Confining itself to the peaks of anticolonial struggles and the popular resistance to the state in independent India, this book shows the political prisoners's view of the ruptures and continuities in the forms of repression, the nature of penal sanctions, and the legal political processes and discourses in colonial and independent India,

In its most brutal form, the prison in British India was an instrument of the colonial state for instilling fear and dealing with resistance. Exploring the lived experience of select political prisoners, this volume presents their struggles and situates them against the backdrop of the freedom movement. From Mohamed Ali, Maulana Abdul Kalam Azad, the Nehru family, and Gandhi, to communists like M.N. Roy—we get a vivid glimpse of their lives within the confines of the prison in a narrative that is at times deeply personal and yet political. The struggles of some remarkable women of the time are also brought to the fore—be it the feisty doctor Rashid Jahan, Aruna Ali, Vijaya Lakshmi Pandit, or Sarojini Naidu. Extensively researched, the volume draws upon the records at the National Archives of India, private papers, creative writings of the prisoners, newspapers, memoirs, biographies, and autobiographies. The volume also brings to light the differences between Indian and European prisons during the colonial period and the conception of ‘criminal classes’ in the colony. Capturing the sharp pangs of loneliness, the poetry born out of solitude, and the burning desire for independence, Roads to Freedom breathes new life into accounts and tales long forgotten.

On Feb 6th 2003, Anjum Zamarud Habib, a young woman political activist from Kashmir, was arrested in Delhi and jailed under the Prevention of Terrorism Act (POTA). Her crime? Being in the wrong place at the wrong time. And being the Chairperson of the Muslim Khawateen Markaz and in that capacity, a member of the Hurriyat Conference. In this passionate and moving account of her days in prison, Anjum Zamarud Habib describes the shock and bewilderment of arrest, the pain of realizing that there is no escape for not days, not weeks, but years, the desperation for contact with the outside world and the sense of deep betrayal at being abandoned by her political comrades. Her story is both a searing indictment of draconian state policies and expedient political practices, and a moving account of one woman’s extraordinary life. “Prisoner No 100 illuminates the darkest corners of Kashmir’s political experience. A brilliant critique of patriarchy in politics, a searing tale of the terrible humiliations visited upon political prisoners, a poignant story of a woman who dedicated her life to political change in Kashmir, a passionate love letter to Kashmir. Everyone interested in Kashmir should read it.” —Basharat Peer, author of Curfewed Nights Published by Zubaan.

Arun Ferreira is from the East Indian community, the original Mumbaikars, whose villages became the localities of a sprawling metropolis. He graduated from the prestigious St. Xavier's College, Mumbai, and has been an activist since his student days. Ferreira is also a cartoonist whose drawings on social and political issues have appeared in various publications, as well as in student and worker magazines. Since his release in 2012, he continues to actively engage with issues of political prisoners, prison reforms and democratic rights. He is presently pursuing a degree in law and researching the history of the democratic rights movement in Mumbai

As you read this, thousands of men, women, and even children are in prisons around the world, not because they have committed violence, theft, or broken drug laws, but because they spoke against their government. They are political prisoners: in some cases, they did not even intend to cross their nations' leaders-they just happened to get in the way of schemes of which they were not even aware. This book tells many stories of political prisoners, both past and present. Some of them have become leaders in their countries, like Nelson Mandela and Vaclav Havel. Some have "disappeared" and may no longer be alive, like sixteen-year-old Panchen Lama. Many of these political prisoners are people of tremendous courage and inner strength, like Wei Jingsheng, Leyla Zana, and Aung San Suu Kyi. An imprisoned Nobel Peace Prize winner, Aung San Suu Kyi has urged the world, "Please use your liberty to promote ours." The true accounts of political prisoners in this book are both heartrending and inspiring: every informed citizen of our world should know about them.

