Quality photographs of evidence can communicate details about crime scenes that otherwise may go unnoticed, making skilled forensic photographers invaluable assets to modern police departments. For those seeking a current and concise guide to the skills necessary in forensic photography, Police Photography, Seventh Edition, provides both introductory and more advanced information about the techniques of police documentation. Completely updated to include information about the latest equipment and techniques recommended for high-quality digital forensic photography, this new edition thoroughly describes the techniques necessary for documenting a range of crime scenes and types of evidence, including homicides, arson, and vehicle incidents. With additional coverage of topics beyond crime scenes, such as surveillance and identification photography, Police Photography, Seventh Edition is an important resource for students and professionals alike. Completely updated to reflect the rise of digital police photography Four-color photographs and illustrations added throughout to illustrate concepts Defines the steps for producing high-quality photographs of a range of crime scenes and types of evidence Explores specialized topics, including ultraviolet imaging, laser enhanced evidence, and surveillance photography Access to instructor ancillaries, including Test Banks, Instructor's Guides, and PowerPoint Lecture Slides for every chapter

Handbook of Forensic Photography is the most-comprehensive, definitive reference for the use of photography in the capture and presentation of forensic evidence. The intent is to inform the reader about the most complete and up-to-date methods to capture and reproduce images that most accurately represent the evidence. With the rise in importance of forensic science, crime and accident scene documentation has likewise increased in importance—not the least of which has been forensic photography. The need to use accepted practice and protocols to guarantee the authenticity of images for evidence documentation is paramount for using it in court. And as with any discipline, there is an art to the science of forensic photography. Contributing authors from various backgrounds—each experts in their field—have provided numerous case examples, best practices, and recommendations for recognizing, recording, and preserving evidence using cameras and the latest digital image technology, including video and other imaging technologies. Chapters present such topics as videography, drone photography, underwater photography, crime scene photography, autopsy photographs, fire documentation, forensic odontology, and more. The book closes with coverage of courtroom displays, presenting imaging evidence and expert witness testimony in the courtroom. Handbook of Forensic Photography is a must-have reference for experienced crime scene photographers, death and crime scene investigators, police, and forensic professionals—including medical examiners, odontologists, engineers, and forensic anthropologists—who frequently need to capture investigative photographs in the course of investigations.

This helpful textbook teaches the fundamentals of photography and their application to police work. It offers clear explanations of the basic elements of photography that are used in investigative police work. Recommendations regarding equipment and techniques are offered throughout for both small and large police departments. Topics include the advantages and disadvantages of digital photography, and guidelines for photographing accidents, crimes, evidence, questioned documents, and identification photos, and dealing with special situations such as homicide and arson. Step-by-step instructions show both experienced and inexperienced photographers the best way to capture specific situations encountered in law enforcement. A wide variety of photographs and illustrations demonstrate techniques and complement the material. A glossary provides a quick reference for looking up important definitions.

Quality photographs of evidence can communicate details about crime scenes that otherwise may go unnoticed, making skilled forensic photographers invaluable assets to modern police departments. For those seeking a current and concise guide to the skills necessary in forensic photography, Police Photography , Seventh Edition, provides both introductory and more advanced information about the techniques of police documentation. Completely updated to include information about the latest equipment and techniques recommended for high-quality digital forensic photography, this new edition thoroughly describes the techniques necessary for documenting a range of crime scenes and types of evidence, including homicides, arson, and vehicle incidents. With additional coverage of topics beyond crime scenes, such as surveillance and identification photography, Police Photography , Seventh Edition is an important resource for students and professionals alike.

Alternate Light Source Imaging provides a brief guide to digital imaging using reflected infrared and ultraviolet radiation for crime scene photographers. Clear and concise instruction illustrates how to accomplish good photographs in a variety of forensic situations. It demonstrates how tunable wavelength light sources and digital imaging techniques can be used to successfully locate and document physical evidence at the crime scene, in the morgue, or in the laboratory. The scientific principles that make this type of photography possible are described, followed by the basic steps that can be utilized to capture high quality evidentiary photographs.

In the 150 years since its emergence, photography has become a primary police tool. Filled with mug shots, scenes of the crime, blood drenched victims, and other gruesome evidence, "Police Pictures" explores both the manipulation of images and the policing function of photography. Published in conjunction with a San Francisco Museum of Modern Art exhibit. Over 120 full-color and duotone images.

This title traces how the act of representing and watching is central to modern law enforcement. Finn analyzes the development of police photography in the 19th century to foreground a critique of three identification practices that are fundamental to current police work.

Forensic photography plays a vitally important part in the investigation of crime and the subsequent administration of justice. Written by a practitioner with many years professional experience, this book provides an overview of the most common forensic photography techniques in use today for those readers who may not have a detailed understanding of camera techniques and who need to get to grips with the use of light and other key scientific aspects of the job. It covers image capture issues, file handling and relevant equipment, such as lasers and UV lights, and explores how they work. The predominance of the digital camera has resulted in an increasing trend for police forces across the world to use untrained camera users, rather than expert photographers. Therefore, this book will prove invaluable for those practitioners who need to produce accurate and clear photographic evidence, above and beyond the point and shoot mode on their cameras.

The Encyclopedia of Nineteenth-Century Photography is the first comprehensive encyclopedia of world photography up to the beginning of the twentieth century. It sets out to be the standard, definitive reference work on the subject for years to come. Its coverage is global – an important ‘first’ in that authorities from all over the world have contributed their expertise and scholarship towards making this a truly comprehensive publication. The Encyclopedia presents new and ground-breaking research alongside accounts of the major established figures in the nineteenth century arena. Coverage includes all the key people, processes, equipment, movements, styles, debates and groupings which helped photography develop from being ‘a solution in search of a problem’ when first invented, to the essential communication tool, creative medium, and recorder of everyday life which it had become by the dawn of the twentieth century. The sheer breadth of coverage in the 1200 essays makes the Encyclopedia of Nineteenth-Century Photography an essential reference source for academics, students, researchers and libraries worldwide.

The extensive collection of police forensic negatives casts a fascinating light on the shadowy underworld of Sydney between the wars. In the mugshots we encounter people of that world - thieves, breakers, receivers, 'magsmen', false pretenders, 'hotel barbers', dope users, prostitutes, makers of false oaths - and the occasional murderer. And within this medium of crime and accident scene photographs we are able to view, sometimes in extraordinary detail, their physical milieu - the mean kitchens, bedrooms and parlours, the pubs, boarding houses, corner shops and residentials, the garages, back lanes and byways of a city that is both eerily strange but all too familiar.