With the removal of death from the public sphere, mourning has become a private matter. At the same time, particularly in poetry, the trend is reversed. An intensely elegiac quality and a focus on absence, death, and loss can be observed in contemporary Anglophone poetry. This study examines the poetry of Andrew Motion in the context of the contemporary elegy, a genre which is at a crossroads between the anti-consolatory refusal to mourn, the inability to move past grief, and the strong wish for redemption from grief. Motion's poetry, which mainly deals with preemptive attempts to cope with loss, can be seen as a typical example for the contemporary melancholy mood in poetry. (Series: Erlanger Studies of English and American Studies / Erlanger Studien zur Anglistik und Amerikanistik - Vol. 15) [Subject: Poetry, Death Studies, Literary Criticism]

Discusses literary representations of death to explore the relation between writing and death--death understood as both the death of the individual and the death of meaning.

In Digital Poetics, Loss Glazier argues that the increase in computer technology and accessibility, specifically the World Wide Web, has created a new and viable place for the writing and dissemination of poetry. Glazier's work not only introduces the reader to the current state of electronic writing but also outlines the historical and technical contexts out of which electronic poetry has emerged and demonstrates some of the possibilities of the new medium. Glazier examines three principal forms of electronic textuality: hypertext, visual/kinetic text, and works in programmable media. He considers avantgarde poetics and its relationship to the on-line age, the relationship between web pages and book technology, and the way in which certain kinds of web constructions are in and of themselves a type of writing. With convincing alacrity, Glazier argues that the materiality of electronic writing has changed the idea of writing itself. He concludes that electronic space is the true home of poetry and, in the 20th century, has become the ultimate space of poesis. Digital Poetics will attract a readership of scholars and students interested in contemporary creative writing and the po

Of all the writings on theory and aesthetics - ancient, medieval, or modern - the most important is indisputably Aristotle's "Poetics", the first philosophical treatise to propound a theory of literature. The author offers a fresh interpretation of the lost second book of Aristotle's "Poetics".

In this innovative study, Jenny Sharpe moves beyond the idea of art and literature as an alternative archive to the historical records of slavery and its aftermath. Immaterial Archives explores instead the intangible phenomena of affects, spirits, and dreams that Caribbean artists and writers introduce into existing archives. Through the works of Frantz Zéphirin, Edouard Duval-Carrié, M. NourbeSe Philip, Erna Brodber, and Kamau Brathwaite, Immaterial Archives examines silences as black female spaces, Afro-Creole sacred worlds as diasporic cartographies, and the imaginative conjoining of spirits with industrial technologies as disruptions of enlightened modernity.

Stephen Guy-Bray argues that early modern authors used renditions of Theocritan and Virgilian pastoral, as well as epic poetry, for the exploration and the allusive presentation of homoerotic and homosocial themes.

By remapping the configurations of mourning across modernist, postmodernist, and postcolonial literatures, psychoanalysis and deconstruction, Signifying Loss studies not only how loss is signified, but also the ethico-political significance of such signifying.