On a November night in 1984, Susan Rosenberg sat in the passenger seat of a U-Haul as it swerved along the New Jersey Turnpike. At the wheel was a fellow political activist. In the back were 740 pounds of dynamite and assorted guns. That night I still believed with all my heart that what Che Guevara had said about revolutionaries being motivated by love was true. I also believed that our government ruled the world by force and that it was necessary to oppose it with force. Raised on New York City's Upper West Side, Rosenberg had been politically active since high school, involved in the black liberation movement and protesting repressive U.S. policies around the world and here at home. At twenty-nine, she was on the FBI's Most Wanted list. While unloading the U-Haul at a storage facility, Rosenberg was arrested and sentenced to an unprecedented 58 years for possession of weapons and explosives. I could not see the long distance I had traveled from my commitment to justice and equality to stockpiling guns and dynamite. Seeing that would take years. Rosenberg served sixteen years in some of the worst maximum-security prisons in the United States before being pardoned by President Clinton as he left office in 2001. Now, in a story that is both a powerful memoir and a profound indictment of the U.S. prison system, Rosenberg recounts her journey from the impassioned idealism of the 1960s to life as a political prisoner in her own country, subjected to dehumanizing treatment, yet touched by moments of grace and solidarity. Candid and eloquent, An American Radical reveals the woman behind the controversy--and reflects America's turbulent coming-of-age over the past half century.

States around the world imprison people for their beliefs or politically-motivated actions. Oppositional movements of all stripes celebrate their comrades behind bars. Yet they are more than symbols of repression and human rights. Dance in Chains examines the experiences of political prisoners themselves in order to understand who they are, what they do, and why it matters. This is the first book to trace the history of modern political imprisonment from its origins in the mid-nineteenth century. The letters, diaries, and memoirs of political prisoners, as well as the records of regime policies, relate the contest in the prison cell to political conflicts between regime and opposition. Padraic Kenney draws on examples from regimes ranging from communist and fascist to colonial and democratic, including Ireland, the United Kingdom, Poland, and South Africa. They include the Fenian Brotherhood, imprisoned in England and Ireland in the 1860s, and their successors during the Irish War of Independence and the Northern Ireland Troubles; Afrikaaners suspected of treason during the Boer War; socialists fighting for Polish freedom in the Russian Empire, and then Communists denouncing "bourgeois" rule in newly-independent Poland; the opponents of apartheid South Africa and stalinist Poland; and those imprisoned by the United States in Guantanamo Bay detention camp today. Some prisons are well-known; in others, inmates suffered in obscurity. Through self-organization, education, and actions ranging from solitary non-cooperation to mass hunger strikes, these prisoners transform their incarceration and counter states' efforts to control them. While considering the international movements that have sought to publicize the plight of political prisoners, Dance in Chains examines the actions of the prisoners themselves to find universal answers to questions about the meaning and purpose of their imprisonment.

Starve and Immolate tells the story of leftist political prisoners in Turkey who waged a deadly struggle against the introduction of high security prisons by forging their lives into weapons. Weaving together contemporary and critical political theory with political ethnography, Banu Bargu analyzes the death fast struggle as an exemplary though not exceptional instance of self-destructive practices that are a consequence of, retort to, and refusal of the increasingly biopolitical forms of sovereign power deployed around the globe. Bargu chronicles the experiences, rituals, values, beliefs, ideological self-representations, and contentions of the protestors who fought cellular confinement against the background of the history of Turkish democracy and the treatment of dissent in a country where prisons have become sites of political confrontation. A critical response to Michel Foucault's Discipline and Punish, Starve and Immolate centers on new forms of struggle that arise from the asymmetric antagonism between the state and its contestants in the contemporary prison. Bargu ultimately positions the weaponization of life as a bleak, violent, and ambivalent form of insurgent politics that seeks to wrench the power of life and death away from the modern state on corporeal grounds and in increasingly theologized forms. Drawing attention to the existential commitment, sacrificial morality, and militant martyrdom that transforms these struggles into a complex amalgam of resistance, Bargu explores the global ramifications of human weapons' practices of resistance, their possibilities and limitations.