Today s pastors often expected to be multitasking marvels who can make their churches "successful" are understandably confused about their role. Craig Barnes contends that the true calling of a pastor is to assist others in becoming fully alive in Christ to be a "minor poet." The pastor absorbs the wisdom of major poets the biblical poets as well as the church s theological poets and distills its essence for parishioners. / The Pastor as Minor Poet calls pastors to continually search for a deeper, truer understanding of what they see both in the text of Scripture and in the text of their parishioners' lives. Discerning the subtexts beneath these texts reveals the core truths that allow pastors to preach the heart of the Word and to understand the hearts of the people to whom they minister. Written with a seasoned pastor s depth of understanding and a poet's sensibility and sensitivity, this book will minister to and inspire pastors everywhere.

In these new poems, John Agard writes From the Devil's Pulpit, giving a Devil's eye view of the world, sweeping from Genesis across time. A sometimes poignant, bawdy, witty and sophisticated shape-shifter, even sex-switcher, Agard's Devil engages with the world of myth, metaphysics, theology, politics and the arts - not to mention Wimbledon Centre Court and Lords cricket ground.

"Among the Millet and Other Poems" is a collection by Archibald Lampman, a Canadian poet associated with the Confederation Poets. Published in 1888, this collection is considered one of Lampman's significant contributions to Canadian literature during the late 19th century. In "Among the Millet," Lampman explores themes related to nature, rural life, and the human experience. His poetry often reflects a deep connection to the Canadian landscape, and he is known for his ability to evoke the beauty and spirituality inherent in the natural world.

The Christian gospel, says Brueggemann, is too easily preached and heard. Too often technical reason and excessive religious certitude reduce the gospel to coercive, debilitating pietisms that mask the text's meaning and freeze the hearers heart. With skill and imagination, Brueggemann demonstrates how the preacher can engage in daring speech?differently voiced and therefore differently heard. This speech, as suggested by the Bible itself, is "poetic" speech, enabling the preacher to forge communion in the midst of alienation, bring healing out of guilt, and empower the hearer for "missional imagination." As an alternative to theological/homiletical discourse that is moralistic, pietistic or scholastic, Brueggemann proposes preaching that is artistic, poetic, and dramatic. The basis for the 1989 Lyman Beecher Lectures at Yale Divinity School, Finally Comes the Poet is a unique and transforming guide for powerful preaching.

On 23 April 1943, Good Friday, Maria Valtorta reported hearing the voice of Jesus. From then until 1951 she produced over 15,000 handwritten pages in 122 notebooks, mostly detailing the life of Jesus as an extension of the gospels. Her handwritten notebooks containing close to 700 reputed episodes in the life of Jesus were typed on separate pages by her priest and reassembled, given that they had no temporal order, and became the basis of her 5,000-page book The Poem of the Man God.

Although Kathleen Norris's best-selling Dakota: A Spiritual Geography has brought her to the attention of many thousands of readers, she is first and last a poet. Like Robert Frost, another poet identified with a particular landscape, she can reveal the miraculous in the ordinary, and she writes with clarity, humor, and deep sympathy for her subjects.

Poetry has always been a central element of Christian spirituality and is increasingly used in worship, in pastoral services and guided meditation. Here, Cambridge poet, priest and singer-songwriter Malcolm Guite transforms 70 lectionary readings into inspiring poems for use in regular worship, seasonal services, meditative reading or on retreat.

"Masculinity doesn't have to be toxic, but some men choose to put poison on their tongue ..." The Birth Of All Things is an eclectic mix of poems from Marcus Amaker, the first Poet Laureate of Charleston, SC.This personal collection delivers poems about a wide range of topics: life as a new dad, racism in America, Bjork, anxiety, Star Wars, masculinity, pandemics, black music, history, and more. Amaker is an award-winning graphic designer, musician, and performance poet. The Birth Of All Things is the sum of all of his talents.The book features an original illustration from Florida artist Nick Davis.

A passionate meditation on the consolations and disappointments of religion and poetry