This is a literary collection that illuminates the darkness of Alzheimer's disease. It is a unique collection of poetry and short prose about the disease written by 100 contemporary writers - doctors, nurses, social workers, hospice workers, daughters, sons, wives, and husbands - whose lives have been touched by the disease.

This is a collection of well-known and loved poems, that many people learned as children. These poems can help to spark memories. The book can also serve as a guideline for poets who wish to set up Alzheimer's Poetry Projects in their communites. -- from publisher's description.

As with Constantine's previous titles, Dementia, My Darling can be enjoyed at random or in order. However, when taken in sequence, the poems construct a thesis on life as we remember it from moment to moment. What is your first memory of love? How soon will you forget answering that question?

"[A] thoughtful and lucid tale of love, companionship, and heartbreaking illness." —Lydia Davis In 2004 Rachel Hadas's husband, George Edwards, a composer and professor of music at Columbia University, was diagnosed with early-onset dementia at the age of sixty-one. Strange Relation is her account of "losing" George. Her narrative begins when George's illness can no longer be ignored, and ends in 2008 soon after his move to a dementia facility (when, after thirty years of marriage, she finds herself no longer living with her husband). Within the cloudy confines of those difficult years, years when reading and writing were an essential part of what kept her going, she "tried to keep track…tried to tell the truth." "If only all doctors and nurses and social workers who care for the chronically ill could read this book. If only patients and family members stricken with such losses could receive what this book can give them. While Strange Relation relates one illness and the life of one family, it is also, poetically, about all illnesses, all families, all struggles, all living. The art achieves the dual life of the universal and the particular, marking it as timeless, making it for us all necessary."—Rita Charon, MD, PhD, Program in Narrative Medicine, Columbia University "Rachel Hadas's own wonderfully resonant poems, along with the rich collection of verse and prose by other writers that she weaves into her story, clarify and illuminate over and over again this thoughtful and lucid tale of love, companionship, and heartbreaking illness—illness that, as she shows us so well, is at once frighteningly alien and also deeply a part of our unavoidable vulnerability as mortal beings. Beautifully written, totally engrossing, and very sad."—Lydia Davis "Strange Relation is a deeply moving, deeply personal, beautifully written exploration of how the power of grief can be met with the power of literature, and how solace can be found in the space between them."—Frank Huyler "A poignant memoir of love, creativity and human vulnerability. Rachel Hadas brings a poet's incisive eye to the labyrinth of dementia."—Danielle Ofri, MD, PhD, author of Medicine in Translation and Singular Intimacies "Like an elegy, Strange Relation is about loss and grief. Like all elegies, it also memorializes and celebrates. Rachel Hadas, in the course of her personal narrative, cites accounts of dementia, in its social and personal meanings."—Robert Pinsky "Brilliant and tough-minded, poignant but clear-headed, Rachel Hadas shines a steady light on her experience as the wife of an accomplished composer who, at a comparatively early age, descended into dementia. Strange Relation never sacrifices truth for easy answers. Instead, Hadas uses literature to chart a course through wrenching complexities. This lauded and exceptional poet shows how language itself, the very thing her husband loses, became her shield as she crossed the ravaged lands of decision-making, making new discoveries, new friends, and new sense of the world. Strange Relation snaps with bravery, intelligence, and Hadas' tart, candid wisdom."—Molly Peacock "Strange Relation is a beautifully written and piercingly honest account of life with a brilliant man as he descends into dementia, in his sixties."—Reeve Lindbergh

"Palindrome, Hansel's sixth collection, is brave and brilliant. The vision of its title (a word that spells itself in both directions) infuses the whole with understanding that, as she was her mother's daughter, so she has become mother to the child who is her mother suffering dementia. Whether writing in fixed forms, free forms, or from her mother's written memories, Hansel creates a way to bear her readers, her mother, and herself though this harrowing time. This is a hard-won, heart-won book"--Publisher's website.

A practical guide to reading and writing poetry with older people living with dementia to improve mental health and wellbeing. Tips and techniques are included for facilitating poetry projects with groups or individuals for professional care workers or personal family members.

"Both hip and academic, serious and laid back, [Dargan] seems never to exist on the page without the strength of both of his eyes doing different things in the name of all of his senses."---Thomas Sayers Ellis, Author of Skin, Inc. --Book Jacket.

Poems inspired by a love of the living world and the actions that destroy what sustains us. Janet Kauffman describes "eco-dementia" as a paradoxical condition of humanity—possessing a love of the living world while simultaneously causing and suffering from its destruction. Like other dementias, losses are profound. We lose touch, we forget. We don't recognize our own home—the habitat that sustains us. What has driven us to exploit more and more resources, even when risking self-annihilation? Eco-dementia is not nature poetry but an immersive language in the tangle of the living world that asks the question: can we survive this relationship? The poems in Eco-dementia took shape in one decade of the author's life. In three sections, Kauffman reflects on insanities and devastations, from the personal to the global. From her father's Alzheimer's and the ravaged world of his mind to the horrors of Abu Ghraib, Hurricane Katrina, and toxins in Lake Erie, as well as the planetary-wide ecological catastrophe of climate change. Yet despite this devastation, it is possible to surround ourselves in light and air, to touch the tall grasses we love, to step into water and shade and feel an intense, momentary joy. Kauffman's poems show the bliss within the elemental richness of the natural world and also the violent distortions and grief at its devastation. Like learning a new language, we can see and hear words, sometimes understanding so clearly and other times not at all. Or as Kauffman's father puts it, "I know where you live, but I don't know who you are." The language of these poems is the physical material of a damaged world. Readers of modern and experimental poetry will treasure this collection.

This book is not about the past, which has gone. Or the future, which is uncertain. But it is for those who want to improve the lives of people with dementia and themselves in the Here and Now. The book is not written by an expert but by a man seeking to find new approaches concerning dementia who wishes to share his discoveries. Killick steers clear of any sort of medical terminology and instead nurtures the often neglected aspects of dementia, thereby reinforcing to the reader that these are of no lesser importance. In recognition that we are all in this together, Killick gives equal prominence to quotations from, and conversations with, people with dementia and their carers.

Judith has lovingly portrayed through poetry her feelings and those of her husband, during Ed's seven year battle with dementia.