If you enjoy humor a bit dark, a tad outrageous, if you like comedy with a whiff of the sinister and the macabre, then this collection of cartoons, Polly Wants A Lawyer is for you. Long time New Yorker cartoonist Nick Downes has a talent for finding hilarity in the darker, meaner corners of our world of law & disorder.Crazed criminals, corrupt cops, tainted juries, chaotic courtrooms, schemers, hustlers and cranks, with a deft comic touch, Downes takes on the absurdities of crime & punishment and renders all very, very funny. With Polly Wants a Lawyer, Nick Downes serves up a rogues gallery of hilariously twisted takes on crime, violence, and disorder.

Charged with defending the convicted and unrepentant mass murderer Ted Bundy during the last three years of his life, newly-minted Washington, D. C. attorney Polly Nelson fought to keep him out of the electric chair. In the now-classic Defending the Devil, she recounts with powerful honesty her own challenging role in the drama. Viewing herself as a compassionate humanitarian first, Nelson reveals her struggle to uphold her professional vow to represent her client (and try to save his life) while simultaneously being deeply mortified by the magnitude of his heinous crimes. Bundy's legal proceedings are meticulously recounted here, offering an eye-opening glimpse into the complex judicial appeals system. In addition to her fascinating behind-the-scenes look at the court proceedings, Nelson offers her unique insight into the mind of the killer. She paints a portrait of him as something less-than the diabolical evil genius suggested by his notoriety. While making no excuses for his despicable actions and acknowledging his "absolute misogyny," Nelson explores psychological angles to the case that many previously ignored. Showing a decidedly humanist slant, she brings Bundy's overt mental illness to the fore and makes a compelling case against the use of capital punishment. While ultimately unable to stay Bundy's execution, Nelson found a true calling in the fight to appeal the sentence. With candor and wit, she shares her own personal journey of emotional and intellectual transformation as a lawyer. "I was born to represent Ted Bundy," she writes.

Novels six through ten in #1 New York Times bestselling and Pulitzer Prize-winning author John Sandford’s Prey series, featuring Minneapolis homicide investigator Lucas Davenport. NIGHT PREY A savage psychopath is playing cat and mouse with Lucas Davenport. But both killer and detective find themselves at odds with a female investigator who has intensely personal reasons for catching the killer herself—and fast. MIND PREY Lucas Davenport has met his match—a nemesis more intelligent, and more depraved, than any he has tracked before. A pure, wanton killer who knows more about mind games than Lucas himself—and with a female psychiatrist already in his trap, he’s one step ahead. SUDDEN PREY The crime spree should have ended when Lucas Davenport killed the female bank robber during the shoot-out. But it’s just beginning, because the woman’s husband isn’t about to let Lucas—or anyone he loves—escape retribution. SECRET PREY When a wealthy banker is shot dead during a hunting trip, Lucas Davenport's routine murder investigation turns into a cat-and-mouse game with a killer who won't hesitate to take the fight to Lucas himself. And those he loves… CERTAIN PREY A wealthy socialite has been murdered. Now the killer must tie up a few loose ends. One is the witness. The other is Lucas Davenport—and of all the criminals Davenport has hunted, none has been as efficient or as ferociously intelligent as the woman who’s hunting him.

* You have an idea you want to pitch to a production company; how do you safeguard your concept? * There's a painting in the background of your independent film; is it necessary to clear the rights? * The screenplay you and a friend wrote gets optioned; how do you split the proceeds fairly? * How do you get a script to popular Hollywood actors or deal with their agents? Find quick answers to these and hundreds of other questions in The Pocket Lawyer for Film and Video, the next best thing to having an entertainment attorney at your beck and call. Written by a TV-producer-turned-entertainment-lawyer, this no-nonsense reference provides fast answers in plain English: no law degree required! The Pocket Lawyer is designed to help producers reduce legal costs by providing the vital information needed to make informed decisions on the legal aspects of film, video, and TV productions. Film and video production is a litigation lighting rod: actors get hurt, copyrights are infringed, and contracts are broken. Big-budget producers have lawyers on retainer, but many independent filmmakers are left legally exposed. Arm yourself with the practical advice in this book. You will not only avoid common pitfalls, but become empowered in your daily work. Too many otherwise competent producers turn over every aspect of the deal negotiations to their lawyers and agents. This book explains the principal deals common to every production, putting producers back in the co-pilot seat with their representatives. The format is carefully designed for quick reference, so you get the answers you need, fast. Features include: * Clause Companion: explains the meaning and impact of typical contract clauses, taking the headache out of reading them. * F.A.Qs: instantly answers the most commonly asked legal questions. * Warnings: alerts you to critical areas and common mistakes. * Pro-Tips: advice on unions, escrow accounts, etc. for producers who want to distribute their video widely.

