Polemic and Literature Surrounding the French Wars of Religion demonstrates that literature and polemic interacted constantly in sixteenth-century France, constructing ideological frameworks that defined the various groups to which individuals belonged and through which they defined their identities. Contributions explore both literary texts (prose, poetry, and theater) and more intentionally polemical texts that fall outside of the traditional literary genres. Engaging the continuous casting and recasting of opposing worldviews, this collection of essays examines literature's use of polemic and polemic's use of literature as seminal intellectual developments stemming from the religious and social turmoil that characterized this period in France.

This new volume of Yale French Studies both honors and adds to Edwin M. Duval's scholarship on the history and development of French Renaissance literature. Edwin (Ned) M. Duval's scholarship focuses on teasing out hidden structures and symmetries in the poetry and prose of the French Renaissance, a period when literature underwent radical changes. In honor of Duval's literary "sleuthing," the contributors in this issue explore the symmetries, as well as the dissymmetries, the fragility, ambiguities, and contradictions of French Renaissance literary production. This volume addresses evolving literary practices, innovations in genre, and intellectual developments in sixteenth-century France.

This collection of essays engages with a variety of aspects of early modern book culture in the 16th-17th centuries, considered in the Catholic context. The contributions reflect on the engagement of institutions and authorities in the process of book production, bringing to the fore the role of networks in this process; show the book as a tool of resistance to the Protestant Reformation; give insight into the content and design of book collections; showcase textual production in the context of cultural appropriation and shed light on the role of the image in the propagation of Catholicism. Together the sixteen contributions demonstrate the diversity of the Catholic book in its forms and functions, in various social and national contexts.

Catholic polemical works, and their portrayal of Protestants in print in particular, are the central focus of this work. In contrast with Germany, French Catholics used printing effectively and agressively to promote the Catholic cause. In seeking to explain why France remained a Catholic country, the French Catholic response must be taken into account. Rather than confront the Reformation on its own terms, the Catholic reaction concentrated on discrediting the Protestant cause in the eyes of the Catholic majority. This book aims to contribute to the ongoing debate over the nature of the French Wars of Religion, to explain why they were so violent and why they engaged the loyalities of such a large portion of the population. This study also provides an example of the successful defence of catholicism developed independently and in advance of Tridentine reform which is of wider significance for the history of the Reformation in Europe.

This volume examines late medieval and early modern warfare in France, the Hispanic World, and the Dutch Republic through the lens of trauma and memory studies. The essays, focusing on history, literature, and visual culture, demonstrate how people living with wartime violence processed and remembered the trauma of war.

Studies the representation of violence in tragedies written for the French stage during the sixteenth century, and explores its connection with issues such as politics, religion, gender, and militantism to place the plays within their historical, cultural, and theatrical contexts.

Fresh analysis of the political thought of the French Holy League, active during the religious wars, within its intellectual context.

The French Wars of Religion were more than a battle for outright military victory. They were also a battle for the hearts and minds of the population of France. In this struggle to win over public opinion, often apparently peripheral issues could be engaged to make partisan points. Such was the case with the polemical literature surrounding Mary Queen of Scots. Based on major new bibliographic research, this study charts the evolving relationship between Mary and French public opinion.

The most ambitious one-volume survey of the Reformation yet, this book is beautifully illustrated throughout. The strength of this work is its breadth and originality, covering the Church, art, Calvinism and Luther.

In The Politics of Print During the French Wars of Religion, Gregory Haake examines how, in late sixteenth-century France, authors and publishers used the new medium of the printed text to control the terms of public discourse and determine history, or at least their narrative of it. The creativity of the Renaissance ushered in new instability of discourse and a decline of traditional centres of authority. Gregory Haake shows that poets, authors, printers, and polemicists — including historians, such as Simon Goulart; the great poets of the time, such as Pierre de Ronsard or Agrippa d’Aubigné; or anonymous authors of polemical texts — rushed in to take advantage of discursive uncertainty to discredit their enemies and shape the meaning of history as it unfolded.