Tom Taylor was one of the most successful and popular playwrights of the Victorian theatre. His plays are humorous and theatrically powerful, showing a social concern that was advanced for his times - particularly on matters such as the rehabilitation of criminals and corruption in public life. Taylor's work at the bar, in the civil service, and as a journalist and art critic inspired themes which he dramatized in more than seventy plays. Four of the best known are collected in this volume, the only edition of Taylor's works available. They are Still Waters Run Deep (1855), The Contested Election (1859), The Overland Route (1860) and the most popular, revived in modern productions at the National Theatre and the Victoria Theatre in Stoke, The Ticket-of-Leave Man (1863). Martin Banham discusses these and others in his introduction, and lists the original London cast at the beginning of each play. He provides a biographical record of Taylor's life and a list of all the principal plays. There are illustrations and a bibliography.

In this new collection, the Suicide Squad is assigned to neutralize a group of international super-terrorists known as the Revolutionaries-and the survivors are forced into joining the Squad! Who can Harley Quinn and Deadshot trust when their new teammates are the very people their crew was assigned to kill? This Squad might survive their next mission, but they may not survive each other-and with a “team” like this, the body count starts high, and only gets higher. Tom Taylor, the acclaimed writer of DCeased, delivers his flair for high-octane mayhem to the Suicide Squad in this new series where quite literally no one is safe. Bruno Redondo, Taylor’s collaborator on Injustice, illustrates this deadly new take on DC’s dysfunctional villain team. Collects Suicide Squad #1-11.

Our American Cousin is a three-act play written by English playwright Tom Taylor. The play opened in London in 1858 but quickly made its way to the U.S. and premiered at Laura Keene’s Theatre in New York City later that year. It remained popular in the U.S. and England for the next several decades. Its most notable claim to fame, however, is that it was the play U.S. President Abraham Lincoln was watching on April 14, 1865 when he was assassinated by John Wilkes Booth, who used his knowledge of the script to shoot Lincoln during a more raucous scene. The play is a classic Victorian farce with a whole range of stereotyped characters, business, and many entrances and exits. The plot features a boorish but honest American cousin who travels to the aristocratic English countryside to claim his inheritance, and then quickly becomes swept up in the family’s affairs. An inevitable rescue of the family’s fortunes and of the various damsels in distress ensues. Our American Cousin was originally written as a farce for an English audience, with the laughs coming mostly at the expense of the naive American character. But after it moved to the U.S. it was eventually recast as a comedy where English caricatures like the pompous Lord Dundreary soon became the primary source of hilarity. This early version, published in 1869, contains fewer of that character’s nonsensical adages, which soon came to be known as “Dundrearyisms,” and for which the play eventually gained much of its popular appeal.

In the fourth tale in this beloved series, villainous Sebastian Eels returns to Eerie-on-Sea, thrusting Herbie and Violet into a new adventure involving a missing girl, a spooky wax museum, and a dangerous clockwork robot. Herbie Lemon, Lost-and-Founder at the Grand Nautilus Hotel, and his fearless friend Violet Parma have unearthed many secrets in their village of Eerie-on-Sea: secrets lurking beneath the waves, lapping onto the beaches, and lying behind locked doors. When their brilliant and ruthless nemesis, Sebastian Eels, returns with a plan to open the long-shuttered waxworks museum, Herbie and Violet suspect nefarious motives. Their investigation leads them into the dark Netherways below the town—and into the tragic past of the famous toymaker and inventor Ludovic Festergrimm and his doomed daughter, Pandora. Sebastian Eels is convinced that within the story of Festergrimm is the key to Eerie’s deepest secret—a secret in which Herbie himself plays a crucial part—and he’ll stop at nothing to uncover it, including bringing a terrifying clockwork legend back to life. With echoes of fairy tales and monster movies, plus a dismembered finger or two, this is a deliciously creepy addition to a fantastical mystery series that is perfectly calibrated to thrill middle-grade readers.

The Justice League fights an army of Amazos for Earth, while John Constantine goes head-to-head with Trigon! The Justice League fight for Earth and the lives of the...infected?! The final chapter of the best-selling series will be talked about for years to come!

Inspired by the video game phenomenon, INJUSTICE: GODS AMONG US YEAR ONE-THE COMPLETE EDITION collects the initial year of the best-selling series in its entirety for the first time! Superman is Earth's greatest hero. But when the Man of Steel can't protect the thing he holds most dear, he decides to stop trying to save the world-and start ruling it. Now, the Last Son of Krypton is enforcing peace on Earth by any means necessary. Only one man stands between Superman and absolute power: Batman. And the Dark Knight will use any method at his disposal to stop his former friend from reshaping the world in his shattered image. Written by Tom Taylor (EARTH 2) with art by Jheremy Raapack (RESIDENT EVIL), Mike S. Miller (A Game of Thrones) and more, this thrilling graphic novel collects INJUSTICE: GODS AMONG US digital chapters 1-36 and in single magazine form as INJUSTICE: GODS AMONG US 1-12 and INJUSTICE: GODS AMONG US ANNUAL 1.

If a billionaire falls out of the sky and dies...who gives a damn?! A wealthy man plummets from the sky and is gruesomely skewered on a church spire. Bizarrely, angel wings are attached to his back. More such deaths follow until, hallelujah, it’s raining businessmen. Detective Aisha Bukhari is stumped by this strange phenomenon, until she’s visited by her childhood friend, occult investigator John Constantine, who discovers a link between the falling elite and a shocking moment in his and Aisha’s misspent youth. How are these killings tied to the first death on John’s hands? How does this involve heaven and hell? Even if this is kind of John’s fault, will Constantine be happy to let a few more rich bastards fall from the sky, like a vindictive Robin Hood? DC Black Label presents Hellblazer: Rise and Fall—an occult mystery from the all-star team of writer Tom Taylor (DCeased) and artist Darick Robertson (The Boys)! Collects all three installments of the degenerate and debauched miniseries along with a variant cover gallery and behind-the-scenes artwork.

The end of the world was just the beginning! After a corrupted Anti-Life Equation turned billions into monsters-including the World’s Greatest Heroes-our planet was as good as dead. Years later, a distress call brings Damian Wayne, Jon Kent, and Cassie Sandsmark-the Batman, Superman, and Wonder Woman of Earth-2-back to a dead planet...but what will this new Justice League find waiting for them? If life still exists on Earth, who-or-what-is lying in wait for these heroes? But it isn’t just the anti-living our heroes have to worry about, because John Constantine, Swamp Thing, and Zatanna are about to discover another evil growing...Collects DCeased: Dead Planet #1-7.

Discover what the villains of the DC Universe did during the events of DCeased! From the hit series DCeased comes a villain's story about survival during the zombie apocalypse! Vandal Savage hasn't lived for thousands of years without being prepared. Seconds after the virus breaks out, he has already made contact and begun to assemble a team of people to help him ride out the end of the world. Some of the world's greatest mercenaries and fighters are brought to his side, all tasked to protect Savage. All Vandal can offer them is survival. Collects DCeased: The Unkillables #1-3.

Faster than fate. As powerful as hope. Able to lift us all. For all his great power, Jon Kent can’t save everyone, but that won’t stop him from trying. How much can Earth’s new Superman do before this Man of Steel buckles? And when he does, who swoops in to save Superman?