Explores the impact of fascism, communism, and totalitarianism on modern Italy, through the prism of a single family.

“A murder mystery, a model of investigative reporting, a celebration of the fierce bonds that hold families together through tragedies…Murder in Matera is a gem.”— San Francisco Chronicle "Tantalizing" — NPR “A thrilling detective story… Stapinski pursues the study of her family’s criminal genealogy with unexpected emotional results.” — Library Journal A writer goes deep into the heart of Italy to unravel a century-old family mystery in this spellbinding memoir that blends the suspenseful twists of Making a Murderer and the emotional insight of Elena Ferrante’s Neapolitan Novels. Since childhood, Helene Stapinski heard lurid tales about her great-great-grandmother, Vita. In Southern Italy, she was a loose woman who had murdered someone. Immigrating to America with three children, she lost one along the way. Helene’s youthful obsession with Vita deepened as she grew up, eventually propelling the journalist to Italy, where, with her own children in tow, she pursued the story, determined to set the record straight. Finding answers would take Helene ten years and numerous trips to Basilicata, the rural "instep" of Italy’s boot—a mountainous land rife with criminals, superstitions, old-world customs, and desperate poverty. Though false leads sent her down blind alleys, Helene’s dogged search, aided by a few lucky—even miraculous—breaks and a group of colorful local characters, led her to the truth. Yes, the family tales she’d heard were true: There had been a murder in Helene’s family, a killing that roiled 1870s Italy. But the identities of the killer and victim weren’t who she thought they were. In revisiting events that happened more than a century before, Helene came to another stunning realization—she wasn’t who she thought she was, either. Weaving Helene’s own story of discovery with the tragic tale of Vita’s life, Murder in Matera is a literary whodunit and a moving tale of self-discovery that brings into focus a long ago tragedy in a little-known region remarkable for its stunning sunny beauty and dark buried secrets.

Hit whodunit writer Victoria Rienzi is getting back to her roots by working at her family’s Italian restaurant. But now in between plating pasta and pouring vino, she’ll have to find the secret ingredient in a murder.... When Victoria takes a break from penning her popular mystery series and moves back to the Jersey shore, she imagines sun, sand, and scents of fresh basil and simmering marinara sauce at the family restaurant, the Casa Lido. But her nonna’s recipes aren’t the only things getting stirred up in this Italian kitchen. Their small town is up in arms over plans to film a new reality TV show, and when Victoria serves the show’s pushy producer his last meal, the Casa Lido staff finds itself embroiled in a murder investigation. Victoria wants to find the real killer, but there are as many suspects as tomatoes in her nonna’s garden. Now she’ll have to heat up her sleuthing skills quickly…before someone else gets a plateful of murder. First in a new series! RECIPES INCLUDED!

A semiautobiographical coming-of-age story, framed by the harrowing 1975 Circeo massacre Edoardo Albinati’s The Catholic School, the winner of Italy’s most prestigious award, The Strega Prize, is a powerful investigation of the heart and soul of contemporary Italy. Three well-off young men—former students at Rome’s prestigious all-boys Catholic high school San Leone Magno—brutally tortured, raped, and murdered two young women in 1975. The event, which came to be known as the Circeo massacre, shocked and captivated the country, exposing the violence and dark underbelly of the upper middle class at a moment when the traditional structures of family and religion were seen as under threat. It is this environment, the halls of San Leone Magno in the late 1960s and the 1970s, that Edoardo Albinati takes as his subject. His experience at the school, reflections on his adolescence, and thoughts on the forces that produced contemporary Italy are painstakingly and thoughtfully rendered, producing a remarkable blend of memoir, coming-of-age novel, and true-crime story. Along with indelible portraits of his teachers and fellow classmates—the charming Arbus, the literature teacher Cosmos, and his only Fascist friend, Max—Albinati also gives us his nuanced reflections on the legacy of abuse, the Italian bourgeoisie, and the relationship between sex, violence, and masculinity.

Gratuitous sex. Graphic violence. Lies, revenge, and murder. Before there was digital cable or reality television, there was Renaissance Italy and the courts in which Italian magistrates meted out justice to the vicious and the villainous, the scabrous and the scandalous. Love and Death in Renaissance Italy retells six piquant episodes from the Italian court just after 1550, as the Renaissance gave way to an era of Catholic reformation. Each of the chapters in this history chronicles a domestic drama around which the lives of ordinary Romans are suddenly and violently altered. You might read the gruesome murder that opens the book—when an Italian noble takes revenge on his wife and her bastard lover as he catches them in delicto flagrante—as straight from the pages of Boccaccio. But this tale, like the other stories Cohen recalls here, is true, and its recounting in this scintillating work is based on assiduous research in court proceedings kept in the state archives in Rome. Love and Death in Renaissance Italy contains stories of a forbidden love for an orphan nun, of brothers who cruelly exact a will from their dying teenage sister, and of a malicious papal prosecutor who not only rapes a band of sisters, but turns their shambling father into a pimp! Cohen retells each cruel episode with a blend of sly wit and warm sympathy and then wraps his tales in ruminations on their lessons, both for the history of their own time and for historians writing today. What results is a book at once poignant and painfully human as well as deliciously entertaining.

