Poetic Song Verse: Blues-Based Popular Music and Poetry invokes and critiques the relationship between blues-based popular music and poetry in the twentieth and twenty-first centuries. The volume is anchored in music from the 1960s, when a concentration of artists transformed modes of popular music from entertainment to art-that-entertains. Musician Mike Mattison and literary historian Ernest Suarez synthesize a wide range of writing about blues and rock—biographies, histories, articles in popular magazines, personal reminiscences, and a selective smattering of academic studies—to examine the development of a relatively new literary genre dubbed by the authors as “poetic song verse.” They argue that poetic song verse was nurtured in the fifties and early sixties by the blues and in Beat coffee houses, and matured in the mid-to-late sixties in the art of Bob Dylan, the Beatles, the Rolling Stones, the Doors, Jimi Hendrix, Joni Mitchell, Leonard Cohen, Gil Scott-Heron, Van Morrison, and others who used voice, instrumentation, arrangement, and production to foreground semantically textured, often allusive, and evocative lyrics that resembled and engaged poetry. Among the questions asked in Poetic Song Verse are: What, exactly, is this new genre? What were its origins? And how has it developed? How do we study and assess it? To answer these questions, Mattison and Suarez engage in an extended discussion of the roots of the relationship between blues-based music and poetry and address how it developed into a distinct literary genre. Unlocking the combination of richly textured lyrics wedded to recorded music reveals a dynamism at the core of poetic song verse that can often go unrealized in what often has been considered merely popular entertainment. This volume balances historical details and analysis of particular songs with accessibility to create a lively, intelligent, and cohesive narrative that provides scholars, teachers, students, music influencers, and devoted fans with an overarching perspective on the poetic power and blues roots of this new literary genre.

This is a short collection of devotional poetry written by Don Savant.

Now one of Booklist's 30 Best Books of the Year! "Genius!" – Wired.com “Marilyn Singer's verse in Follow Follow practically dances down each page . . . the effect is miraculous and pithy.” – The Wall Street Journal Once upon a time, Mirror Mirror, a brilliant book of fairy tale themed reversos–a poetic form in which the poem is presented forward and then backward–became a smashing success. Now a second book is here with more witty double takes on well-loved fairy tales such as Thumbelina and The Little Mermaid. Read these clever poems from top to bottom and they mean one thing. Then reverse the lines and read from bottom to top and they mean something else–it is almost like magic! A celebration of sight, sound, and story, this book is a marvel to read again and again.

The journey continues...come along and surrender yourself as you are creatively caressed and cradled by the feelings, thoughts and words of Jim M. McClellan. The feelings will move you, the thoughts will make you wonder, and the words will be your own. This, the second stop in the journey, Words of Poetic Verse, is sure to please both the heart and mind.www.wordsofpoeticverse.com

Killer Verse: Poems of Murder and Mayhem is a spine-tingling collection of terrifically creepy poems about the deadly art of murder. The villains and victims who populate these pages range from Cain and Abel and Bluebeard and his wives to Lizzie Borden, Jack the Ripper, and Mafia hit men. The literary forms they inhabit are just as varied, from the colorful melodramas of old Scottish ballads to the hard-boiled poetry of twentieth-century noir, from lighthearted comic riffs to profound poetic musings on murder. Robert Browning, Thomas Hardy, W. H. Auden, Stevie Smith, Mark Doty, Frank Bidart, Toi Derricotte, Lynn Emanuel, and Cornelius Eady are only a few of the many poets, old and new, whose work is captured in this heart-stopping—and criminally entertaining—collection.

Vladimir Nabokov was hailed by Salman Rushdie as the most important writer ever to cross the boundary between one language and another. A Russian emigre who began writing in English after his forties, Nabokov was a trilingual author, equally competent in Russian, English, and French. A gifted and tireless translator, he bridged the gap between languages nimbly and joyously. Here, collected for the first time in one volume as Nabokov always wished, are many of his English translations of Russian verse, presented next to the Russian originals. Here, also, are some of his notes on the dangers and thrills of translation. With an introduction by Brian Boyd, author of "Vladimir Nabokov, "a prize-winning two-volume biography," ""Verses and Versions" is a momentous and authoritative contribution to Nabokov's literary legacy.

A diverse anthology of 26 of the hippest and hottest new poets since the Beat Generation, "Verses That Hurt" contain works from such noted Beat poets as Allen Ginsberg and John Giorno to the voices of a new generationHal Sirowitz, Lee Ranaldo, Todd Colby, Edwin Torres, and others. 24 b&w photos throughout.

This daily devotional of Bible-inspired poetry contains some of the most eloquent, inspiring, and profound poetry ever written. Readers will glean understanding, wisdom, and inspiration for life's struggles and victories. But most of all, they will learn more about their Savior and be inspired to devote their lives to him wholeheartedly. Includes indexes.

Get the Knowledge Without the College! You are a writer. You dream of sharing your words with the world, and you're willing to put in the hard work to achieve success. You may have even considered earning your MFA, but for whatever reason--tuition costs, the time commitment, or other responsibilities--you've never been able to do it. Or maybe you've been looking for a self-guided approach so you don't have to go back to school. This book is for you. DIY MFA is the do-it-yourself alternative to a Master of Fine Arts in creative writing. By combining the three main components of a traditional MFA--writing, reading, and community--it teaches you how to craft compelling stories, engage your readers, and publish your work. Inside you'll learn how to: • Set customized goals for writing and learning. • Generate ideas on demand. • Outline your book from beginning to end. • Breathe life into your characters. • Master point of view, voice, dialogue, and more. • Read with a "writer's eye" to emulate the techniques of others. • Network like a pro, get the most out of writing workshops, and submit your work successfully. Writing belongs to everyone--not only those who earn a degree. With DIY MFA, you can take charge of your writing, produce high-quality work, get published, and build a writing career.

In a starred review Publishers Weekly raves: "It’s an avant-garde, surrealist story with a Hollywood-style tearjerker lurking within—and a surprisingly charming and affecting one at that." Award-winning poet Matthea Harvey and illustrator extraordinaire Giselle Potter team up to create an indescribably unique picture book about wanting to be normal, then coming to appreciate being different. Ruby would love to be like everyone else—not easy when you have a tiara-wearing mother and a father who spends his time trimming outrageous topiary. She'd also like to get a nice normal pet, maybe a dog. Then, on a family vacation to Norway, she finds herself adopted by a small, affectionate glacier. How Cecil, as the ice pet is named, proves himself to Ruby—risking his own meltdown—is a story sure to thrill and delight young readers.