MENYANGKA yang dirinya telah dizalimi Eizhan, kekasihnya sendiri, Nur Naziha mula membenci lelaki. Dia kemudiannya bekerja di sebuah farmasi di Mentakab. Di situ, dia diburu cinta Lokman Azad, duda kematian isteri. Lemas dikejar cinta duda itu, Nur Naziha nekad letak jawatan dan kembali ke Kuala Lumpur. Tetapi, di kota raya itu juga hidupnya tidak aman. Eizhan yang tidak pernah melupakan Nur Naziha, terus mencari dan menagih cintanya. Begitu juga dengan Marzuki, abang tiri Eizhan yang ligat memburu Nur Naziha untuk memuaskan keegoannya. Kemudian, kemelut semakin meruncing apabila muncul Ridzuan Hakeem, seorang kanak-kanak lelaki comel di dalam hidup mereka. Siapakah sebenarnya Marzuki dalam hidup Nur Naziha? Dan siapakah kanak-kanak yang bernama Ridzuan Hakeem itu? Di antara Eizhan, Marzuki dan Lokman Azad, di pangkuan siapakah kasih Nur Naziha mendarat?

“Terimalah lelaki yang mencintai kita lebih dari–pada kita mencintai dia.” Bolehkah ungkapan ini digunakan oleh Qaireena Asyikin untuk menerima semula huluran kasih Johan? Lelaki itu pernah dicintainya suatu waktu dahulu, namun dia terpaksa berkorban kasih apabila Johan memilih kakaknya, Qairun Annesa sebagai isteri tanpa sebab yang pasti. Kini, Qairun Annesa telah kembali kepada-NYA. Kemelut membelenggu diri apabila Johan mula menagih kasihnya. Desakan daripada orang tuanya agar menerima Johan juga benar-benar membuatkan dia tersepit.

Simple and concise explanations - using the minimum of linguistic terminology Examples and activities use the vocabulary and topics familiar to school students A wide range of individual, pair and group activities that focus on using grammar to communicate Each chapter includes hints on useful expressions, cultural notes and errors to avoid Each chapter is self-contained, with cross-references to related grammar points in other chapters Glossary of relevant terms.

This highly informative book explores the world of Post-Soeharto Indonesian audio-visual media in the exiting era of Reform. From a multidisciplinary approach it considers a wide variety of issues such as mainstream and alternative film practices, ceremonial and independent film festivals, film piracy, history and horror, documentary, television soaps, and Islamic films, as well as censorship from the state and street. Through the perspective of discourses on, and practices of film production, distribution, and exhibition, this book gives a detailed insight into current issues of Indonesia’s social and political situation, where Islam, secular realities, and ghosts on and off screen, mingle or clash.

This grammar is a complete reference guide to the language of Indonesia as used by native speakers. The book is organised to promote a thorough understanding of Indonesian grammar. It presents the complexities of Indonesian in a concise and readable form. An extensive index, cross-referencing and a generous use of headings will provide readers with immediate access to the information they require. Key features: to aid clarity, all word groups and structures discussed are illustrated by natural examples of frequently used words and expressions each section can be read independently, enabling the reader to focus on a specific aspect of the language, if required all major structures of Indonesian, from words to complex sentences are described in detail common grammatical terms used are all clearly defined in an extensive glossary. By providing a comprehensive description of Indonesian in a clear and non-technical manner, this grammar makes an ideal reference source for all users of the language, whether in colleges, universities or adult education classes of all types. James Neil Sneddon was Associate Professor in the Faculty of Asian and International Studies at Griffith University, with long experience teaching Indonesian language and linguistics. He is also author of Understanding Indonesian Grammar. Alexander Adelaar is Principal Fellow in the Asia Institute at the University of Melbourne. He is author of a number of books on Austronesian linguistics. Dwi Noverini Djenar lectures in the Department of Indonesian Studies at the University of Sydney. She is author of Semantic, Pragmatic and Discourse Perspectives of Preposition Use: A study of Indonesian locatives. Michael C Ewing is a senior lecturer in Indonesian Studies at the Asia Institute at the University of Melbourne. He is author of Grammar and Inference in Conversation: Identifying clause structure in spoken Javanese.

These two memoirs provide windows into the Sumatran past, in particular, and the early 20th-century history of south-east Asia, in general. In reconstructing their own passage into adulthood, the writers tell the story of their country's turbulent journey to independence.

A keen critic of culture in modern Indonesia, Andrew N. Weintraub shows how a genre of Indonesian music called dangdut evolved from a debased form of urban popular music to a prominent role in Indonesian cultural politics and the commercial music industry. Dangdut Stories is a social and musical history of dangdut within a range of broader narratives about class, gender, ethnicity, and nation in post-independence Indonesia (1945-present).