In his play "The Romancers" Edmond Rostand satirizes the sentimentalism and escapism of Romantic literature of his times. Percinet is the only son of Bergamin and Sylvette is the only daughter of Pasquinot. Their fathers who are widowers and neighbors make a plan to marry their children with each other. In order to accomplish this, the fathers separate their children so that they may love each other the more, and desire to be re-united. As a part of their plan, Bergamin warns his son to stay away from Pasquinot and his daughter. Similarly, Pasquinot also warns his daughter that she should not be near to his mortal enemy Bergamin and his son. Inspite of their fathers' warnings, Percinet and Sylvette fall in love. They think themselves as the counterparts of Romeo and Juliet. They are worried that their love will also end in tragedy like that of Romeo and Juliet. They are emotional, daydreaming teenagers who have recently finished their school studies. They are deeply influenced by romantic literature of their times, especially by the romantic play "Romeo and Juliet" of William Shakespeare. They are so in love with each other that they desire to die rather than separate with each other. Bergamin then hires Straforel and his company for a fake kidnapping. At midnight hours, when Percinet and Sylvette are about to meet, Straforel with his company kidnap Sylvette and put her into the sedan chair. Percinet hears the cry of Sylvette, jumps over the wall and fights with his sword. At the same time, as planned, Pasquinot enters and calls Percinet a hero. He suggests Bergamin to put an end to their enmity and arrange the marriage of their children. Thus in the end the two children seem like puppets in the hands of their fathers. - MeroSpark Cloud Reference, http://www.merospark.com

Edmond Rostand's six-act play "L'Aiglon" follows the life of Napoleon II, the son of Emperor Napoleon I, and his second wife, Empress Marie Louise. The title of the play is derived from Napoleon II's nickname, the French word for "eaglet".

The first English biography of Edmond Rostand, creator of _Cyrano de Bergerac_. Thoroughly researched and annotated, but written for non-specialists, it shows how Rostand strove in his plays to revive idealism in the modern world.

This is Edmond Rostand's immortal play in which chivalry and wit, bravery and love are forever captured in the timeless spirit of romance. Set in Louis XIII’s reign, it is the moving and exciting drama of one of the finest swordsmen in France, gallant soldier, brilliant wit, tragic poet-lover with the face of a clown. Rostand’s extraordinary lyric powers gave birth to a universal hero—Cyrano De Bergerac—and ensured his own reputation as author of one of the best-loved plays in the literature of the stage. This translation, by the American poet Brian Hooker, is nearly as famous as the original play itself, and is generally considered to be one of the finest English verse translations ever written.

This adaptation by celebrated graphic novelist Kyle Baker and writer Peter David presents the tragedy and romance of Rostand's 17th century romance story. Cyrano de Bergerac yearns to confess his love to his cousin Roxanne; he is a talented poet and musician who should have no trouble doing so. Yet his large nose has convinced him that no woman would ever be interested in him. When Cyrano finds that Roxanne is enamored with the handsome Christian de Neuvillette, he offers to use his poetic prowess to help Christian win Roxanne's heart. As the three's lives intertwine throughout the years, Rostand spins a tale of romance and heartbreak that is wonderfully captured by Peter David and Kyle Baker.