Lucas Davenport confronts an elusive cat burglar obsessed with a woman whose initials are being carved into the bodies of a growing list of butchered women. Reprint.

This no-nonsense reference helps independent filmmakers recognize and solve the critical legal issues they might face throughout the course of making a film. Author Thomas A. Crowell, TV producer turned entertainment lawyer, will help you to understand and negotiate crucial production contracts, handle actors and their agents, and navigate the perils of copyright infringement and other lawsuits. Updated throughout to address important changes to the law, and incorporating discussion of online distribution, crowd funding, social media marketing, and international productions, this expanded third edition will provide you with the skills to: Protect the copyright to your work. Finance your film and watch out for common financing traps. Understand how tax credits and other incentives are used in film financing. Work with other screenwriters, and protect your script ideas. Adapt a book or comic into a screenplay. Know how to spot the difference between copyright infringement and fair use. Hire crew members, actors, and post-production staff. Draft a production services agreement or a license to use someone else’s work. License music for soundtracks. Negotiate a distribution agreement or understand how to distribute your film alone. Learn how to best position your film for Netflix. Make money from YouTube. And much more! Written for accessibility and ease of reference, this book is a vital resource for any student or independent filmmaker wanting their films to be successful and free of legal disasters.

NATIONAL BESTSELLER “Elie Honig has written much more than a compelling takedown of an unfit attorney general; he also offers a blueprint for how impartial and apolitical justice should be administered in America.”—Preet Bharara “An essential analysis for anyone committed to understanding the abuses of the Trump administration so we can ensure they never happen again.”—Joyce White Vance “Essential reading for all who cherish the rule of law in America.”—George Conway "Written with all the color and pacing of a legal thriller."—Variety CNN Senior Legal Analyst Elie Honig exposes William Barr as the most corrupt attorney general in modern U.S. history, with stunning new scandals bubbling to the surface even after Barr's departure from office. In Hatchet Man, former federal prosecutor Elie Honig uncovers Barr’s unprecedented abuse of power as Attorney General and the lasting structural damage done to the Justice Department. Honig uses his own experience as a prosecutor at DOJ to show how, as America’s top law enforcement official, Barr repeatedly violated the Department’s written rules, and those vital, unwritten norms and principles that comprise the “prosecutor’s code.” Barr was corrupt from the beginning. His first act as AG was to distort the findings of Special Counsel Robert Mueller, earning a public rebuke for his dishonesty from Mueller himself and, later, from a federal judge. Then, Barr tried to manipulate the law to squash a whistleblower’s complaint about Trump’s dealings with Ukraine—the report that eventually led to Trump’s first impeachment. Barr later intervened in an unprecedented manner to undermine his own DOJ prosecutors on the cases of Michael Flynn and Roger Stone, both political allies of the President. And then Barr fired the U.S. Attorney for the Southern District of New York under false pretenses. Finally, Barr amplified baseless theories about massive mail-in ballot fraud, pouring gasoline on the dumpster fire battle over the 2020 election results and contributing to the January 6 insurrection that led to Trump’s second impeachment. In Hatchet Man, Honig proves that Barr trampled the two core virtues that have long defined the department and its mission: credibility and independence – ultimately in service of his own deeply-rooted, extremist legal and personal beliefs. Honig shows how Barr corrupted the Justice Department and explains what we must do to prevent this from ever happening again.

Alan Taylor was reared by an ex-Texas Ranger in Central Texas. While his father was off to the Civil War a friend of his aunt taught Alan how to use a handgun. After three years of practicing, Alan became very skilled with its use. A friend of the gunsmith was an ex-prize fighter. He taught Alan how to use his fists. At 18 Alan was well over six feet and with the prize fighter's teaching, became as skilled with his fists as he was a gun. Alan got into a fight with the foreman of a ranch and beat him badly. The foreman brought the ranch's top gun and confronted Alan. Alan tried to talk his way out, but ended up not only killing the top gun, but two other ranch hands who drew on him. The rancher was outraged and sent for Jack Wesley, known as the fastest gun in Texas. Alan was lucky in the gunfight and killed Wesley and his reputation was now set. Alan went to Austin to college and was hired by the sheriff as a night jailer. During his time as a deputy sheriff, Alan solved many crimes. His story is filled with thrilling adventures which will keep the reader on the edge of his seat.