These poems were written in prison, in the depth of night, by the poor light of a peculiar lamp, assembled from an old inkwell, a little alcohol that I smuggled from the sick bay and a wick plaited from the lace of an espadrille. Afterwards when eyes and keys were waking up, I would hide my words in a shoe and while walking in the prison yard, on a circular path that led nowhere, I would memorise the poems, giving them form and harmony...' The Spanish Communist poet Marcos Ana (1920-2016) was Spain's longest serving political prisoner. Captured by Italian troops at the end of the Civil War, he spent the next 23 years in Franco's prisons, often in solitary confinement. In prison he started writing poems, which were smuggled out and published as Poemas desde la cercel (1960). Ana was eventually released in 1961, following an international campaign led by Pablo Neruda, Rafael Alberti, Jean-Paul Sartre, Yves Montand, Pablo Picasso and Joan Baez. Che Guevara was carrying one of Ana's books when he was executed. Clear, musical, painful and compelling, Poems from Prison and Life is the first English translation of Ana's last book, published when he was 91, in order to 'open a path of fire and rebellion in the hearts and minds of the new generations, in whose furrows we have sown our history.'

From his prison cell, where he awaited execution for conspiring to assassinate Adolf Hitler, Bonhoeffer wrote 10 powerful poems, charged with white-hot emotions and disarming candor of a man who lived and ultimately died by the truth.

Winner of the 2019 NAACP Image Award for Outstanding Literary Work in Poetry Finalist for the 2019 Los Angeles Times Book Prize in Poetry A searing volume by a poet whose work conveys "the visceral effect that prison has on identity" (Michiko Kakutani, New York Times). Felon tells the story of the effects of incarceration in fierce, dazzling poems—canvassing a wide range of emotions and experiences through homelessness, underemployment, love, drug abuse, domestic violence, fatherhood, and grace—and, in doing so, creates a travelogue for an imagined life. Reginald Dwayne Betts confronts the funk of postincarceration existence and examines prison not as a static space, but as a force that enacts pressure throughout a person’s life. The poems move between traditional and newfound forms with power and agility—from revolutionary found poems created by redacting court documents to the astonishing crown of sonnets that serves as the volume’s radiant conclusion. Drawing inspiration from lawsuits filed on behalf of the incarcerated, the redaction poems focus on the ways we exploit and erase the poor and imprisoned from public consciousness. Traditionally, redaction erases what is top secret; in Felon, Betts redacts what is superfluous, bringing into focus the profound failures of the criminal justice system and the inadequacy of the labels it generates. Challenging the complexities of language, Betts animates what it means to be a "felon."

Adapted from the Persian by Bahiyyih Nakhjavani based on translations by Violette and Ali Nakhjavani, these poems testify to the courage and the despair, the misery and the hopes of thousands of Iranians struggling to survive conditions of extreme oppression.

Emerging from society's most hidden and reviled structures is a poetry of majestic, riveting intensity.

These poems came from a place within a Finnish man's mind, to escape the walls of confinement. They reflect the turmoil within the prison, and to look back at the peace and tranquility of a former life. I was an "outsider," and not in the good graces of the "jailer". Therefore, the only thing I could do, was to rely on my Finnish mind. The Finnish term for survival is called "Sisu". They had my broken body, but not my mind.

Ever wonder what a man thinks when he can't provide for himself? Have you ever thought about what will happen to a man when taken out of his comfort zone? What happens when his body is incarcerated and his mind roams free. Take a journey thru the eyes of a man born and raised in Jacksonville, FL. After being a resident of the Department of Corrections only two things happen. You become better or worse because you will never be the same. Poetry became his escape from the insanity that surrounded him. The pen and paper became the release of anger and frustration. Now it's time to share it with the world.

Use of investigative poetics to describe the American justice and penal systems.

Sack Nasty is a compilation of poetry about prison. Unlike the author's blog, the stories told here don't always fall sunny-side up. They are an outpouring of the uglier edges of prison life. They are about the illusion of dignity, the malleability of justice, and the fluidity (and fluids) of the human condition. These are true stories from 438 days of incarceration.The title, Sack Nasty, refers to the nickname given to the bagged lunches served to jail birds. Prison food is nearly inedible, and the lies cooked up are all too easy to digest, but the important thing to remember is- you don't have to eat what they feed you. Freedom sustains itself.

Poems written by jailed Pastor John Cao