That strange creative genius, Ambrose Bierce, published approximately 800 pieces of verse in a lifetime of writing. Much of it is satire involving many who were celebrities on the West Coast. A modicum remains of real poetry -- compact, powerful, and -- quite unexpectedly -- tender with a tenderness not usually associated with "The Devil's Lexicographer". This collection retains that hard core of real poetry, together with a sampling from the better pieces of his satirical verse, which bring notice to Bierce's fine qualities as a poet and to his influence on other West Coast poets.

Ambrose Bierce is one of the most colorful figures in American literary history. A writer whose Devil's Dictionary remains the delight of misanthropes and fans of satire throughout the English-speaking world, he was also a master of the short story form. From the late 1860s through the early 1900s, he worked as a journalist, gaining wide renown in the 1890s and 1900s as a satirical columnist for William Randolph Hearst's chain of newspapers. In 1913 Bierce traveled to Mexico and joined Pancho Villa's army as an observer. He disappeared late that year and his fate has been a matter of dispute ever since. The poems that Bierce wrote throughout his career are less well known than his stories, journalistic pieces, and aphoristic observations on human folly. Nevertheless, his work as a poet, as critic Donald Sidney-Fryer has argued, "clearly merits the attention of the discriminating lover and student of poetry." Varied in form and subject matter, most of his poems are (not surprisingly) satires. This volume contains a generous selection of Bierce's poems; they are alternately ironic, melancholy, bitter, and wickedly amusing. There are also fifteen essays and letters on poetry, poets, and such topics as "Wit and Humor" and "The Passing of Satire." Certainly there have been few authors more intimately familiar with wit and satire than the brilliant, iconoclastic Bierce. As editor M. E. Grenander makes plain in her introduction, both are abundantly present in this collection of "some of the most remarkable verse in American literary history." M. E. Grenander is a Distinguished Service Professor Emeritus at the University at Albany, State University of New York. Internationally recognized as aleading Bierce scholar, she is the author of Ambrose Bierce. Her articles on Bierce have appeared in the Western Humanities Review, American Literary Realism, Papers of the Bibliographical Society of America, and other publications.

Sixteen dark and vivid tales by great satirist: "A Horseman in the Sky," "An Occurrence at Owl Creek Bridge," "Chicakamauga," "A Son of the Gods," "What I Saw of Shiloh," more. Note.

“Dictionary, n: A malevolent literary device for cramping the growth of a language and making it hard and inelastic. This dictionary, however, is a most useful work.” Bierce’s groundbreaking Devil’s Dictionary had a complex publication history. Started in the mid-1800s as an irregular column in Californian newspapers under various titles, he gradually refined the new-at-the-time idea of an irreverent set of glossary-like definitions. The final name, as we see it titled in this work, did not appear until an 1881 column published in the periodical The San Francisco Illustrated Wasp. There were no publications of the complete glossary in the 1800s. Not until 1906 did a portion of Bierce’s collection get published by Doubleday, under the name The Cynic’s Word Book—the publisher not wanting to use the word “Devil” in the title, to the great disappointment of the author. The 1906 word book only went from A to L, however, and the remainder was never released under the compromised title. In 1911 the Devil’s Dictionary as we know it was published in complete form as part of Bierce’s collected works (volume 7 of 12), including the remainder of the definitions from M to Z. It has been republished a number of times, including more recent efforts where older definitions from his columns that never made it into the original book were included. Due to the complex nature of copyright, some of those found definitions have unclear public domain status and were not included. This edition of the book includes, however, a set of definitions attributed to his one-and-only “Demon’s Dictionary” column, including Bierce’s classic definition of A: “the first letter in every properly constructed alphabet.” Bierce enjoyed “quoting” his pseudonyms in his work. Most of the poetry, dramatic scenes and stories in this book attributed to others were self-authored and do not exist outside of this work. This includes the prolific Father Gassalasca Jape, whom he thanks in the preface—“jape” of course having the definition: “a practical joke.” This book is a product of its time and must be approached as such. Many of the definitions hold up well today, but some might be considered less palatable by modern readers. Regardless, the book’s humorous style is a valuable snapshot of American culture from past centuries. This book is part of the Standard Ebooks project, which produces free public domain ebooks.

