Plutarch's writings, for long treated in a fragmentary way as a source for earlier periods, are now increasingly studied in their own right. The thirteen original essays in this volume range over Plutarch's relations with his contemporaries and his engagement in philosophical debate, his views on social issues such as education and gender, his modes of expression and his construction of argument. Also treated here are Plutarch's understanding and use of his antecedents, literary and historical, and the sophisticated techniques with which he conveyed his own vision. It is a theme of the present book that the writings of Plutarch should be seen as the product of a single, extraordinarily capacious, intelligence.

Plutarch's writings, for long treated in a fragmentary way as a source for earlier periods, are now increasingly studied in their own right. The thirteen original essays in this volume range over Plutarch's relations with his contemporaries and his engagement in philosophical debate, his views on social issues such as education and gender, his modes of expression and his construction of argument. Also treated here are Plutarch's understanding and use of his antecedents, literary and historical, and the sophisticated techniques with which he conveyed his own vision. It is a theme of the present.

Discusses the people, places and events found in over 2,000 years of Greek civilization.

While perhaps best known for his Lives, Plutarch also wrote philosophical dialogues that constitute a major intellectual legacy from the first century A.D. This collection presents two important short works from his writings in moral philosophy. They reveal Plutarch at his best--informative, sympathetic, rich in narrative--and are accompanied by an extensive commentary that situates Plutarch and his views on marriage in their historical context.

A groundbreaking and wide-ranging presentation of Plutarch’s ethics based on the cosmological foundation of his ethical thought Plutarch of Chaeronea (c. 45-120 CE) is the most prolific and influential moral philosopher in the Platonic tradition. This book is a fundamental reappraisal of Plutarch’s ethical thought. It shows how Plutarch based his ethics on his particular interpretation of Plato’s cosmology: our quest for the good life should start by considering the good cosmos in which we live. The practical consequences of this cosmological foundation permeate various domains of Greco-Roman life: the musician, the organiser of a drinking party, and the politician should all be guided by cosmology. After exploring these domains, this book offers in-depth interpretations of two works which can only be fully understood by paying attention to cosmological aspects: Dialogue on Love and On Tranquillity of Mind.

This is the first collection of essays in any language on Aulus Gellius; its contributors, both established and younger scholars, include Gellian experts looking out with specialists in other fields looking in; they combine traditional and new approaches. Subjects range from the bilingual culture in which Gellius wrote, through his stylistic judgements, his skills in etymology and narrative, his relation to the antiquarian tradition, the generic expectations of miscellany, his claim to educate his readers, the theory of 'Gellian humanism', and his attitude towards intellectuals, to his reception in the Middle Ages, the Renaissance, and the Scientific Revolution.

This book lucidly explains how the Parallel Lives of Plutarch (c. AD 45-120) are more than mere `sources' for history. The Lives offer us a unique insight into the reception of Classical Greece and Republican Rome in the Greek world of the second century AD. They also explore and challenge issues of psychology, education, morality, and cultural identity.

The overall objective is to establish the context of Plutarch's work in the society and the historical circumstances for which it was written.

The distinction between ancient and modern modes of historical thought is characterized by the growing complexity of the discipline of history in modernity. Consequently, the epistemological and methodological standard of ancient historiography is typically held as inferior against the modern ideal. This book serves to address this apparent deficit. Its scope is three-fold. Firstly, it aims at encountering ancient modes of historical and historiographical thought within the province of their own horizon. Secondly, this book considers the possibility of a dialogue between ancient and modern philosophies of history concerning the influence of ancient historical thought on the development of modern philosophy of history and the utility of modern philosophy of history in the interpretation of ancient historiography. Thirdly, this book explores the continuities and discontinuities in historical method and thought from antiquity to modernity. Ultimately, this volume demonstrates the necessity of re-evaluating our assumptions about the relation of ancient and modern historical thought and lays the groundwork for a more fruitful dialogue in the future.

An orator turns to an actor for advice, citizens expect assemblies to unfold like dramas, and a theater-goer cries at a play thinking of his fallen enemy: no Life escapes the mention of theatrical imagery in Plutarch’s paralleled biographies. And yet this is the first book not only to examine Plutarch’s consistent and coherent use of this imagery but also to argue that it is systematically employed to describe, explore, and evaluate politics in action. The theater becomes Plutarch’s invitation for us to question and uncover key moments of Athenian, Spartan, and Roman history as it unfolds.