Rosi's films consistently and directly address the themes of political and institutional corruption and the complex relationship between the individual, the mafia, and the state. Whether evoking the multiple facets of Sicilian banditry in Salvatore Giuliano (1962), exposing right-wing killing squads in Cadaveri eccellenti (Illustrious Corpses) (1976), or courageously debating the roots of Italian terrorism in ^ITre fratelli (Three Brothers)^R (1981), his gripping political-documentary works have managed to combine factual and intellectual rigor with box office success and wide critical acclaim. This book offers a series of essays by leading Italian academics, each exploring a key Rosi film, together with an interview and comprehensive bibliographic and filmographic material. A notable feature is an article by the director himself, in which he reflects on the development and future of Italian political cinema. This book offers a series of essays by leading Italian academics, each exploring a key Rosi film, together with an interview and comprehensive bibliographic and filmographic material. A notable feature is an article by the director himself, in which he reflects on the development and future of Italian political cinema.

Since before the Declaration of Independence, poets have shaped a collective imagination of nationhood at critical points in American history. In The Patriot Poets Stephen Adams considers major odes and "progress poems" that address America's destiny in the face of slavery, the Civil War, imperialist expansion, immigration, repeated financial boom and bust, gross social inequality, racial and gendered oppression, and the rise of the present-day corporate oligarchy. Adams elucidates how poets in the nineteenth and twentieth centuries addressed political crises from a position of patriotic idealism and how military interventions overseas in Cuba and in the Philippines increasingly caused poets to question the actions of those in power. He traces competing loyalties through major works of writers at both extremes of the political spectrum, from the radical Republican versus Confederate voices of the Civil War, through New Deal liberalism versus the lost-cause propaganda of the defeated South and the conservative isolationism of the 1930s, and after the Second World War, the renewed hope of Black leaders and the existential alienation of Allen Ginsberg's counter-culture. Blazing a new path of critical discourse, Adams questions why America, of all nations, has appeared to rule out politics as a subject fit for poetry. His answer draws connections between familiar touchstones of American poetry and significant yet neglected writing by Philip Freneau, Sidney Lanier, Archibald MacLeish, William Vaughn Moody, Muriel Rukeyser, Genevieve Taggard, Allen Tate, Henry Timrod, Melvin B. Tolson, and others. An illuminating and pioneering work, The Patriot Poets provides a rich understanding of the ambivalent relationship American poets and poems have had with nation, genre, and the public.

an account of the response of the Russian Symbolist poets to the Great War and the Russian revolutions of 1917.

The Encyclopedia of Italian Literary Studies is a two-volume reference book containing some 600 entries on all aspects of Italian literary culture. It includes analytical essays on authors and works, from the most important figures of Italian literature to little known authors and works that are influential to the field. The Encyclopedia is distinguished by substantial articles on critics, themes, genres, schools, historical surveys, and other topics related to the overall subject of Italian literary studies. The Encyclopedia also includes writers and subjects of contemporary interest, such as those relating to journalism, film, media, children's literature, food and vernacular literatures. Entries consist of an essay on the topic and a bibliographic portion listing works for further reading, and, in the case of entries on individuals, a brief biographical paragraph and list of works by the person. It will be useful to people without specialized knowledge of Italian literature as well as to scholars.

Hesiod: The Other Poet is a study dealing with the role of Hesiod in the imagination and the collective memory of the ancient Greeks. Its main hypothesis is that Hesiod's image was to a large degree formed by the picture of Homer: Hesiod is decidedly different when presented as allied with, opposed to or simply without Homer. Following this approach, Hesiod is investigated as a moral and philosophical authority, a locus informed with values and qualities, a concept in literary-critical discourse, and more generally as a cultural and panhellenic icon constructed and reconstructed by later Greek authors who employed and so re-created him in their own texts.

The Imperial Sublime examines the rise of the Russian empire as a literary theme simultaneous with the evolution of Russian poetry between the 1730s and 1840—the century during which poets defined the main questions facing Russian literature and society. Harsha Ram shows how imperial ideology became implicated in an unexpectedly wide range of issues, from formal problems of genre, style, and lyric voice to the vexed relationship between the poet and the ruling monarch.

This volume widens the field of Soviet literature studies by interpreting it as a multinational project, with national literatures acting not as copies of the Russian model, but as creators of a multidimensional literary space. The book proposes a reconsideration of Pierre Bourdieu’s theory of literary field and analyzes the interactions of literature, power, and economics under the communist rule. The articles selected include theoretical discussions and case studies from different national literatures presenting different structural elements of the Soviet literary field, as well as phenomena created by the complexity of the field itself, such as the Aesopian language, state of emergency literature, or compromise as the essential element of the writers’ identity.

Table Talk was the title Pushkin gave, following the example of William Hazlitt or Samuel Taylor Coleridge, to the collection of historical anecdotes jotted down in the years 1830-1836. Pushkin had in his library the T able Talk of both Hazlitt and Coleridge. The question which book prompted his own title has been much discussed. There can be no doubt that Coleridge occupies a very important position in the list of literary sources which Puskhin utilized. It is curious that in the fall of 1830 at Boldino, hence at the period of his greatest literary activity, when he composed a number of his most splendid masterpieces, Puskhin had Coleridge's works with him; not only had his works, but read them anew. Among the Boldino master pieces was also, as we know, the famous "little tragedy" Mozart and Salieri, of which the ultimate psychological-moral peripeteia revolves about Mozart's remark that "genius and crime are two incompati ble things"--"geny i zlodeystvo dve veschi nesovmestnye ..." When I looked through Coleridge's Table Talk I was struck with the following observation, under the date of the 29th of August, 1827: "genius may co-exist with wildness, idleness, folly, even with crime: but not long, believe me, with selfishness, and the indulgence of an envious disposition. Envy is kdkistos kai dikai6tatos the6s, as I once saw expressed some where in a page of Stobaeus: it dwarfs and withers its worshippers.

This book focuses particular attention on the six-month interrogation of the doomed poet, and it provides a critical evaluation of Soviet interpretations and an assessment of Ryleev's historical significance. Originally published in 1984. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Hope for American democracy in an era of deep divisions In Healing the Heart of Democracy, Parker J. Palmer quickens our instinct to seek the common good and gives us the tools to do it. This timely, courageous and practical work—intensely personal as well as political—is not about them, "those people" in Washington D.C., or in our state capitals, on whom we blame our political problems. It's about us, "We the People," and what we can do in everyday settings like families, neighborhoods, classrooms, congregations and workplaces to resist divide-and-conquer politics and restore a government "of the people, by the people, for the people." In the same compelling, inspiring prose that has made him a bestselling author, Palmer explores five "habits of the heart" that can help us restore democracy's foundations as we nurture them in ourselves and each other: An understanding that we are all in this together An appreciation of the value of "otherness" An ability to hold tension in life-giving ways A sense of personal voice and agency A capacity to create community Healing the Heart of Democracy is an eloquent and empowering call for "We the People" to reclaim our democracy. The online journal Democracy & Education called it "one of the most important books of the early 21st Century." And Publishers Weekly, in a Starred Review, said "This beautifully written book deserves a wide audience that will benefit from discussing it."