A fast paced novel about a Los Angeles Times crime reporter who takes on a local criminal kingpin billionaire Martin Nelson. Harry Walsh has been reporting on the murders of young women since the beginning of the year. Things really begin to heat up once he gets on the trail of those doing the killing. He tries to expose Nelson as being responsible for numerous criminal activities in Los Angeles, including murder. Walsh becomes a target himself and gets entangled in the United States criminal justice system. The book details the profits that can be obtained by someone at the top of an independent criminal organization, not in anyway associated with the east or west coast mob. It shows how difficult it is to pin anything on someone like Nelson. It identifies illegal criminal activity revenue streams, both clean and dirty money. The action moves from Marina Del Rey, California to St Tropez on the French Riviera. This is Stephen Knight's third novel. A departure from his first two novels about nuclear espionage in the United States, The Minot Mission and special forces payback in Afghanistan, The Afghan Mission.

"... containing the names and the disposition made of more than 20,000 pictures, from ... May 15th, 1915, up to the end of the year 1917. This list will be supplemented by further lists presented at the end of each half yearly period."--Pennsylvania. State Board of Censors of Moving Pictures. Report, 1918, p. 7.

At 1pm on 26 June 1996 the Sunday Independent's crime reporter Veronica Guerin was shot dead by a motorcycle pillion passenger as she waited at traffic lights on the outskirts of Dublin - the victim of her own crusading expos-s of leading criminals. Her death profoundly shocked the country. Both the President and the Taoiseach attended her funeral; tributes were paid to her in parliament, and hundreds of bouquets of flowers were placed in her memory by members of the public. Within a month new anti-crime measures had been introduced and two of the leading murder suspects had fled the country. While Guerin was hailed as a heroine, the finest journalist of her generation, the Sunday Independent was busy denying any culpability in her death, and its officials vigorously refuted accusations that the paper's cult of personality and cynical controversialism put its writers in danger. Emily O'Reilly's book exposes the frightening moral bankruptcy of the media and the devastating consequences of this - for the individual and for society.

Not a day goes by in which the police do not figure prominently in the news. Whether it be as investigators of a rural homicide, or as the subjects of a debate on police chases, the police are ever-present. They are news. The public's fear of crime and the "law and order" agenda prominently advanced by many politicians make Police a particularly topical collection of original essays that examine developments and issues of public concern relating to Canada's municipal police. These essays address such issues of public debate as police regionalization, the role and militancy of police unions, the proliferating use of police tactical units, facts and fictions of community policing, stress symptoms such as divorce among serving police officers, and the role and career prospects of women in policing.

NOW A MAX ORIGINAL SERIES. A riveting true-life tale of newspaper noir and Japanese organized crime from an American investigative journalist who "pulls the curtain back on ... [an] element of Japanese society that few Westerners ever see" (San Francisco Examiner). Jake Adelstein is the only American journalist ever to have been admitted to the insular Tokyo Metropolitan Police Press Club, where for twelve years he covered the dark side of Japan: extortion, murder, human trafficking, fiscal corruption, and of course, the yakuza. But when his final scoop exposed a scandal that reverberated all the way from the neon soaked streets of Tokyo to the polished Halls of the FBI and resulted in a death threat for him and his family, Adelstein decided to step down. Then, he fought back. In Tokyo Vice he delivers an unprecedented look at Japanese culture and searing memoir about his rise from cub reporter to seasoned journalist with a price on his head.

This book is a collection of short stories featuring investigative reporter York Symon. The book contains the following stories: The Reporter - The Writings Of Maconochie Hoe - The Murder Of Bennett Sandman - The Crime Of Gai Joi - The Lethbridge Abduction - The Safe Deposit At The Social Club - The Case Of Crook Beresford - The Crime Expert - The Last Throw Of Crook Beresford - The Caretaker in Charge

Active from 1940 to 1948, PM was a progressive New York City daily tabloid newspaper committed to the politics of labor, social justice, and antifascism—and it prioritized the intelligent and critical deployment of pictures and their perception as paramount in these campaigns. With PM as its main focus, Artist as Reporter offers a substantial intervention in the literature on American journalism, photography, and modern art. The book considers the journalistic contributions to PM of such signal American modernists as the curator Holger Cahill, the abstract painter Ad Reinhardt, the photographers Weegee and Lisette Model, and the filmmaker, photographer, and editor Ralph Steiner. Each of its five chapters explores one dimension of the tabloid’s complex journalistic activation of modernism’s potential, showing how PM inserted into daily print journalism the most innovative critical thinking in the fields of painting, illustration, cartooning, and the lens-based arts. Artist as Reporter promises to revise our own understanding of midcentury American modernism and the nature of its relationship to the wider media and public culture.

Scooped! surveys the impact of tabloid journalism in America and reveals that crime news and reporting say much about a society fascinated by sleaze and violence. David Krajicek raises important questions about how and why certain crimes are reported, and the ways in which these representations are framing debates concerning crime policy and the criminal justice system. He challenges journalists--in the tabloid, television, and otherwise "respectable" news media--to fulfill their mission to inform, and not inflame, the public.

In the mid-1990s, the NYPD created a performance management strategy known as Compstat. It consisted of computerized data, crime analysis, and advanced crime mapping coupled with middle management accountability and crime strategy meetings with high-ranking decision makers. While initially credited with a dramatic reduction in crime, questions quic