Following her successful Literary Guide to Washington, DC, which Library Journal called "the perfect accompaniment for a literature-inspired vacation in the US capital," Kim Roberts returns with a comprehensive anthology of poems by both well-known and overlooked poets working and living in the capital from the city’s founding in 1800 to 1930. Roberts expertly presents the work of 132 poets, including poems by celebrated DC writers such as Francis Scott Key, Walt Whitman, Frederick Douglass, Paul Laurence Dunbar, Ambrose Bierce, Henry Adams, and James Weldon Johnson, as well as the work of lesser-known poets—especially women, writers of color, and working-class writers. A significant number of the poems are by writers who were born enslaved, such as Fanny Jackson Coppin, T. Thomas Fortune, and John Sella Martin. The book is arranged thematically, representing the poetic work happening in our nation’s capital from its founding through the Civil War, Reconstruction, World War I, and the beginnings of literary modernism. The city has always been home to prominent poets—including presidents and congressmen, lawyers and Supreme Court judges, foreign diplomats, US poets laureate, professors, and inventors—as well as writers from across the country who came to Washington as correspondents. A broad range of voices is represented in this incomparable volume.

A superb selection of poems from both sides of the American Civil War features more than 75 inspired works by Melville, Emerson, Longfellow, Whittier, Whitman, and many others.

Lines in Long Array demonstrates the enduring impact of the Civil War on American culture by presenting poems and photographs from both the past and present, including 12 wholly new poems by contemporary poets created especially for this volume. Includes previously unpublished poetry by Eavan Boland, Geoffrey Brock, Nikki Giovanni, Jorie Graham, John Koethe, Yusef Komunyakaa, Paul Muldoon, Steve Scafidi, Jr., Michael Schmidt, Dave Smith, Tracy K. Smith, and C. D. Wright. Also includes historic poems by Ethel Lynn Beers, Ambrose Bierce, George H. Boker, Emily Dickinson, Frances Ellen Watkins Harper, Oliver Wendell Holmes Sr., Julia Ward Howe, Herman Melville, Francis Orray Ticknor, Henry Timrod, Walt Whitman, and John Greenleaf Whittier.

If we could only put aside our civil pose and say what we really thought, the world would be a lot like the one alluded to in The Unabridged Devil’s Dictionary. There, a bore is "a person who talks when you wish him to listen," and happiness is "an agreeable sensation arising from contemplating the misery of another." This is the most comprehensive, authoritative edition ever of Ambrose Bierce’s satiric masterpiece. It renders obsolete all other versions that have appeared in the book’s ninety-year history. A virtual onslaught of acerbic, confrontational wordplay, The Unabridged Devil’s Dictionary offers some 1,600 wickedly clever definitions to the vocabulary of everyday life. Little is sacred and few are safe, for Bierce targets just about any pursuit, from matrimony to immortality, that allows our willful failings and excesses to shine forth. This new edition is based on David E. Schultz and S. T. Joshi’s exhaustive investigation into the book’s writing and publishing history. All of Bierce’s known satiric definitions are here, including previously uncollected, unpublished, and alternative entries. Definitions dropped from previous editions have been restored while nearly two hundred wrongly attributed to Bierce have been excised. For dedicated Bierce readers, an introduction and notes are also included. Ambrose Bierce’s Devil’s Dictionary is a classic that stands alongside the best work of satirists such as Twain, Mencken, and Thurber. This unabridged edition will be celebrated by humor fans and word lovers everywhere.

New collection of verses and prose sketches selected from The collected works of Ambrose Bierce in twelve volumes between 1909 and 1912.

»The Moonlit Road« is a short story by Ambrose Bierce, originally published in 1907. AMBROSE BIERCE [1842-1914] was an American author, journalist, and war veteran. He was one of the most influential journalists in the United States in the late 19th century and alongside his success as a horror writer he was hailed as a pioneer of realism. Among his most famous works are The Devil's Dictionary and the short story »An Occurrence at Owl Creek Bridge.«