Hermann Kappelhoff casts the evolution of cinema as an ongoing struggle to relate audiences to their historical moment. Appreciating cinema's unique ability to bind concrete living conditions to individual experience (which existing political institutions cannot), he reads films by Sergei Eisenstein and Pedro Almodóvar, by the New Objectivity and the New Hollywood, to demonstrate how cinema situates spectators within society. Kappelhoff applies the Deleuzean practice of "thinking in images" to his analysis of films and incorporates the approaches of Jacques Rancière and Richard Rorty, who see politics in the permanent reconfiguration of poetic forms. This enables him to conceptualize film as a medium that continually renews the audiovisual spaces and temporalities through which audiences confront reality. Revitalizing the reading of films by Visconti, Fassbinder, Kubrick, Friedkin, and others, Kappelhoff affirms cinema's historical significance while discovering its engagement with politics as a realm of experience.

The contributions gathered in this volume bear witness to the fact that belonging is a multi-faceted concept that necessitates different and shifting idioms of expression. It continually requires reconsideration and redefinition of our affiliations in response to the rapid social, cultural, and political changes of our world. The literary paradigms, linguistic practices, and cultural formations of belonging testify to the impossibility of confining it to conventional and established structures of knowledge. The different reflections on belonging introduced in this book are instrumental in reassessing and remodelling the general assumptions that have informed its definition and representation. The current global reality and the self-other encounter make inevitable the continuous search for new forms of belonging that are in tune with one’s evolving and changing sense of self. Theoretically informed by and substantially grounded in lively and heated debates on cultural identity and belonging, this book proposes new critical directions in understanding national and transnational belonging.

This book uses gendered stories of displacement and re-settlement to interrogate our understanding of social suffering and justice. Parin Dossa, an anthropologist, argues that systemic inequity and exclusionary practices impact the health and well-being of marginalised people. Using narrative accounts of Canadian Iranian women, this book links individual experiences of migration to social and political factors. Dossa challenges conventional thinking that interprets social suffering in terms of personal stake and individual accountability. She questions the ways in which radicalised and gendered inequality in Canada are perceived as cultural differences instead of social oppression. Yet this book is far from a laundry list of social determinants of migration and health. Dossa's illustrative stories are linked to a poetics of migration that shows the remaking of a world with a more informed sense of social justice. A pioneering study on migration and storytelling, this book is an important contribution to medical anthropology, migration and gender studies.

Conviviality has lately become a catchword not only in academia but also among political activists. This open access book discusses conviviality in relation to the adjoining concepts cosmopolitanism and creolisation. The urgency of today’s global predicament is not only an argument for the revival of all three concepts, but also a reason to bring them into dialogue. Ivan Illich envisioned a post-industrial convivial society of ‘autonomous individuals and primary groups’ (Illich 1973), which resembles present-day manifestations of ‘convivialism’. Paul Gilroy refashioned conviviality as a substitute for cosmopolitanism, denoting an ability to be ‘at ease’ in contexts of diversity (Gilroy 2004). Rather than replacing one concept with the other, the fourteen contributors to this book seek to explore the interconnections – commonalities and differences – between them, suggesting that creolisation is a necessary complement to the already-intertwined concepts of conviviality and cosmopolitanism. Although this volume takes northern Europe as its focus, the contributors take care to put each situation in historical and global contexts in the interests of moving beyond the binary thinking that prevails in terms of methodologies, analytical concepts, and political implementations.

Using the concept of the everyday as a lever for social transformation The texts in this volume represent Kristin Ross’s attempt to think the question of the everyday across a range of discourses, practices and knowledges, from philosophy to history, from the visual arts to popular fiction, all the way to the forms taken by collective political action in the territorial struggles of today. If everyday life is, as many have come to believe, the ideal vantage point for an analysis of the social, it is also the crucial first step in its transformation. The volume opens with a return to Henri Lefebvre’s powerful attempt to use the everyday as both residue and resource, as the site of profound alienation and—by the same token—the site where all emancipatory initiatives and desires begin. The second section focuses on our attempts to represent our lived reality to ourselves in cultural forms, from painting and literature and film to an analysis of the contemporary transformations of the sub-genre most embedded in the deep superficiality of everyday life: detective fiction. The final section turns to present-day ecological occupations in the wake of the zad at Notre-Dame-des-Landes, and locates the everyday as a site for rich oppositional resources and immanent social creativity.

This book offers new essays on the pastoral tradition. Both critical revision and consideration of pastoral's future, Poetics and Politics of Place in Pastoral: International Perspectives investigates the genre's persistent attraction in a time of environmental crisis.

The Politics and Poetics of Contemporary English Tragedy is a detailed study of the idea of the tragic in the political plays of David Hare, Howard Barker, Edward Bond, Caryl Churchill, Mark Ravenhill, Sarah Kane, and Jez Butterworth. Through an in-depth analysis of over sixty of their works, Sean Carney argues that their dramatic exploration of tragic experience is an integral part of their ongoing politics. This approach allows for a comprehensive rather than selective study of both the politics and poetics of their work. Carney's attention to the tragic enables him to find a common discourse among the canonical English playwrights of an older generation and representatives of the nineties generation, challenging the idea that there is a sharp generational break between these groups. Finally, Carney demonstrates that tragic experience is often denied by the social discourse of Englishness, and that these playwrights make a crucial critical intervention by dramatizing the tragic.

This book helps readers make sense of the scope and complexity of the relationships between poetry and politics since 1900.

A comprehensive and scholarly review of contemporary British and Irish Poetry With contributions from noted scholars in the field, A Companion to Contemporary British and Irish Poetry, 1960-2015 offers a collection of writings from a diverse group of experts. They explore the richness of individual poets, genres, forms, techniques, traditions, concerns, and institutions that comprise these two distinct but interrelated national poetries. Part of the acclaimed Blackwell Companion to Literature and Culture series, this book contains a comprehensive survey of the most important contemporary Irish and British poetry. The contributors provide new perspectives and positions on the topic. This important book: Explores the institutions, histories, and receptions of contemporary Irish and British poetry Contains contributions from leading scholars of British and Irish poetry Includes an analysis of the most prominent Irish and British poets Puts contemporary Irish and British poetry in context Written for students and academics of contemporary poetry, A Companion to Contemporary British and Irish Poetry, 1960-2015 offers a comprehensive review of contemporary poetry from a wide range of diverse contributors.