This is a witty and authoritative account of this explosive mix between politics and economics and gives a rare insight into how economic policy is made in modern Britain and into the continuing political struggle over Britain's place in Europe.

This is a witty and authoritative account of this explosive mix between politics and economics and gives a rare insight into how economic policy is made in modern Britain and into the continuing political struggle over Britain's place in Europe.

A candid look at how the Olympic rings got so tarnished-from a top IOC insider Bribery, illicit drugs, tainted judges, dirty politics . . . the Olympics have come a long way from ancient Greece. Far from the vaunted symbol of athletic excellence, the Olympic games have become awash in scandal (from doping and judging scandals, questionable selection practices for future sites) that have given it a tawdry luster only cynics and news junkies would relish. Now, Dick Pound, a former Olympic medalist and twenty-five year member of the IOC gives an insider's account of the politics within the IOC as well as an unsensationalistic look at what went on behind the headlines. As controversial as the games themselves have become, Inside the Olympics is a fascinating, no-holds-barred look at just how the Olympics and their legacy have foundered.

Michael North offers a subtle reading of the issues by linking aesthetic modernism with an attempt in all these writers to resolve basic contradictions in modern liberalism. Though Yeats, Eliot, and Pound certainly attempted to resolve in art problems that could not be resolved in actuality, their very attempt resulted in a politicized aesthetic, one that confessed their inability to do so. The book includes accounts of the specific political activities of the three writers, reinterpretations of their critical theories in light of their politics, and rereadings of some of their major works, including The Tower, The Waste Land, and Pisan Cantos.

Ezra Pound spent most of his life in Italy and wrote about it incessantly in his poetry. Only by following his footsteps, acquaintances and composition processes can we make sense of and enjoy his forbidding Cantos. This study provides for the first time an account of Pound’s Italian wanderings and of what they became in his work. After this study we will be able to read Pound as a guide to the places, people and books he loved, and we will share his the poet traveler’s joys and discoveries.

What relevance has comedy for the global crises of late-modernity and the theological critique thereof? Coming out of the experience of war, a generation of modern theologians such as Donald MacKinnon, Hans Urs von Balthasar, and, more recently, Rowan Williams, in their accommodation to literature, choose tragedy as the paradigm for theological understanding and ethics. By contrast, this book develops recent philosophical, anthropological, and psychoanalytical studies of humor to develop a theology of comedy. By deconstructing secular accounts of comedy it advances the argument that comedy is not only participatory of the divine, but that it should inform our thinking about liturgical, sacramental, and ecclesial life if we are to respond to the postmodern age in which having fun is an ideological imperative of market forces.

‘An extraordinary book of real passionate research’ Edmund de Waal In 1945, Ezra Pound was due to stand trial for treason for his broadcasts in Fascist Italy during the Second World War. But before the trial could take place Pound was pronounced insane. Escaping a potential death sentence he was shipped off to St Elizabeths Hospital near Washington, DC, where he was held for over a decade. At the hospital, Pound was at his most contradictory and most controversial: a genius writer – ‘The most important living poet in the English language’ according to T. S. Eliot – but also a traitor and now, seemingly, a madman. But he remained a magnetic figure. Eliot, Elizabeth Bishop, Robert Lowell and John Berryman all went to visit him at what was perhaps the world’s most unorthodox literary salon: convened by a fascist and held in a lunatic asylum. Told through the eyes of his illustrious visitors, The Bughouse captures the essence of Pound – the artistic flair, the profound human flaws – whilst telling the grand story of politics and art in the twentieth century.

Ezra Pound was an influential propagandist for British, Italian and ultimately German fascist movements. Using long-neglected manuscripts and cutting-edge approaches to fascism as a 'political religion', Feldman argues that Pound's case offers a revealing case study of a modernist author turned propagator of the 'fascist faith'.