This volume collects essays by philosophers and scholars working at the interface of Western philosophy and Buddhist Studies. Many have distinguished scholarly records in Western philosophy, with expertise in analytic philosophy and logic, as well as deep interest in Buddhist philosophy. Others have distinguished scholarly records in Buddhist Studies with strong interests in analytic philosophy and logic. All are committed to the enterprise of cross-cultural philosophy and to bringing the insights and techniques of each tradition to bear in order to illuminate problems and ideas of the other. These essays address a broad range of topics in the philosophy of mind, philosophy of language, logic, epistemology, and metaphysics, and demonstrate the fecundity of the interaction between the Buddhist and Western philosophical and logical traditions.

This collection of Zen koans with extensive commentary will be of great interests to followers of Zen Buddhism. People around the world value the mind-cleansing, spiritually uplifting benefit to be gained through the practice of Cha'an (Zen) Buddhism. Central to Zen is the enigmatic koan (kung-an), a kind of riddle used by masters to shock their students into greater awareness. In this timeless collection from Chinese masters, translations of 100 of these question-and-answer riddles are presented. Each koan is followed by the author's commentary, which provides fascinating insight into the background and deeper meanings of the koans. Pointing at the Moon contains zen koeans from the following four treatises of the Zen tradition: A Selection From the Five Books of the Zen Masters' Sayings The Light of the Zen Sayings Recorded in the Year if Developing Virtue The Zen Sayings Recorded During the Moonlit Meditation An Anthology if Zen Sayings Enhanced by the 85 beautifully sketched Chinese brush paintings, Pointing at the Moon is a text certain to stimulate and challenge anyone interested in learning more about Zen and its tradition of spiritual enlightenment.

The first of a series of extraordinary spiritual manifestos written by the anonymous Wei Wu Wei.

In Finger Pointing to the Moon: Talks on the Adhyatma Upanishad Osho draws on the ancient wisdom of this Upanishad to reflect on God, religion and the liberation of the self. Religion for him is not worship, devotion and prayer, but mumuksha, the deep longing for freedom from the fetters of everyday life that can lead a seeker on the path to enlightenment. When one reaches this state of kaivalya, the abode of truth and eternal bliss beyond mind and speech, one becomes unified with the God within oneself. Then one achieves true knowledge and true mastery over the self. These seventeen talks that Osho delivered at Mount Abu, Rajasthan, make this book a truly enriching guide for those seeking to look within and find answers to the enigmas of human existence.

Within the context of a careful review of the psychology of religion and prior non-Lacanian literature on the subject, Raul Moncayo builds a bridge between Lacanian psychoanalysis and Zen Buddhism that steers clear of reducing one to the other or creating a simplistic synthesis between the two. Instead, by making a purposeful "One-mistake" of "unknown knowing", this book remains consistent with the analytic unconscious and continues in the splendid tradition of Bodhidharma who did not know "Who" he was and told Emperor Wu that there was no merit in building temples for Buddhism. Both traditions converge on the teaching that "true subject is no ego", or on the realisation that a new subject requires the symbolic death or deconstruction of imaginary ego-identifications. Although Lacanian psychoanalysis is known for its focus on language and Zen is considered a form of transmission outside the scriptures, Zen is not without words while Lacanian psychoanalysis stresses the senseless letter of the Real or of a jouissance written on and with the body.

A Zen story speaks of not mistaking a finger that points to the Moon for the Moon itself--a topic explored in photos, words, and paintings by the author. 50 photos, 30 in color. Line drawings.

This unique and intensely personal memoir is about spirituality, not about religion,and it is alive with the raw energy of a journal and polisjed with the skill of the master storyteller.

Jodo’s interpretations of the stories and koans of Zen master Ejo Takata • Offers more than 60 Zen teaching tales, initiatory stories, koans, and haikus for self-realization and spiritual awakening • Each story or koan is accompanied by the author’s lucid and penetrating commentary, blending the same burlesque slapstick and sublime insight that characterize his films • Explains how one must see beyond the words of the story to grasp the spiritual insights they contain Before he became the film maker and graphic novel author known throughout the world today, Alejandro Jodorowsky studied with Zen master Ejo Takata in Mexico City. In The Finger and the Moon, Jodorowsky recounts how he became Takata’s student and offers his interpretations of the teaching tales, initiatory stories, koans, and enigmatic haikus he learned at the feet of his great and humble teacher. Blending the same burlesque slapstick and sublime insight that characterize his films such as El Topo and The Holy Mountain, each story is accompanied by the author’s lucid and penetrating commentary, as well as insights from ancient Zen teachers. Yet their most significant gift to the reader is the sudden shock of realization they impart that can lead to spiritual awakening. Jodorowsky notes that most people are incapable of self-realization because of their fear of the void within, an emptiness they seek to fill with noise and chatter. He shows that Zen teachings can be compared to a finger pointing at the moon, directing you to awaken to your true nature--the Buddha within. The danger lies in mistaking the pointing finger for the moon, mistaking the words for the essential enlightenment, which can only be grasped once words have been surpassed. Unlike most tales, these stories are intended to evoke silent illumination--as true awakening and self-realization cannot occur until the mind has been stilled.

The Moon Points Back comprises essays by both established scholars in Buddhist and Western philosophy and young scholars contributing to cross-cultural philosophy. It continues the program of Pointing at the Moon (Oxford University Press, 2009), integrating the approaches and insights of contemporary logic and analytic philosophy along with those of Buddhist Studies in order to engage with Buddhist ideas in a contemporary voice. The essays in the volume focus on the Buddhist notion of emptiness (sunyata), exploring its relationship to core philosophical issues concerning the self, the nature of reality, logic, and epistemology. The volume closes with reflections on methodological issues raised by bringing together traditional Buddhist philosophy and contemporary analytic philosophy. The Moon Points Back demonstrates convincingly that integration of Buddhist philosophy with contemporary analytic philosophy and logic allows for novel understandings of and insights into Buddhist philosophical thought. It also shows how Buddhist philosophers can contribute to debates in contemporary Western philosophy and how contemporary philosophers and logicians can engage with Buddhist material.