Poetry: A Survivor's Guide has earned high praise from students, teachers, and readers from around the globe for its playful sincerity and idiosyncratic humor and for its approach to a subject both loved and feared. Updated and expanded, including six new sections, the second edition probes a range of strategies for inspiring students and aspiring poets on the ways poetry relates to their own lives. These include the delights and pitfalls of individual meditation, the complications of identity and appropriation, and the uses and utility of poetry as a tool of social change. The second edition also includes a curated companion website for teachers, students, and aspiring poets that features poetry examples, writing prompts and exercises, and resources for publishing poetry.

Poetry: A Survivor's Guide has earned high praise from students, teachers, and readers from around the globe for its playful sincerity and idiosyncratic humor and for its approach to a subject both loved and feared. Updated and expanded, including six new sections, the second edition probes a range of strategies for inspiring students and aspiring poets on the ways poetry relates to their own lives. These include the delights and pitfalls of individual meditation, the complications of identity and appropriation, and the uses and utility of poetry as a tool of social change. The second edition also includes a curated companion website for teachers, students, and aspiring poets that features poetry examples, writing prompts and exercises, and resources for publishing poetry. Online resources to accompany this book are available at: https://bloomsbury.pub/poetry-a-survivors-guide-2e.

This resource guide will help readers locate over 800 first-person accounts, fiction, poetry, art interpretations, and music by Holocaust victims and survivors, as well as videos relating the testimony and experiences of Holocaust survivors. In addition to the few well-known writers, artists, and musicians whose work so eloquently captures their experience during the Holocaust, this guide will introduce the reader to the lives and work of more than 250 lesser known or unrecognized writers, artists, and musicians from many countries who documented their experience of persecution at the hands of the Nazis. This guide will help students gain firsthand knowledge of what it was like to experience the Holocaust and how ordinary people coped and created art and meaning from the ashes of their lives. The entry on each writer, artist, and musician features a biographical sketch and list of his or her works, with full bibliographic data. Entries on literature and videos are annotated and include recommendations for age-appropriateness. The work is divided into five parts: writers of memoirs, diaries and fiction; poets; artists; composers and musicians; and videos that feature testimony by survivors. Each part features an introductory overview of the artists and art created in that genre out of Holocaust experience. Title, artist/writer, and nationality indexes will help the reader select materials, and an index organized by age-appropriate levels will help teachers and librarians to select literature and videos for students.

The experiences of a fourteen-year-old girl imprisoned in the Ravensbruck concentration camp during World War II. Illustrated with drawings made secretly by other camp inhabitants.

The fifteenth volume in the Art of series takes an expansive view of revision—on the page and in life In The Art of Revision: The Last Word, Peter Ho Davies takes up an often discussed yet frequently misunderstood subject. He begins by addressing the invisibility of revision—even though it’s an essential part of the writing process, readers typically only see a final draft, leaving the practice shrouded in mystery. To combat this, Davies pulls examples from his novels The Welsh Girl and The Fortunes, as well as from the work of other writers, including Flannery O’Connor, Carmen Machado, and Raymond Carver, shedding light on this slippery subject. Davies also looks beyond literature to work that has been adapted or rewritten, such as books made into films, stories rewritten by another author, and the practice of retconning in comics and film. In an affecting frame story, Davies recounts the story of a violent encounter in his youth, which he then retells over the years, culminating in a final telling at the funeral of his father. In this way, the book arrives at an exhilarating mode of thinking about revision—that it is the writer who must change, as well as the writing. The result is a book that is as useful as it is moving, one that asks writers to reflect upon themselves and their writing.

“This page-turning true-life adventure is filled with rich and riveting details and a timeless understanding of the things that matter most.”—Dashka Slater, author of The 57 Bus “Brilliantly told in verse, readers will love Ken Sparks.” —Patricia Reilly Giff, two-time Newbery Honor winner “Lyrical, terrifying, and even at times funny. A richly detailed account of a little-known event in World War II.” —Kirkus Reviews “Middle grade Titanic fans, here’s your next read.” —BCCB “An edge-of-your seat survival tale.” —School Library Journal (starred review) A Junior Library Guild Selection The 2019 Golden Kite Middle Grade Fiction Award Winner A 2019 ALSC Notable Children’s Book The 2019–2020 Lectio Book Award Winner The 2020–2021 Florida Sunshine State Young Readers Award List The 2020 Oklahoma Library Association’s Children’s Sequoyah Book Award Winner The Connecticut Book Award Winner In the tradition of The War That Saved My Life and Stella By Starlight, this poignant novel in verse based on true events tells the story of a boy’s harrowing experience on a lifeboat after surviving a torpedo attack during World War II. With Nazis bombing London every night, it’s time for thirteen-year-old Ken to escape. He suspects his stepmother is glad to see him go, but his dad says he’s one of the lucky ones—one of ninety boys and girls to ship out aboard the SS City of Benares to safety in Canada. Life aboard the luxury ship is grand—nine-course meals, new friends, and a life far from the bombs, rations, and his stepmum’s glare. And after five days at sea, the ship’s officers announce that they’re out of danger. They’re wrong. Late that night, an explosion hurls Ken from his bunk. They’ve been hit. Torpedoed! The Benares is sinking fast. Terrified, Ken scrambles aboard Lifeboat 12 with five other boys. Will they get away? Will they survive? Award-winning author Susan Hood brings this little-known World War II story to life in a riveting novel of courage, hope, and compassion. Based on true events and real people, Lifeboat 12 is about believing in one another, knowing that only by banding together will we have any chance to survive.

If you're an aspiring poet, this handbook will be a valuable reference source. It is a complete step-by-step guide to poetry, from the very first spark of inspiration to the final revision.

Her poetry and testimony during the Holocaust.

You Can Help offers concrete tools to family and friends who wish to participate in the healing process of someone who has been sexually victimized. In Part One, the author chronicles her own journey to recovery while providing pragmatic advice and essential data from numerous experts in the field. Each chapter is followed by "Five Practical Tips." Part Two is comprised of inspirational stories by 19 other survivors of both abuse and assault (8 men and 11 women) who share what was most helpful and hurtful in their own recoveries. Besides empowering family and friends, You Can Help is a valuable asset for arming survivors in their battle against shame and is an important educational resource for professionals who work with trauma. You Can Help enables readers to: (1) BREAK THE SILENCE (silence is the biggest obstacle to recovery) (2) LEARN about the complex consequences of sexual trauma, including PTSD (3) ASSIST SURVIVORS in regaining trust, confidence, and joy.

From the creators of the Caldecott Honor Book Song of the Water Boatman and Other Pond Poems comes a celebration of ubiquitous life forms among us. Newbery Honor-winning poet Joyce Sidman presents another unusual blend of fine poetry and fascinating science illustrated in exquisite hand-colored linocuts by Caldecott Honor artist Beckie Prange. Ubiquitous (yoo-bik-wi-tuhs): Something that is (or seems to be) everywhere at the same time. Why is the beetle, born 265 million years ago, still with us today? (Because its wings mutated and hardened). How did the gecko survive 160 million years? (By becoming nocturnal and developing sticky toe pads.) How did the shark and the crow and the tiny ant survive millions and millions of years? When 99 percent of all life forms on earth have become extinct, why do some survive? And survive not just in one place, but in many places: in deserts, in ice, in lakes and puddles, inside houses and forest and farmland? Just how do they become ubiquitous?