Volumes 1 and 2 in the SKALD series present the large and important body of skaldic poetry preserved in sagas about the kings of Norway and other Scandinavian rulers. Vol. 1 is dedicated mainly to court poetry in praise of rulers from the legendary Yngling kings to Olafr Haraldsson (St. Olav) and Knutr Sveinsson (Cnut the Great). Alongside formal commemoration of raids and battles there are dialogues with valkyries, lively travelogue, accounts of miracles, and freestanding stanzas capturing frustrated love and moments of humour. This volume also contains the General Introduction to the series.

Kormak's Saga, The Saga of Hallfred Troublesome-Poet, The Saga of Gunnlaug Serpent-Tongue, The Saga of Bjorn, Champion of the Hitardal People, Viglund's Saga Set in the farmsteads of Viking age Iceland at a time when the old ethos of honour and heroic adventure merged with new ideas of romantic infatuation, each of these sagas features poet heroes, complex love triangles, and travels to foreign lands.

This book presents a range of approaches to the study of Old Norse poetry in performance. The contributors examine both eddic and skaldic poems and consider the surviving evidence for how they were originally recited or otherwise performed in medieval Scandinavia, Iceland and at royal courts across Europe. This study also engages with the challenge of reconstructing medieval performance styles and examines ways of applying the modern discipline of Performance Studies to the fragmentary corpus of Old Norse verse. The performance of verse by characters who appear in the Old Icelandic saga tradition is also considered, as is the cultural value associated not only with the poems themselves but with their various means of transmission and reception. This book will be of great interest to students and scholars in the fields of Old Norse studies, Performance and Theatre History.

While there is a long tradition of research into eddic poetry, including the poems classed as wisdom literature, much of this has approached the subject either as a primarily philological commentary or has addressed literary and thematic topics of individual or small groups of poems. This book offers a wide-ranging enquiry into the defining features of Old Norse wisdom, including the representation of wisdom in texts which cross traditional generic boundaries. It builds on recent advances in understanding of pre-Christian religion in Scandinavia, and calls on comparative and supporting work from several different disciplinary backgrounds (including literary theory, other medieval literatures and anthropology). Speaker and Authority interrogates important questions about the concept of knowledge, as well as its role in medieval Scandinavian society and its broader European cultural context.

Valkyries: the female supernatural beings that choose who dies and who lives on the battlefield. They protect some, but guide spears, arrows and sword blades into the bodies of others. Viking myths about valkyries attempt to elevate the banality of war – to make the pain and suffering, the lost limbs and deformities, the piles of lifeless bodies of young men, glorious and worthwhile. Rather than their death being futile, it is their destiny and good fortune, determined by divine beings. The women in these stories take full part in the power struggles and upheavals in their communities, for better or worse. Drawing on the latest historical and archaeological evidence, Valkyrie introduces readers to the dramatic and fascinating texts recorded in medieval Iceland, a culture able to imagine women in all kinds of roles carrying power, not just in this world, but pulling the strings in the other-world, too. In the process, this fascinating book uncovers the reality behind the myths and legends to reveal the dynamic, diverse lives of Viking women.

This book collects recent works on the subjects of sacrificial offerings, ritualized violence and the relative values thereof in the contexts of Scandinavian prehistory from the Neolithic to the Viking era. The volume builds on a workshop hosted at the National Museum of Denmark in 2018 which inaugurated the beginning of the research project ‘Human Sacrifice and Value: The limits of sacred violence’ and was supported by the Museum of Cultural History at the University of Oslo. The volume brings together research and perspectives that attempt to go beyond the who, what and where of most archaeological and anthropological investigations of sacrificial violence to address both the underlying and explicit forms of value associated with such events. The volume re-opens investigations into notions of value relating to diverse evidence and suggested evidence for human sacrifice and related ritualized violence. It covers a broad spectrum of issues relating to novel interpretations of the existing archaeological materials, but with a focus on the study of value and value dynamics in these diverse ritual contexts, engaging in questions of identity, cosmology, economics and social relations. Cases span from the Scandinavian Late Neolithic and Nordic Bronze Age, through to the well-known wetland deposits and bog bodies of the Iron Age, to Viking era executions, ‘deviant’ burials and contemporaneous double/multiple graves, exploring the implications for the transformation of sacrificial practices across Scandinavian prehistory. Each contribution attempts to untangle the myriad forms of value at play in different incarnations of human offerings, and provide insights into how those values were expressed, e.g., in the selection and treatment of victims in relation to their status, personhood, identity and life-history.

Unique among the Icelandic sagas, part-history, part-fiction, the Saga of the Jómsvikings tells of a legendary band of vikings, originally Danish, who established an island fortress of the Baltic coast and launched and ultimately lost their heroic attack on the pagan ruler of Norway in the late tenth century. The saga's account of their stringent warrior code, fatalistic adherence to their own reckless vows and declarations of extreme courage as they face execution articulates a remarkable account of what it meant to be a viking. This translation presents the longest and earliest text of the saga, never before published in English, with a full literary and historical introduction to this remarkable work.

This is the first comprehensive and accessible survey in English of Old Norse eddic poetry: a remarkable body of literature rooted in the Viking Age, which is a critical source for the study of early Scandinavian myths, poetics, culture and society. Dramatically recreating the voices of the legendary past, eddic poems distil moments of high emotion as human heroes and supernatural beings alike grapple with betrayal, loyalty, mortality and love. These poems relate the most famous deeds of gods such as Óðinn and Þórr with their adversaries the giants; they bring to life the often fraught interactions between kings, queens and heroes as well as their encounters with valkyries, elves, dragons and dwarfs. Written by leading international scholars, the chapters in this volume showcase the poetic riches of the eddic corpus, and reveal its relevance to the history of poetics, gender studies, pre-Christian religions, art history and archaeology.

The Saints in Old Norse and Early Modern Icelandic Poetry is a complimentary volume to The Legends of the Saints in Old Norse–Icelandic Prose (UTP 2013). While its predecessor dealt primarily with medieval prose texts about the saints, this volume not only focuses on medieval poems about saints but also on Icelandic devotional poetry created during the early modern period. The handlist organizes saints' names, manuscripts, and editions of individual poems with references to approximate dates of the manuscripts, as well as modern Icelandic editions and translations. Each entry concludes with secondary literature about the poem in question. These features combine to make The Saints in Old Norse and Early Modern Icelandic Poetry an invaluable resource for scholars and students in the field.

The viking berserkr is an iconic warrior normally associated with violent fits of temper and the notorious berserksgangr or berserker frenzy. This book challenges the orthodox view that these men went ‘berserk’ in the modern English sense of the word. It examines all the evidence for medieval perceptions of berserkir and builds a model of how the medieval audience would have viewed them. Then, it extrapolates a Viking Age model of berserkir from this model, and supports the analysis with anthropological and archaeological evidence, to create a new and more accurate paradigm of the Viking Age berserkr and his place in society. This shows that berserkir were the champions of lords and kings, members of the social elite, and that much of what is believed about them is based on 17th-century and later scholarship and mythologizing: the medieval audience would have had a very different understanding of the Old Norse berserkr from that which people have now. The book sets out a challenge to rethink and reframe our perceptions of the past in a way that is less influenced by our own modern ideas. The Myths and Realities of the Viking berserkr will appeal to researchers and students alike studying the Viking Age, Medieval History and Old Norse Literature.