Structure is how a play logically fits together and can be archived through formula or form. To understand the complexities of structuring with form, the beginning playwright must first learn the fundamentals of formula. Covering everything in the playwriting process from the initial concept through production, PLAYWRITING: FROM FORMULA TO FORM presents a workable method for anyone interested in the craft. Exercises and techniques are presented to help students master the fundamental principles of good playwriting, giving them the freedom to be creative. Chapters on film and television writing as well as how to market a finished script and to select an agent, provide "real world" information on surviving as a writer in today's market.

""Naked Playwriting" is a complete, comprehensive playwriting course-from developing a theme through plotting and structuring a play, developing characters, creating dialog, formatting a script, and plying methods that aid the actual writing and rewriting processes. It also offers guidance on marketing and submitting play scripts for both contests and production, getting an agent, protecting one's copyright, and working with directors, actors, and theater companies. This new edition, in addition to fully updating the material in the popular first edition, adds detailed information on such recent develops as "Zoom plays" and "devised theater"; writing non-formulaic plays that create their own structures; a new emphasis on writing 10-minute and one-act plays; completely revised play submission guidelines that reflect a process that has wholly changed since the first edition was published; an section on the now-popular trend of moving from playwriting to TV scripting; material on the growing trend toward playwrights directing their own plays; and much more. Well-written and filled with illustrative examples, it provides both innovative and tried-and-true writing techniques, sage advice from veteran writers, a short study of the major schools of dramatic thought, and pertinent writing anecdotes. This one-of-a-kind playwriting book will help both novices and working writers discover and improve their playwriting skills and get their plays produced"--

This is a complete screenwriting course -- from developing a theme, researching a story, plotting and structuring a script, developing characters, and plying methods that aid the actual writing and rewriting processes to understanding the ins and outs of marketing and pitching scripts. Well-written, comprehensive, and filled with illustrative screenplay examples, both innovative and tried-and-true writing techniques, sage advice from veteran writers, and pertinent writing anecdotes, this one-of-a-kind screenwriting book will help both novices and working screenwriters to improve and sell their scripts.

Bringing the fascinating world of theatre to life, THE ART OF THEATRE: THEN AND NOW, 4th Edition, delivers comprehensive yet lively coverage of the history, cultural diversity, creativity, controversy, and even a typical day in the life of theatre -- packaged in seventeen stand-alone chapters that can be studied in any order. The text is packed with useful information that readers can apply to their own lives, including material on copyrights, the National Endowment for the Arts, censorship, and freedom of speech. The authors also make timely and relevant connections between theatre and the digital world of TV and film to help today's learners understand how the living stage is unique. In addition, the text explores the issues and controversies that have surrounded the theatre for thousands of years -- giving readers more to think about. Important Notice: Media content referenced within the product description or the product text may not be available in the ebook version.

Writing Your First Play provides the beginning playwright with the tools and motivation to tell a story through dramatic form. Based in a series of exercises which gradually grow more complex, the books helps the reader to understand the basic elements of drama, conflict, and action. The exercises help the reader to become increasingly sophisticated in the use of dramatic formats, turning simple ideas into a viable play. Topics include: the role of action in drama; developing action and conflict to reveal character; writing powerful and persuasive dialog; writing from personal experience:pros and cons; how to begin the story and develop the storyline. This new edition is thoroughly updated and contains new examples based on contemporary plays. The author has added additional writing exercises and a new student-written one act play. It also contains a new chapter on how to sell your play once it is written. With examples based on student work, this text both inspires and educates the student and fledgling playwright, providing solid tools and techniques for the craft of writing a drama. Roger A. Hall, a professor of theatre at James Madison University, had taught playwriting for nearly 20 years. Many of his students have gone on to write for theatre, television, and the screen. He has written numerous plays and articles and has acted and directed extensively in the theatre.

The incidence of melanoma has increased by 2000% since 1930 and one person dies each hour from the disease. This cutting edge guide provides scientifically accurate information which patients and their families need, to understand melanoma and its treatment and to receive necessary reassurance. It is also a vitally important resource for those who want information about preventing the disease or finding it early when it is most curable. Catherine M. Poole, a melanoma survivor and melanoma patient advocate for many organisations, and Dr. DuPont Guerry, an internationally renowned melanoma expert, have collaborated to provide current, correct and easily understood information on the disease. The authors have had first-hand contact with a multitude of patients with melanoma, and they understand exactly how to empower patients to gain control of their situations and obtain the best treatment.

Playwriting is a skill under-explored in the classroom, despite the strong evidence that it's an engaging and rewarding activity for young people. Teaching Playwriting addresses this gap and is an essential resource for teachers wanting to gain the skills and confidence necessary to introduce playwriting to their students. Based on rich research and clearly explained theoretical concepts, the book explores the lessons from creativity theory that will provide the teacher with the skills and knowledge necessary to empower students' writing and creativity. It also includes extensive practical activities and writing exercises to develop students' playwriting proficiency and creative capacity. Discussing key concepts in playwriting such as idea, dialogue, character, action and structure, the book enables teachers to respond to the unique learning needs of their students and help them tell their stories and reach their potential as young playwrights.

This is an extraordinarily important and unique book that is essential for playwrights, theater enthusiasm and courses on drama.

A manifesto for the future of playwriting, this book challenges you to be a part of that future in the belief that it is fundamentally important to write plays. Plays help us understand ourselves, others, and the world around us. Reading this book, you will be challenged to learn your craft, explode what you know, prioritise what is important to you, and write in the way that only you can write. Most books on playwriting explain how to create a believable character in a story driven by plot. This book, however, goes even further in its exploration of the playwright's most valuable tool: theatricality. By learning from the past, and the present, the playwrights of tomorrow can create new, vivid, theatrical drama for the future. This manifesto also examines the process of writing, the art of collaboration, and the impact of writing on a playwright's mental health. It identifies the highs and lows, as well as the trials and tribulations, of life as a playwright in today's world. Theatre is a living artform. It is time for playwrights to acknowledge that fact and to celebrate the unique, primal thrill that a live theatre experience offers us. The future of playwriting is in your hands. Do you accept the challenge?