Poems, essays, and prompts to sing a new world into being--Queer & BIPOC perspectives on poetry as an insurgent ritual for manifesting liberation and reclaiming power. Written for poets, spellcasters, and social justice witches, Poetry as Spellcasting reveals the ways poetry and ritual can, together, move us toward justice and transformation. It asks: If ritualized violence upholds white supremacy, what ritualized acts of liberation can be activated to subvert and reclaim power? In essays from a diverse group of contributing poets, organizers, and ritual artists, Poetry as Spellcasting helps readers explore, play, and deepen their creativity and intuition as integral tools for self- and communal healing and social change. Each section opens with a poem and includes prompts that invite the reader to engage more deeply with: Portals of Inheritance: Ancestral Teachings, Possible Futures opens portals to messages from ancestors and for survival Languages of Liberation, Disruption, and Magic explores how poetry and spellcasting allow us to enter into and harness language in active, heightened ways that both reflect reality and manifest alternatives. Invoking Radical Imagination leans into the incantatory possibilities of poetry as prayer and poetry as enchantment. Sacred Practices: Rituals of Repair and Revision explores writing as ritual, ritual as practice, and practice as doing, drawing connections between the creative practices of poetry and spellwork. Lighting Fires, Breaking Chains focuses on the explicitly magical and political nature of poetry as spellcasting. Elemental Ecologies, Spiritual Technologies wrestles with concepts of home, colonization, and belonging Both poetry and occult studies have been historically dominated by white, cishet writers; here, Poetry as Spellcasting reclaims the centrality of queer and BIPOC voices in poetry, magic, and liberatory spellwork.

Poems, essays, and prompts to sing a new world into being--Queer & BIPOC perspectives on poetry as an insurgent ritual for manifesting liberation and reclaiming power. Written for poets, spellcasters, and social justice witches, Poetry as Spellcasting reveals the ways poetry and ritual can, together, move us toward justice and transformation. It asks: If ritualized violence upholds white supremacy, what ritualized acts of liberation can be activated to subvert and reclaim power? In essays from a diverse group of contributing poets, organizers, and ritual artists, Poetry as Spellcasting helps readers explore, play, and deepen their creativity and intuition as integral tools for self- and communal healing and social change. Each section opens with a poem and includes prompts that invite the reader to engage more deeply with: Portals of Inheritance: Ancestral Teachings, Possible Futures opens portals to messages from ancestors and for survival Languages of Liberation, Disruption, and Magic explores how poetry and spellcasting allow us to enter into and harness language in active, heightened ways that both reflect reality and manifest alternatives. Invoking Radical Imagination leans into the incantatory possibilities of poetry as prayer and poetry as enchantment. Sacred Practices: Rituals of Repair and Revision explores writing as ritual, ritual as practice, and practice as doing, drawing connections between the creative practices of poetry and spellwork. Lighting Fires, Breaking Chains focuses on the explicitly magical and political nature of poetry as spellcasting. Elemental Ecologies, Spiritual Technologies wrestles with concepts of home, colonization, and belonging Both poetry and occult studies have been historically dominated by white, cishet writers; here, Poetry as Spellcasting reclaims the centrality of queer and BIPOC voices in poetry, magic, and liberatory spellwork.

The definitive guidebook and rebel yell for poets seeking radical growth. You want to write great poems: poems that challenge, inspire and awe; poems that forever alter your audience and yourself. Those poems take imagination, skill and some serious guts. This is not an easy step-by-step up a how-to staircase. This collection of essays, prompts and exercises is the safecracker�s toolbox you need to tap in to your creative source, find what�s sparkling in the dark, and get its life-blood and electricity flowing into your writing.

Last Days is a practice of radical imagination for our current political and environmental crises. It excavates the conditions that have brought us here—white supremacy, heteropatriarchy, corporate power, capitalism—and calls ancestors, birds, organizers, and lovers to conjure a new world. It explores how to transform our future to be more beautiful, more just, and more compassionate than we can imagine.

