demonstrates the contributions of anonymous builders and contractors, shining a light on their ability to exploit locally available resources.

This second edition examines all aspects of Roman history, and contains a new introduction, three new chapters and updated bibliographies.