"Offers a deep reading of the book of Isaiah by considering the response of poetry to catastrophe. Contributes to the growing body of feminist and gender-based interpretations of the Bible. Focuses on poetry and poets, to counter the conventional emphasis on scribes and scribal communities in biblical studies."--Publisher's website.

The book of Isaiah is one of the longest and strangest books of the Hebrew Bible, composed over several centuries and traversing the catastrophe that befell the two kingdoms of Israel and Judah in the 8th and 6th centuries BCE. Francis Landy's book tells the story of the poetic response to catastrophe, and the hope for a new and perfect world on the other side. The study traces two parallel developments: the displacement of the Davidic promise onto the Persian Empire, Israel, and the prophet himself; and the transition from exclusively male images of the deity to the matching of male and female prototypes, whereby YHWH takes the place of the warrior goddess. Utopia, Catastrophe, and Poetry in the Book of Isaiah consists of close readings of individual passages in Isaiah, commencing with Chapter One and the problems of beginning, and ending with Deutero-Isaiah, composed subsequent to the Babylonian exile. The volume is arranged thematically as well as sequentially: the first chapter following the introduction concerns gender, the second death, the third the Oracles about the Nations. At the centre there is what Landy calls 'the constitutive enigma', Isaiah's commission in his vision to speak so that people will not understand. This renders the entire book potentially incomprehensible; the more we try to understand it, the greater the difficulty. For Landy, this creates a model of reading and writing, the challenge and the risk of going up blind alleys, of trying to make sense of a disastrous world. Isaiah's commission pervades the book. Throughout there is a promise of an age of clarity as well as social and political transformation, which is always deferred beyond the horizon. Hence it is a book without an ending, or with multiple endings. In the final chapters, the author turns to the central Chapter Thirty-Three, a mise-en-abyme of the book and a prayer for deliverance, and the issues of exile and the possibility of return. Like every poetic work, particularly in an era of cultural collapse, it is a critique of the past and a hope for a new humanity.

This practical, "how-to" literary introduction to Isaiah as a poem is based upon the English text and focuses upon parallelism, figurative language, and the use of imagery.

This book presents a poetic translation of Isaiah's vision regarding Jerusalem, covering chapters 40 to the end. The verses convey the beauty and power of Isaiah's prophecy, and are sure to inspire and transport readers to ancient times. This masterpiece is a must-have for lovers of biblical poetry and literature alike. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This book shows that Isaiah 1-39 contains one of the most remarkable and provocative poetic voices in the Hebrew Bible, and that attention to its poetic style makes a significant difference to the interpretation of the text.

The word rûaḥ (commonly translated as breath, wind, spirit, or Spirit) occurs in the Old Testament 378 times--more frequently than torah, shalom, or Sabbath. In this volume, a popular Old Testament scholar, whose previous books have received wide acclaim, cracks open the challenging and provocative world of the Spirit in the Old Testament, offering readers cogent yet comprehensive insights. Grounded in scholarship yet accessible and inviting, this book unlocks the world of the Spirit, plunging readers into an imaginative realm of fresh senses, sounds, and skills. The book gives readers the opportunity to recapture Israel's tenacious sense of the Spirit's energy as it was expressed by a series of vibrant verbs: blowing, breathing, coming, resting, passing, pouring, filling, cleansing, standing, and guiding. Readers will encounter in these pages all of the Old Testament expressions of the Spirit--passages that will challenge the conventional, confront the commonplace, and transport them to a world of wisdom, work, and wonder.