*Spell-poems take us into a realm where words can influence the universe.* *Spells* brings together contemporary voices exploring the territory where justice, selfhood and the imagination meet the transformative power of the occult. These poems unmake the world around them so that it might be remade anew. Contributors include: Kaveh Akbar, Rachael Allen, Nuar Alsadir, Khairani Barokka, Emily Berry, A.K. Blakemore, Jen Calleja, Anthony Vahni Capildeo, CAConrad, Livia Franchini, Alexis Pauline Gumbs, Will Harris, Lucy Ives, Rebecca May Johnson, Bhanu Kapil, Amy Key, Daisy Lafarge, Ursula K. Le Guin, Canisia Lubrin, Karen McCarthy Woolf, Lucy Mercer, Hoa Nguyen, Nat Raha, Nisha Ramayya, Ariana Reines, Tai Shani & Jane Yeh

Fables and Spells is a vibrant selection of visionary works, both previously published and brand new. Included here is brown’s most beloved story, “The River,” as well as the two sequel tales of her Water Trio. The remaining sixty-seven pieces explore moments of beauty, conflict, and transformation that also weave deep, radical lessons. With narrative “fables” of speculative fiction and “spells” that play with the lines between poetry, instruction, song, and chant, Fables and Spells demonstrates how good writing can engage the present while providing expansive visions of the possible worlds humans can build. adrienne maree brown’s previous work includes Octavia’s Brood, Emergent Strategy, the New York Times best-selling Pleasure Activism, We Will Not Cancel Us, Holding Change, and Grievers. brown grows transformative ideas in public through her writing and art; she is a poet changing the world. She is the writer-in-residence at Emergent Strategy Ideation Institute.

Crafting together the power of words and womanhood, writer Tanya Markul has written a completely unique poetry collection fit for the phenomenal readers of today. In Tanya's words, "May we raise the bar for how we live our lives. May we ridiculously increase the amount of peace, play, creativity, beauty, love, and joy in everything we do. May we all sip from the wisdom of our suffering. And awaken with the courage to share our stories that can heal our inner and outer worlds."

Presents poems that reconsider the definition of nature and natural order by rendering nature queer.

The Lost Words by composer James Burton takes its inspiration and text from the award-winning 'cultural phenomenon' and book of the same name by Robert Macfarlane and Jackie Morris: a book that was, in turn, a creative response to the removal of everyday nature words like acorn, newt and otter from a new edition of a widely used children's dictionary. Both the book and Burton's 32-minute work, which is written in 12 short movements for upper-voice choir in up to 3 voice parts (with either orchestral or piano accompaniment), celebrates each lost word with a beautiful poem or 'spell', magically brought to life in Burton's music. At its heart, the work delivers a powerful message about the need to close the gap between childhood and the natural world. Burton's piece was co-commissioned by the Hallé Concerts Society for the Hallé Children's Choir and the Boston Symphony Orchestra. The piano accompaniment version was premiered at the Tanglewood Festival in 2019 by the Boston Symphony Children's Choir, of which Burton is founder and director. The Hallé Children's Choir will premiere the orchestral version of the full work in Manchester, UK, post-pandemic. Vocal Score Co-commission by Boston Symphony and Hallé Concerts Society for their respective Children's Choirs. Two versions - with orchestral or with piano accompaniment. The vocal score is the same for both versions. James Burton is a composer but also a conductor. He is conductor of the Tanglewood Festival Chorus and choral director of the Boston Symphony. The book The Lost Words, exquisitely designed, has won multiple awards and is an international best-seller. The vocal score includes Jackie Morris's beautiful imagery in its cover design.

From @wilderpoetry comes a heavily expanded revised edition of Nocturnal, a collection of poetry and beautifully illustrated black-and-white imagery inspired by darkened days and sleepless nights. Poetry meets presentation in each of the four sections ("Dusk," "Northern Lights," "Howl," "Lucid Dreams,"), which trace the author's continuing journey of self-discovery while illuminating a path for others along the way. Ink stains, landscapes, dreamlike animals, blackened pages, and textured spreads create a multifaceted reading experience. And true to the moniker, these poems are linked by a motif of "the wild." Celebrating the art of self-love poetry with both word and image, Nocturnal will leave readers comforted, curious, and inspired to explore the world around them.