Poets and Partitions offers a comprehensive analysis of Northern Irish poetry, focusing on the colonial, political, and cultural underpinnings that have shaped artistic expression in a variety of ways. In discussing the rich poetry reflecting the conflict of community, author Jon Curley examines what aesthetic choices poets make in order to register, resist, or re-imagine life and thought under particularly tumultuous conditions. The focus is on both the better-known contemporary Northern Irish poets, as well as their more obscure, but no less significant, counterparts. Forms of communal identity generated in Northern Ireland are examined by way of an ethical critique that references the conceptual blockages and innovations that help foster new poetic representations of society. Establishing the complexity and potency of poetic experimentation, Poets and Partitions is a timely commentary for all those interested in the intersection of aesthetics and politics. The exploration of communal identity-formations in Northern Irish poetry, or poetry in general, has been dismissed by some critics as an unhelpful approach to understanding literature. But, as this study demonstrates, it is a vital area of scholarly examination, and Jon Curley's in-depth analysis illuminates understanding of how poets confront their communal, social, and sectarian orders.

A stunning first novel, set during the violent 1947 partition of India, about uprooted children and their journeys to safety As India is rent into two nations, communal violence breaks out on both sides of the new border and streaming hordes of refugees flee from blood and chaos. At an overrun train station, Shankar and Keshav, twin Hindu boys, lose sight of their mother and join the human mass to go in search of her. A young Sikh girl, Simran Kaur, has run away from her father, who would rather poison his daughter than see her defiled. And Ibrahim Masud, an elderly Muslim doctor driven from the town of his birth, limps toward the new Muslim state of Pakistan, rediscovering on the way his role as a healer. As the displaced face a variety of horrors, this unlikely quartet comes together, defying every rule of self-preservation to forge a future of hope. A dramatic, luminous story of families and nations broken and formed, Partitions introduces an extraordinary novelist who writes with the force and lyricism of poetry.

“A debut poetry collection showcasing both a fierce and tender new voice.”—Booklist “Elegant and playful . . . The poet invents new forms and updates classic ones.”—Elle “[Fatimah] Asghar interrogates divisions along lines of nationality, age, and gender, illuminating the forces by which identity is fixed or flexible.”—The New Yorker NAMED ONE OF THE TOP TEN BOOKS OF THE YEAR BY THE NEW YORK PUBLIC LIBRARY • FINALIST FOR THE LAMBDA LITERARY AWARD an aunt teaches me how to tell an edible flower from a poisonous one. just in case, I hear her say, just in case. From a co-creator of the Emmy-nominated web series Brown Girls comes an imaginative, soulful debut poetry that collection captures the experiences of being a young Pakistani Muslim woman in contemporary America. Orphaned as a child, Fatimah Asghar grapples with coming of age and navigating questions of sexuality and race without the guidance of a mother or father. These poems at once bear anguish, joy, vulnerability, and compassion, while also exploring the many facets of violence: how it persists within us, how it is inherited across generations, and how it manifests itself in our relationships. In experimental forms and language both lyrical and raw, Asghar seamlessly braids together marginalized people’s histories with her own understanding of identity, place, and belonging. Praise for If They Come for Us “In forms both traditional . . . and unorthodox . . . Asghar interrogates divisions along lines of nationality, age, and gender, illuminating the forces by which identity is fixed or flexible. Most vivid and revelatory are pieces such as ‘Boy,’ whose perspicacious turns and irreverent idiom conjure the rich, jagged textures of a childhood shadowed by loss.”—The New Yorker “[Asghar’s] debut poetry collection cemented her status as one of the city’s greatest present-day poets. . . . A stunning work of art that tackles place, race, sexuality and violence. These poems—both personal and historical, both celebratory and aggrieved—are unquestionably powerful in a way that would doubtless make both Gwendolyn Brooks and Harriet Monroe proud.”—Chicago Review of Books “Taut lines, vivid language, and searing images range cover to cover. . . . Inventive, sad, gripping, and beautiful.”—Library Journal (starred review)

A fragmented notebook investigates mental illness and trauma in the South Asian diaspora

This book-length poem is set at the time of the partition of India and Pakistan in 1947 when thousands of people were killed in civil unrest and millions displaced, with families later split between the two countries. Inspired by family history, Moniza Alvi weaves a deeply personal story of fortitude and courage, as well as of tragic loss, in this powerful work in 20 parts. At the Time of Partition is Moniza Alvi's first new poetry book since her T.S. Eliot Prize-shortlisted collection Europa, published in 2008 at the same time as Split World: Poems 1990-2005.

Partition—the physical division of territory along ethno-religious lines into separate nation-states—is often presented as a successful political "solution" to ethnic conflict. In the twentieth century, at least three new political entities—the Irish Free State, the Dominions (later Republics) of India and Pakistan, and the State of Israel—emerged as results of partition. This volume offers the first collective history of the concept of partition, tracing its emergence in the aftermath of the First World War and locating its genealogy in the politics of twentieth-century empire and decolonization. Making use of the transnational framework of the British Empire, which presided over the three major partitions of the twentieth century, contributors draw out concrete connections among the cases of Ireland, Pakistan, and Israel—the mutual influences, shared personnel, economic justifications, and material interests that propelled the idea of partition forward and resulted in the violent creation of new post-colonial political spaces. In so doing, the volume seeks to move beyond the nationalist frameworks that served in the first instance to promote partition as a natural phenomenon.

Nashville Youth Poet Laureate

Seventy years on, the Partition of India fades from memory. Can it be restored?

Kashmir remains one of the world's most militarized areas of dispute, having been in the grips of an armed insurgency against India since the late 1980s. In existing scholarship, ideas of territoriality, state sovereignty, and national security have dominated the discourses on the Kashmir conflict. This book, in contrast, places Kashmir and Kashmiris at the center of historical debate and investigates a broad range of sources to illuminate a century of political players and social structures on both sides of divided Kashmir and in the wider Kashmiri diaspora. In the process, it broadens the contours of Kashmir's postcolonial and resistance history, complicates the meaning of Kashmiri identity, and reveals Kashmiris' myriad imaginings of freedom. It asserts that 'Kashmir' has emerged as a political imaginary in postcolonial era, a vision that grounds Kashmiris in their negotiations for rights not only in India and Pakistan, but also in global political spaces.

Spanning more than half a century and cities from New Delhi to Atlanta, Anjali Enjeti's debut is a heartfelt and human portrait of the long shadow of the Partition of India on the lives of three generations of women. The story begins in August 1947. Unrest plagues the streets of New Delhi leading up to the birth of the Muslim majority nation of Pakistan, and the Hindu majority nation of India. Sixteen-year-old Deepa navigates the changing politics of her home, finding solace in messages of intricate origami from her secret boyfriend Amir. Soon Amir flees with his family to Pakistan and a tragedy forces Deepa to leave the subcontinent forever. The story also begins sixty years later and half a world away, in Atlanta. While grieving both a pregnancy loss and the implosion of her marriage, Deepa's granddaughter Shan begins the search for her estranged grandmother, a prickly woman who had little interest in knowing her. As she pieces together her family history shattered by the Partition, Shan discovers how little she actually knows about the women in her family and what they endured. For readers of Jess Walter's Beautiful Ruins, The Parted Earth follows Shan on her search for identity after loss uproots her life. Above all, it is a novel about families weathering the lasting violence of separation, and how it can often takes a lifetime to find unity and peace.