The idea that the heritage of nature is fundamentally cultural is provocative to many, but it is becoming increasingly accepted in the context of heritage preservation. It is argued here that a person’s perspective on natural vs. cultural heritage as a contested patrimony is, to some extent, governed by one’s intellectual and geographical position. In discourses influenced by the natural sciences culture is a heritage of nature, whereas in those deriving from the humanities and social sciences, nature is defined socio-culturally. There is also, however, a geographical dimension to how one looks at the nature culture relation. From at least the time of Aristotle, the North has been identified with a cultural heritage thought to derive from the northern natural environment. It was no longer culture, as represented by the architectural monuments of the South, but the natural landscape that provided the measure for both natural and cultural heritage, as the natural landscape and its ecosystems were put in focus. This essay provides a contemporary picture of the long-standing contestation between natural and cultural heritage that provided the basis for the northern perspective taken in these essays. This book was previously published as a special issue of The International Journal of Heritage Studies.

This book offers an analysis of the dynamics of Israeli-European relations and discusses significant developments in that relationship from the late 1950s through to the present day. The emphasis is placed on five broad themes that address different dimensions of the relationship: 1) Israeli-E.U. relations and the Israeli-Palestinian peace process; 2) Israeli-E.U. relations in a multilateral context; 3) the bilateral nature of Israeli-E.U. relations; 4) Israeli (mis)perceptions of the E.U.; 5) the future of Israeli-E.U. relations.

"The Frances L. Hofer Bequest of drawings came to Harvard in 1978. Numbering over 1500 pieces, it has enriched both The Houghton Library, which received the drawings for book illustration, and the Fogg Art Museum. Philip Hofer, who formed the collection, has been closely associated with both institutions throughout his long Harvard career ... In 1979 the Fogg Art Museum exhibited a selection of the master drawings it received from this bequest. Now, two years after Mrs Hofer's death, the Houghton Library is exhibiting for the first time a selection of fifty of the drawings for book illustration."--P. 7.