Literature reveals the intense efforts of moral imagination required to articulate what justice is and how it might be satisfied. Examining a wide variety of texts including Shakespeare's plays, Gilbert and Sullivan's operas, and modernist poetics, Poetic Justice and Legal Fictions explores how literary laws and values illuminate and challenge the jurisdiction of justice and the law. Jonathan Kertzer examines how justice is articulated by its command of, or submission to, time, nature, singularity, truth, transcendence and sacrifice, marking the distance between the promise of justice to satisfy our moral and sociable needs and its failure to do so. Poetic Justice and Legal Fictions will be invaluable reading for scholars of the law within literature and amongst modernist and twentieth century literature specialists.

Examining a wide variety of texts including Shakespeare's plays, Gilbert and Sullivan's operas, and modernist poetics, Poetic Justice and Legal Fictions explores how literary laws and values illuminate and challenge the jurisdiction of justice and the law.

How can the concepts of Deleuze and Guattari be used to unearth the 'metaphysics' of modernist literature? This intersection of philosophy and key literary works uses their radical concepts to draw a dynamic map of modernism that explores the confrontation of each writer with the non-human machine age of the early twentieth-century.

A riveting debut thriller by Andrea J. Johnson, and the first in the VICTORIA JUSTICE series. Twenty-five year old Victoria Justice has never really gotten over a near drowning at the hands of a high school bully, but has attempted to build her confidence and career as a court stenographer under the mentorship of The Honorable Frederica Scott Wannamaker, the county's first African-American Superior Court judge. But when her old nemesis appears on the court docket, Victoria's carefully crafted world implodes—evidence goes missing, a potential mistrial abounds, and the judge winds up drowned in the courthouse bathroom. Victoria realizes her transcript of the proceedings unlocks everyone's secrets...including the murderer's. Plagued with guilt for failing to protect her mentor, Victoria teams up with Ashton North, the handsome state trooper accused of mishandling trial evidence, and starts to untangle the conspiracy surrounding the case. Meanwhile, the deputy attorney general hangs himself during the Post-Election Festival. Everyone is quick to accept his suicide note as a sign of guilt, but Victoria is convinced the truth behind her mentor's death lies in the trial transcript. Can she suppress her fears long enough to crack the code, find her voice, and avoid the crosshairs of the killer?

Who decides what is right or wrong, ethical or immoral, just or unjust? In the world of crime and spy fiction between 1880 and 1920, the boundaries of the law were blurred and justice called into question humanity's moral code. As fictional detectives mutated into spies near the turn of the century, the waning influence of morality on decision-making signaled a shift in behavior from idealistic principles towards a pragmatic outlook taken in the national interest. Taking a fresh approach to Sir Arthur Conan Doyle's popular protagonist, Sherlock Holmes, this book examines how Holmes and his rival maverick literary detectives and spies manipulated the law to deliver a fairer form of justice than that ordained by parliament. Multidisciplinary, this work views detective fiction through the lenses of law, moral philosophy, and history, and incorporates issues of gender, equality, and race. By studying popular publications of the time, it provides a glimpse into public attitudes towards crime and morality and how those shifting opinions helped reconstruct the hero in a new image.

In Detecting Chinese Modernities: Rupture and Continuity in Modern Chinese Detective Fiction (1896–1949), Yan Wei historicizes the two stages in the development of Chinese detective fiction and discusses the rupture and continuity in the cultural transactions, mediation, and appropriation that occurred when the genre of detective fiction traveled to China during the first half of the twentieth century. Wei identifies two divergent, or even opposite strategies for appropriating Western detective fiction during the late Qing and the Republican periods. She further argues that these two periods in the domestication of detective fiction were also connected by shared emotions. Both periods expressed ambivalent and sometimes contradictory views regarding Chinese tradition and Western modernity.

Explores Thomas Hardy's engagement with Victorian legal debates in his prose fiction. Thomas Hardy's fiction is examined in this book in the context of the seismic legal reforms of the nineteenth century as well as legal discourse in the literature of the era. The book examines the ways in which Hardy's role as a magistrate and his interest in the law impacted fundamentally on his prose fiction. It demonstrates that throughout his prose fiction Hardy engages with contentious legal issues that were debated by legal professionals and literary figures of his day, and argues that Hardy used fiction as a forum to question the extent to which legal reform improved the lives of women and the working classes.The study also looks at the ways in which Hardy deployed criminal plots derived from sensation fiction and reveals that the genre's engagement with legal reform influenced not only his sensation novel Desperate Remedies (1871) but also the plots of his subsequent fiction.

Combining her expertise in legal theory and judicial practice in a continental European civil-law system, Jeanne Gaakeer explores the intertwinement of legal theory and practice to develop a humanities-inspired methodology for both the academic interdisciplinary study of law and literature and for legal practice. This volume addresses judgment and interpretation as a central concern within the field of law, literature and humanities. It is not only a study of law as praxis that combines academic legal theory with judicial practice, but proposes both as central to humanistic jurisprudence and as a training in the conduct of public life. Drawing extensively on philosophical and legal scholarship and through analysis of literary works from Gustave Flaubert, Robert Musil, Gerrit Achterberg, Ian McEwan, Michel Houellebecq and Juli Zeh, Jeanna Gaakeer proposes a perspective on law as part of the humanities that will inspire legal professionals, scholars and advanced students of law alike.

A semantic study of God’s righteousness and justice in the Hebrew Bible that draws exegetical, theological, and philosophical conclusions about the character of God and God’s relationship with humanity. God’s work of creation and salvation for the good of Israel, humanity, and the world manifests the nature of God’s being. Thus, if we can understand God’s characteristics of righteousness and justice, we can better understand God. In the Hebrew Bible, these aspects of God are not expressed by abstract concepts but by semantic elements within literary structures. From this premise, Jože Krašovec undertakes the present study to put semantics into dialogue with exegesis and theology to illuminate exactly how God’s righteousness and justice in the Old Testament should be understood. In the first part of the book, Krašovec analyzes occurrences of the Hebrew root ṣdq (meaning righteous) and other synonyms, working systematically through the entire Old Testament canon. In the second part, he builds off this lexical study with a more broadly exegetical, theological, and philosophical exploration of guilt, punishment, mercy, forgiveness, and reconciliation. Krašovec concludes, among other things, that the biblical writers use “righteousness” as an expression of God’s affection for faithful people, especially those in distress because of persecution. God’s righteousness therefore exists in the Hebrew Bible in relation to the righteousness of human individuals and communities. Justice—whether in the form of forgiveness for the penitent or punishment for those who have hardened their hearts against God—is always carried out with the goal of building better community among God’s people.

Offers a broad overview of the interaction between law and language and the way they infuence each other. Contains papers from the 15th annual interdisciplinary colloquium held in the Law School of UCL in July 2011.