Active from 1940 to 1948, PM was a progressive New York City daily tabloid newspaper committed to the politics of labor, social justice, and antifascism—and it prioritized the intelligent and critical deployment of pictures and their perception as paramount in these campaigns. With PM as its main focus, Artist as Reporter offers a substantial intervention in the literature on American journalism, photography, and modern art. The book considers the journalistic contributions to PM of such signal American modernists as the curator Holger Cahill, the abstract painter Ad Reinhardt, the photographers Weegee and Lisette Model, and the filmmaker, photographer, and editor Ralph Steiner. Each of its five chapters explores one dimension of the tabloid’s complex journalistic activation of modernism’s potential, showing how PM inserted into daily print journalism the most innovative critical thinking in the fields of painting, illustration, cartooning, and the lens-based arts. Artist as Reporter promises to revise our own understanding of midcentury American modernism and the nature of its relationship to the wider media and public culture.

Published in conjunction with the May 2001 exhibition at the Frye Art Museum, this catalogue presents 53 color reproductions of the work of artist Allan Rohan Crite, whose paintings illustrate everyday activities or seemingly insignificant moments. Four essays provide introductory information and commentary on the Crite and his work. Distributed by the U. of Washington Press. Annotation copyrighted by Book News, Inc., Portland, OR

An exemplary text for courses in feature writing, magazine, and literary journalism, Intimate Journalism introduces students to the cutting-edge art of combining traditional feature writing with deep journalistic inquiry. This collection of award-winning articles elevates human interest reporting to new heights in the literary journalism field. In a detailed and hands-on, practical primer on in-depth human reporting, editor Walt Harrington prefaces this outstanding collection by sharing the trade secrets from his 15 years as a staff writer for The Washington Post Magazine. Fifteen articles follow, each containing fascinating examples of evocative human reporting by some of the most artful journalists in America. Each article is followed by an invaluable afterword from each journalist describing how he or she conceptualized, reported and wrote their particular story. In this passionate and intense volume, Harrington gives journalists inspiration and guidance on how to turn ordinary life into extraordinary journalism A must for students and teachers of journalism, for budding magazine and newspaper writers, and for professional journalists who wish to be re-inspired by the superb reporting, distinctive writing, and sound advice found in this text.

"Reporter is just wonderful. Truly a great life, and what shines out of the book, amid the low cunning and tireless legwork, is Hersh's warmth and humanity. This book is essential reading for every journalist and aspiring journalist the world over." —John le Carré From the Pulitzer Prize-winning, best-selling author and preeminent investigative journalist of our time—a heartfelt, hugely revealing memoir of a decades-long career breaking some of the most impactful stories of the last half-century, from Washington to Vietnam to the Middle East. Seymour Hersh's fearless reporting has earned him fame, front-page bylines in virtually every major newspaper in the free world, honors galore, and no small amount of controversy. Now in this memoir he describes what drove him and how he worked as an independent outsider, even at the nation's most prestigious publications. He tells the stories behind the stories—riveting in their own right—as he chases leads, cultivates sources, and grapples with the weight of what he uncovers, daring to challenge official narratives handed down from the powers that be. In telling these stories, Hersh divulges previously unreported information about some of his biggest scoops, including the My Lai massacre and the horrors at Abu Ghraib. There are also illuminating recollections of some of the giants of American politics and journalism: Ben Bradlee, A. M. Rosenthal, David Remnick, and Henry Kissinger among them. This is essential reading on the power of the printed word at a time when good journalism is under fire as never before.

James M. Sessions "WWII Brush Reporter"This unique book illustrated by James Sessions chronicles Major WWII battles combined with period historic events.A tribute to all the fighting forces of America containing 28 of his finest wartime paintings, plus a comprehensive biography detailing his extraordinary career in American art. *Tarawa* Guam* Pearl Harbor* Monte Casino*

"A reminder that even the smallest newspapers can hold the most powerful among us accountable."—The New York Times Book Review Watch the documentary Storm Lake on PBS. Iowa plays an outsize role in national politics. Iowa introduced Barack Obama and voted bigly for Donald Trump. But is it a bellwether for America, a harbinger of its future? Art Cullen’s answer is complicated and honest. In truth, Iowa is losing ground. The Trump trade wars are hammering farmers and manufacturers. Health insurance premiums and drug prices are soaring. That’s what Iowans are dealing with, and the problems they face are the problems of the heartland. In this candid and timely book, Art Cullen—the Storm Lake Times newspaperman who won a Pulitzer Prize for taking on big corporate agri-industry and its poisoning of local rivers—describes how the heartland has changed dramatically over his career. In a story where politics, agri­culture, the environment, and immigration all converge, Cullen offers an unsentimental ode to rural America and to the resilient people of a vibrant community of fifteen thousand in Northwest Iowa, as much sur­vivors as their town.