The focus of this publication is pollutants in the museum environment, their sources, how they can harm works of art, and what to do about it.

With an emphasis on passive sampling, this volume focuses on the environmental monitoring for common gaseous pollutants. It offers an overview of the history and nature of pollutants of concern to museums and the challenges facing scientists, conservators, and managers seeking to develop target pollutant guidelines to protect cultural property.

This study represents the latest in a series of research activities aimed at a better understanding of the origin and fate of air pollution within the built environment. Most previous studies of air pollution in cultural institutions have focused on gases. Particles were ignored for many reasons: they seemed to be more easily removed by the building; gaseous air pollutants had been well studied by industry, and their effects on commercial products were heavily documented; and many particle types were considered chemically benign to almost all surfaces. Even carbon black, which is now known to pose enormous degradation risks to the optical and color qualities of paintings and tapestries, is almost totally inert. Recognizing this, and understanding that we needed to know much more about the physics of particle intrusion in museum buildings, in 1987 the Environmental Engineering Lab at the California Institute of Technology, under contract to the Getty Conservation Institute, began a detailed examination of five different museums in Southern California. These structures represent a diverse range of architectural and ventilation types. Through this study a powerful computer model was developed that could predict the soiling effects of changes made to the operation or maintenance of a building. This model can even be used to estimate the soiling rates of new buildings or major rehabilitations before any construction work is begun. This is an important contribution to both the conservation community and the broader field of air quality science.

The Museum Environment, Second Edition deals with the behavior and conservation of the various classes of museum exhibit. This book is divided into six sections that provide museum specifications for conservation. This text highlights the three contributing factors in the deterioration and decay of museum exhibits, namely light, humidity, and air pollution. Each section describes the mechanism of deterioration and the appropriate “preventive conservation . The changes in this edition from the previous include the electronic hygrometry, fluorescent lamps, buffered cases, air conditioning systems, and data logging and control in historic buildings. This book is of great value to conservation researchers and museum workers.

With the quality of indoor air ranking highly in our lives, this second, completely, revised edition now includes 12 completely new chapters addressing both chemical and analytical aspects of organic pollutants. Sources of indoor air pollutants, measurement and detection as well as evaluation are covered filling the gap in the literature caused by this topical subject. This book is divided into four clearly defined parts: measuring organic indoor pollutants, investigation concepts and quality guidelines, field studies, and emission studies. The authors cover physico-chemical fundamentals of organic pollutants, relevant definitions and terminology, emission sources, sampling techniques and instrumentation, exposure assessment as well as methods for control. Test methods and studies for various indoor environments are described, such as automobile interiors, museum environments, or rooms with air ventilation. Emission sources covered include household and consumer products as well as electronic devices and office equipment. The book is aimed at chemists, physicists, biologists, and medical doctors at universities and research facilities, in industry and environmental laboratories as well as regulative bodies.

This book reviews the sources of the air pollutants responsible for building damage and the mechanisms involved. Studies investigating the relationships between pollution concentration (dose) and the resulting damage (response) are described and the latest research findings for dose-response functions are presented. Trends in pollutant emissions, ambient concentrations and building damage over time are described and future predictions are presented. Methodologies for assessing the extent of the potential problem in a region – the stock at risk – are presented. Procedures for estimating the economic implications are described and the consequences are discussed in detail, because economic factors are important for reaching policy and management decisions at local, national and international scales. Damage to cultural heritage buildings is an important additional effect which needs to be considered as the standards are revised and the factors which will need to be brought into the assessment are presented.

One of the challenges in protecting and displaying environmentally sensitive objects is preventing deterioration caused by the presence of oxygen. This volume describes the design and construction of an oxygen-free, hermetically sealed, display and storage case developed by the Getty Conservation Institute for the long-term protection of such objects. The case was originally designed as a collaborative project between the Egyptian Antiquities Organization and the GCI to conserve the Royal Mummy Collection at the Egyptian Museum in Cairo. Seven chapters cover the protection of cultural objects from environmental deterioration by reducing exposure to oxygen and by using inert gases for biodeterioration control. Also included are details on how the design and construction of the oxygen-free case has been adapted for other applications, specifically for the original documents of the Constitution of India in New Dehli and for the mummy collections at the Egyptian Museum and at the Museu Victor Balaguer in Vilanova i la Geltru, Spain. The Research in Conservation reference series presents the findings of research conducted by the Getty Conservation Institute and its individual and institutional research partners, as well as state-of-the-art reviews of conservation literature. Each volume covers a topic of current interest to conservators and conservation scientists.

In recent years more cultural institutions in hot and humid climates have been installing air-conditioning systems to protect their collections and provide comfort for both employees and visitors. This practice, however, can pose complications, including problems of installation and maintenance as well as structural damage to buildings, while failing to provide collections with a viable conservation environment. This volume offers hands-on guidance to the specific challenges involved in conserving cultural heritage in hot and humid climates. Initial chapters present scientific and geographic overviews of these climates, outline risk-based classifications for environmental control, and discuss related issues of human health and comfort. The authors then describe climate management strategies that offer effective and reliable alternatives to conventional air-conditioning systems and that require minimal intervention to the historic fabric of buildings that house collections. The book concludes with seven case studies of successful climate improvement projects undertaken by the Getty Conservation Institute in collaboration with cultural institutions around the world. Appendixes include a unit conversion table, a glossary, and a full bibliography. This book is an essential tool for cultural heritage conservators and museum curators, as well as other professionals involved in the design, construction, and maintenance of museums and other buildings housing cultural heritage collections in hot and humid climates. “It is absolutely right that conservation be in step with the socio-political context surrounding environmen­tally sound approaches. This text does that, and does it well. The authors have, admirably, been awarded the 2016 Prose Award for Environmental Science, and they are to be congratulated for producing a text that is seen as having an impact outside of the conservation sphere. The technical theory that underpins the text is accessible, and the solutions borne out through the case studies do present as being admirably pragmatic.”— Journal of the Institute of Conservation