The poems in this book have rhyme and meter. The themes are timeless: love, death, freedom, longing, nature, war, optimism, science and history. The poems are beautifully crafted and many are truly inspirational.

Poems from the heart, is a descriptive narration about life, love and loss. The author reflects on these issues on a personal and generic glance through poetry. The poems are diverse and thus cater for different audience. The work of this South African writer demonstrates versatility portrayed through out this book. Though some poems are fictional, a lot of poems in this book are authentic and based on her experience in various aspects of life and her surroundings. She reflects on death, bereavement, love, childhood memories, some poems are spiritual, some are self reflective and others a pure admiration of nature. The author writes with intense emotions of sorrow, harmony, love, disappointment and self introspect and affirmation.

There is joy and sorrow contained in these poems. There is also a deep expression of love for a wonderful husband and father.

“I see now that no person who has ever loved has ever been spared from tears. Tears of joy and tears of sorrow. Of the most intimate union and of letting go.” Poignant, timeless and true. This book is a personal collection of poems about love and letting go. Whether it be a newfound love, a love that endures a lifetime, or a love that will soon be saying goodbye, one can find in these pages something like a mirror that tells the story of one’s own heart. Are you in sorrow because of a broken heart? Are you in grief because your are mourning the death of a loved one? Dying is painful, but so is the loss of a love that broke your heart. Yet in all these, if one has loved true, one has found meaning in life. Healing is never far away for as long as hope is kept alive in one’s heart. Let these poems of love comfort you, inspire you and remind you of the beauty of love. To love is to be rapt in bliss, to be torn asunder and to be healed and made whole again.

The bestselling poet Malcolm Guite chooses forty poems from across the centuries that express the universal experience of loss and reflects on them in order to draw out the comfort, understanding and hope they offer. Some of the poems will be familiar, many will be new, but together they provide a sure companion for the journey across difficult terrain. Some of Malcolm’s own poetry is included, written out of his work as a priest with the dying and the bereaved and giving to the volume a powerful authenticity. The choice of forty poems is significant and reflects an ancient practice still observed in some European and Middle Eastern societies of taking extra-special care of a bereaved person in the forty days following a death – our word quarantine come from this. They explore the nature and the risk of love, the pain of letting go and look toward glimpses of resurrection.

First published in 1996. This new book gives voice to an emerging consensus among bereavement scholars that our understanding of the grief process needs to be expanded. The dominant 20th century model holds that the function of grief and mourning is to cut bonds with the deceased, thereby freeing the survivor to reinvest in new relationships in the present. Pathological grief has been defined in terms of holding on to the deceased. Close examination reveals that this model is based more on the cultural values of modernity than on any substantial data of what people actually do. Presenting data from several populations, 22 authors - among the most respected in their fields - demonstrate that the health resolution of grief enables one to maintain a continuing bond with the deceased. Despite cultural disapproval and lack of validation by professionals, survivors find places for the dead in their on-going lives and even in their communities. Such bonds are not denial: the deceased can provide resources for enriched functioning in the present. Chapters examine widows and widowers, bereaved children, parents and siblings, and a population previously excluded from bereavement research: adoptees and their birth parents. Bereavement in Japanese culture is also discussed, as are meanings and implications of this new model of grief. Opening new areas of research and scholarly dialogue, this work provides the basis for significant developments in clinical practice in the field.

Poetry from the Domestic to the Epic. Of love , Life, and War. Now and from past ages. Of intense emotion, friendship and betrayal.

My poetry and short stories will take you on a journey and give you a brief look into my life. Everything I write is from the heart and is inspired by personal experiences. Love speaks of the love that has filled my heart. Lust speaks of the many temptations, seductions, and emotions that stimulate the body. And loss speaks of the hurt that can be brought on by love or feelings of lack thereof. The short stories of passion allowed me to delve into my creative side. The many days I sat daydreaming and wondering what if are now out of my head and on paper. Often we fantasize but we keep our fantasies to ourselves. This allows me to explore those passions outside of a mere daydream. Love, Lust, and Loss reflects life experiences and everything in between. My book takes a look into every aspect of every emotion that love and loss of love elicits. I hope that what I write inspires you to feel something youve never felt, reminds you of a love from your past, present, or future, and allows you to see that you are not alone in your emotions.

Feminist icon bell hooks reminds us of the full spectrum of feeling we spend in love through her inspiring collection of love poetry, with a new introduction by Cole Arthur Riley, author of Black Liturgies. Written from the heart, When Angels Speak of Love is a book of fifty love poems by bell hooks, one our most beloved public intellectuals, and author of over twenty books, including the bestselling All About Love. Poem after poem, hooks challenges our views and experiences with love—tracing the links between seduction and surrender, the intensity of desire, and the anguish of death. “Love must clean house, choose memories to keep, and memories to let go,” she writes. These verses are expansive yet accessible—encompassing romantic love, to love of family, friends, or oneself. In any iteration, these poems remind us of both the beauty and possibility of love.

Here he is, husband and father, scruffy romantic, a shambolic scholar--a man adrift in the wake of his wife's sudden, accidental death. And there are his two sons who like him struggle in their London apartment to face the unbearable sadness that has engulfed them. The father imagines a future of well-meaning visitors and emptiness, while the boys wander, savage and unsupervised. In this moment of violent despair they are visited by Crow--antagonist, trickster, goad, protector, therapist, and babysitter. This self-described "sentimental bird," at once wild and tender, who "finds humans dull except in grief," threatens to stay with the wounded family until they no longer need him. As weeks turn to months and the pain of loss lessens with the balm of memories, Crow's efforts are rewarded and the little unit of three begins to recover: Dad resumes his book about the poet Ted Hughes; the boys get on with it, grow up. Part novella, part polyphonic fable, part essay on grief, Max Porter's extraordinary debut combines compassion and bravura style to dazzling effect. Full of angular wit and profound truths, Grief Is the Thing with Feathers is a startlingly original and haunting debut by a significant new talent.