Hamas has taken power in Palestine, and the Israeli government is rounding up threats. When Palestinian policewoman Rania Bakara finds herself thrown in prison, though she has never been part of Hamas, her friend Chloe flies in from San Francisco to get her out. Chloe begs an Israeli policeman named Benny for help—and Benny offers Rania a way out: investigate the death of a young man in a village near her own. The young man’s neighbors believe the Israeli army killed him; Benny believes his death might not have been so honorable. Initially, Rania refuses; she has no interest in helping the Israelis. But she is released anyway, and returns home to find herself without a job and suspected of being a traitor. Searching for redemption, she launches an investigation into the young man’s death that draws her into a Palestinian gay scene she never knew existed. With Chloe and her Palestinian Australian lover as guides, Rania explores a Jerusalem gay bar, meets with a lesbian support group, and plunges deep into the victim’s world, forcing her to question her beliefs about love, justice, and cultural identity.

By the end of the fifteenth century, Florence was well established as the home of the Renaissance. As generous patrons to the likes of Botticelli and Michelangelo, the ruling Medici embodied the progressive humanist spirit of the age, and in Lorenzo de' Medici they possessed a diplomat capable of guarding the militarily weak city in a climate of constantly shifting allegiances. In Savonarola, an unprepossessing provincial monk, Lorenzo found his nemesis. Filled with Old Testament fury, Savonarola's sermons reverberated among a disenfranchised population, who preferred medieval Biblical certainties to the philosophical interrogations and intoxicating surface glitter of the Renaissance. The battle between these two men would be a fight to the death, a series of sensational events—invasions, trials by fire, the 'Bonfire of the Vanities', terrible executions and mysterious deaths—featuring a cast of the most important and charismatic Renaissance figures.In an exhilaratingly rich and deeply researched story, Paul Strathern reveals the paradoxes, self-doubts, and political compromises that made the battle for the soul of the Renaissance city one of the most complex and important moments in Western history.

Can murder be the cure for a broken heart? Returning to her quaint hometown in Italy following the collapse of her engagement, feisty travel writer Giò Brando just wants some peace and quiet. Instead, she finds herself a suspect in a brutal murder. Anxious to clear her name, Giò embarks on her own investigation, eavesdropping on the gossip in her sister's perfumery and the cafés of Maratea as she pieces together the evidence. But something about the case isn't adding up. Or is Giò allowing her attraction to a fellow suspect to distract her? Wanting to distance herself from danger, Giò keeps her feelings in check. But when new evidence turns the whole case on its head, danger is exactly what is waiting for her. Murder on the Road is the first book in the compelling and heartwarming An Italian Village Mystery series. If you want a taste of Mediterranean village life, take a bite of this tasty treat, now! . *Beware - this book is written in British English with some Italian popping in here and there.

From the bestselling author of A Train in Winter, the story of the Rosselli family, whose courage standing up to Mussolini's fascism helped define the path of Italy in the years between the World Wars. "I had a house: they destroyed it. I had a newspaper: they closed it. I had a university chair: I was forced to abandon it. I had—as I still do—dreams, dignity, ideals: to defend them I was sent to prison. I had teachers: they murdered them." —Carlo Rosselli on Italy's fascist regime Italy's Rosselli family were members of the cosmopolitan, cultural elite in Florence at the start of the twentieth century. Led by their fierce matriarch, Amelia Rosselli, they were also vocal anti-fascists. As Mussolini rose to power in Italy following WWI, the Rossellis took leading roles in the rebellion against him, a stance that few in their class would risk. And when Mussolini established a police state whose tactics grew more brutal, the Rossellis and their anti-fascist friends transformed from debaters and critics into activists. As punishment for their participation in revolutionary activities, the Rossellis' homestead was ransacked, one after another of their number was imprisoned, others in the family fled the country to escape a similar fate, and two were eventually assassinated on the orders of Mussolini's government. After the outbreak of WWII, Amelia fled with the remaining members of the Rosselli family to New York City. Their visas were arranged by Eleanor Roosevelt herself. Through the stories of these brave people and their friends, renowned historian Caroline Moorehead delivers an immersive picture of Italy in the first half of the twentieth century. She reveals the rise and fall of Mussolini and his black-shirted Squadristi; the ambivalence of many prominent Italian families to Mussolini and their seduction by his promises; and the bold, fractured anti-fascist movement, so many of whose members died at Mussolini's hands. Continuing "The Resistance Quartet" she began with A Train in Winter and continued with Village of Secrets, Moorehead once again shows us the faces of those who helped the world hold on to its humanity at a time when it seemed all might be lost.

As a child Joanne was friends with Sally Love and her parents, but the friendship languished after Sally’s father died and she moved away, eventually becoming a very controversial artist. When the Mendel Gallery opens an exhibition of Sally’s work, Joanne is eager to attend and to renew their friendship. But it’s not so easy being Sally’s friend anymore, and soon Joanne finds herself ensnared in a web of intrigue and violence. When the director of a local private gallery is brutally murdered, Joanne finds that the past she and Sally share was far more complicated, and far more sordid, than she had realized.