This book analyzes the distinctive contribution to literary history of early-seventeenth-century hand-written English poetry anthologies. Compiled by manuscript verse collectors, these anthologies preserved a number of pieces by major authors of the English Renaissance, yet they tended to surround them with unprintable verses on sex and politics.

"The first full-length biography of British-born poet Denise Levertov (1923-1997) brings to life a major voice in American poetry during the second half of the twentieth century. Drawing on exhaustive archival research of Levertov's entire opus and on interviews with dozens of the poet's friends, Donna Krolik Hollenberg's authoritative biography captures the full complexity of Levertov's entire opus and on interviews with dozens of the poet's friends, Donna Korlik Hollenberg's authoritative biography captures the full complexity of Levertov as both a woman and an artist, and the dynamic world she inhabited"--Front jacket flap.

'A profoundly valuable collection, full of fresh perspective, and opening doors into all kinds of material that has been routinely neglected or patronized' Rowan Williams, TLS This rich and surprising anthology is a holistic, global survey of a lyric conversation about the divine, one which has been ongoing for millennia. Beginning with the earliest attributable author in all of human literature, the twenty-third century BCE Sumerian High Priestess Enheduanna, and taking in a constellation of voices - from King David to Lao Tzu, from the Epic of Gilgamesh to the Malian Epic of Sundiata - this selection presents a number of canonical figures like Blake, Dickinson and Tagore, alongside lesser-anthologized, diverse poets going up to the present day. Together they show the breathtaking multiplicity of ways humanity has responded to the spiritual, across place and time.

This book advances the argument that there exist in Middle English verse distinct narrative patterns that affected medieval contemporary audiences in symbolic ways. The author focuses upon one particular narrative pattern that occurs in a large number of poems, allowing us to discern, even if we do not share, unstated medieval assumptions about narrative structure.

This Bibliography assembles annotation of collections and criticism of lyrics of religious and secular love, carols and songs, and rhymes of everyday life. The Middle English lyrics and short poems form a varied group that ranges over most aspects of life to include lyrics of religious and secular love, carols and songs, and mundane rhymes of everyday life. Thus there are expressionsof devotion, ethereal or earthly, theological expositions, and knowledge needed for life. The poems are disparate and generally anonymous, and their survival owes much to chance. The bibliography assembles neutral annotation of collections and criticism of the works, arranged chronologically to show the course of criticism and the growing appreciation of these poems and all they can tell us. The introduction considers these matters, problems of definitionof the genre, and the isolable lyrics, and seeks to reconcile some first impressions of the poems, as disparate and slight, with the rewards of close study. ROSEMARY GREENTREE is currently Visiting Research Fellow, Dept of English, University of Adelaide.