Kaleidoscope: Turns of Prose and Poetry is a collection of literature from The Carnegie Writers, Inc. Adult Writing Workshop. Through poetry, prose, and play-writing, each writer involved brought their own voice to the page. Everyone sees something different in a kaleidoscope, but to communicate that vision is something else entirely. These writers beautifully depict the shifting shapes and colors of everyday life. Writing Facilitators Heather Hickox and Brian Smith would like to thank the participants of the Adult Writing Workshop for their hard work and commitment to this project. Kaleidoscope is a wonderful achievement, a true monument to creative expression, and we hope it will be enjoyed and explored for ages. The Carnegie Writers, Inc. is a community-based non-profit organization focused on writing education and collaboration. The Carnegie Writers provides positive and productive support for writers of all ages, also offering publications, writing events, and professional conferences. The organization was founded by Oluwakemi Elufiede in August 2013.

Introduction in poetry: nature of poetry, tools, history, terms (periods, styles and movements, technical means, tropes, measures of verse, verse forms, national poetry... Poetry (ancient Greek: ποιεω (poieo) = I create) is traditionally a written art form (although there is also an ancient and modern poetry which relies mainly upon oral or pictorial representations) in which human language is used for its aesthetic qualities in addition to, or instead of, its notional and semantic content. The increased emphasis on the aesthetics of language and the deliberate use of features such as repetition, meter and rhyme, are what are commonly used to distinguish poetry from prose, but debates over such distinctions still persist, while the issue is confounded by such forms as prose poetry and poetic prose. Some modernists (such as the Surrealists) approach this problem of definition by defining poetry not as a literary genre within a set of genres, but as the very manifestation of human imagination, the substance which all creative acts derive from.

Kate Kingston writes about intimate environments, especially the terrain of Spain and Mexico and the wilderness in the Southwestern U.S., to reveal the complexities, strengths, and resilience of the female spirit. The poems in Shaping the Kaleidoscope resonate with the theme of landscape as integral to the self, how our outer landscapes shape and reveal our inner landscapes.

The Invention of the Kaleidoscope is a book of poetic elegies that discuss failures: failures of love, both sexual and spiritual; failures of the body; failures of science, art and technology; failures of nature, imagination, memory and, most importantly, the failures inherent to elegiac narratives and our formal attempt to memoralize the lost. But the book also explores the necessity of such narratives, as well as the creative possibilities implicit within the “failed elegy,” all while examining the various ways that self-destruction can turn into self-preservation.

“Tracy K. Smith’s poetry is an awakening itself.” —Vogue Celebrated for its extraordinary intelligence and exhilarating range, the poetry of Tracy K. Smith opens up vast questions. Such Color: New and Selected Poems, her first career-spanning volume, traces an increasingly audacious commitment to exploring the unknowable, the immense mysteries of existence. Each of Smith’s four collections moves farther outward: when one seems to reach the limits of desire and the body, the next investigates the very sweep of history; when one encounters death and the outer reaches of space, the next bears witness to violence against language and people from across time and delves into the rescuing possibilities of the everlasting. Smith’s signature voice, whether in elegy or praise or outrage, insists upon vibrancy and hope, even—and especially—in moments of inconceivable travesty and grief. Such Color collects the best poems from Smith’s award-winning books and culminates in thirty pages of brilliant, excoriating new poems. These new works confront America’s historical and contemporary racism and injustices, while they also rise toward the registers of the ecstatic, the rapturous, and the sacred—urging us toward love as a resistance to everything that impedes it. This magnificent retrospective affirms Smith’s place as one of the twenty-first century’s most treasured poets.

Seraphim In the dream it was the seraphim who camegolden, six-wingedwith eyes of aquamarineand set my hair aflameand spoke in a language which written down -- an elegant script of candelabras and chalices -- spelled out my name but it was not my name The mornings following were bright as wingssky's intricate cirrusthe feathers under his wingsthe wind's great rushthe bladed beat of his wings Mare's tails traced the passage of his seraphic chariot Hummingbirds ruby-throated roared and brakedin the timeless isinglass air and burned like coalshigh in the fronds of a brass palm sunbirds sanggirasoles swung their cadmium-coloured hairand I heard the seraphim telling once againthe letters of my name but my name was lost in the spoken syllables by Summer, 1976 1997.

The debut collection by the Poet Laureate of the United States * Winner of the 2002 Cave Canem Poetry Prize * You are pure appetite. I am pure Appetite. You are a phantom In that far-off city where daylight Climbs cathedral walls, stone by stolen stone. --from "Self-Portrait as the Letter Y" The Body's Question by Tracy K. Smith received the 2002 Cave Canem Poetry Prize for the best first book by an African-American poet, selected by Kevin Young. Confronting loss, historical intersections with race and family, and the threshold between childhood and adulthood, Smith gathers courage and direction from the many disparate selves encountered in these poems, until, as she writes, "I was anyone I wanted to be."

The development of A POETIC KALEIDOSCOPE came about when friends, after reading A LOVE TRILOGY, suggested that Ted write some more poems. Of all the subjects he picked, PURGATORY was the challenge he chose. This poem was an extreme challenge due to the complexity of the subject, and from that poem on, the rest just blossomed.