PLAYING CARDS IN CAIRO is a fly-on-the-wall account - like THE BOOKSELLER OF KABUL - of life (for western readers) in a strange and exotic environment. Hugh Miles lives in Cairo and is engaged to an Egyptian woman. Twice a week he plays cards with a small group of Arab, Muslim women and through this medium he explores their lives in modern Cairo, the greatest of Arab cities. It is a secretive, romantic, often deprived but always soulful existence for the women as they struggle with abusive husbands and philandering boyfriends. The book is a window onto a city - and a way of life - which is at a crucial juncture in its history. Hugh Miles, who knows the Arab world intimately, is the perfect guide.

Over the past few months I have delivered lectures, presentations and interviews on the Egyptian Revolution. I have had overflowing houses everywhere, been stopped by old ladies in the street and had my hand shaken by numerous taxi drivers and shopkeepers. And all because I’m Egyptian and the glitter of Tahrir is upon me. They wanted me to talk to them, to tell them stories about it, to tell them how, on the 28th of January when we took the Square and The People torched the headquarters of the hated ruling National Democratic Party, The (same) People formed a human chain to protect the Antiquities Museum and demanded an official handover to the military; to tell them how, on Wednesday, February 2nd, as The People defended themselves against the invading thug militias and fought pitched battles at the entrance to the Square in the shadow of the Antiquities Museum, The (same) People at the centre of the square debated political structures and laughed at stand-up comics and distributed sandwiches and water; to tell them of the chants and the poetry and the songs, of how we danced and waved at the F16s that our President flew over us. People everywhere want to make this Revolution their own, and we in Egypt want to share it. Ahdaf Soueif - novelist, commentator, activist - navigates her history of Cairo and her journey through the Revolution that’s redrawing its future. Through a map of stories drawn from private history and public record Soueif charts a story of the Revolution that is both intimately hers and publicly Egyptian. Ahdaf Soueif was born and brought up in Cairo. When the Egyptian Revolution of 2011 erupted on January 25th, she, along with thousands of others, called Tahrir Square home for eighteen days. She reported for the world’s media and did - like everyone else - whatever she could.

A fascinating account of football culture in Egypt through its ultras groups The history of Cairo’s football fans is one of the most poignant narratives of the 25 January 2011 Egyptian uprising. The Ultras Al-Ahly and the Ultras White Knights fans, belonging to the two main teams, Al-Ahly F.C. and Zamalek F.C respectively, became embroiled in the street protests that brought down the Mubarak regime. In the violent turmoil since, the Ultras have been locked in a bitter conflict with the Egyptian security state. Tracing these social movements to explore their role in the uprising and the political dimension of soccer in Egypt, Ronnie Close provides a vivid, intimate sense of the Ultras’ unique subculture. Cairo’s Ultras: Resistance and Revolution in Egypt’s Football Culture explores how football communities offer ways of belonging and instill meaning in everyday life. Close asks us to rethink the labels ‘fans’ or ‘hooligans’ and what such terms might really mean. He argues that the role of the body is essential to understanding the cultural practices of the Cairo Ultras, and that the physicality of the stadium rituals and acerbic chants were key expressions that resonated with many Egyptians. Along the way, the book skewers media clichés and retraces revolutionary politics and social networks to consider the capacity of sport to emancipate through performances on the football terraces.

A vibrant portrait of the talented and entrepreneurial women who defined an era in Cairo. One of the world’s most multicultural cities, twentieth-century Cairo was a magnet for the ambitious and talented. During the 1920s and ’30s, a vibrant music, theater, film, and cabaret scene flourished, defining what it meant to be a “modern” Egyptian. Women came to dominate the Egyptian entertainment industry—as stars of the stage and screen but also as impresarias, entrepreneurs, owners, and promoters of a new and strikingly modern entertainment industry. Raphael Cormack unveils the rich histories of independent, enterprising women like vaudeville star Rose al-Youssef (who launched one of Cairo’s most important newspapers); nightclub singer Mounira al-Mahdiyya (the first woman to lead an Egyptian theater company) and her great rival, Oum Kalthoum (still venerated for her soulful lyrics); and other fabulous female stars of the interwar period, a time marked by excess and unheard-of freedom of expression. Buffeted by crosswinds of colonialism and nationalism, conservatism and liberalism, “religious” and “secular” values, patriarchy and feminism, this new generation of celebrities offered a new vision for women in Egypt and throughout the Middle East.

For members of Cairo's upper classes, cosmopolitanism is a form of social capital, deployed whenever they acquire or consume transnational commodities, or goods that are linked in the popular imagination to other, more "modern" places. In a series of thickly described and carefully contextualized case studies—of Arabic children's magazines, Pokémon, private schools and popular films, coffee shops and fast-food restaurants—Mark Allen Peterson describes the social practices that create class identities. He traces these processes from childhood into adulthood, examining how taste and style intersect with a changing educational system and economic liberalization. Peterson reveals how uneasy many cosmopolitan Cairenes are with their new global identities, and describes their efforts to root themselves in the local through religious, nationalist, or linguistic practices.

No matter what your actual job title, you are—or soon will be—a data worker. Every day, at work, home, and school, we are bombarded with vast amounts of free data collected and shared by everyone and everything from our co-workers to our calorie counters. In this highly anticipated follow-up to The Functional Art—Alberto Cairo’s foundational guide to understanding information graphics and visualization—the respected data visualization professor explains in clear terms how to work with data, discover the stories hidden within, and share those stories with the world in the form of charts, maps, and infographics. In The Truthful Art, Cairo transforms elementary principles of data and scientific reasoning into tools that you can use in daily life to interpret data sets and extract stories from them. The Truthful Art explains: • The role infographics and data visualization play in our world • Basic principles of data and scientific reasoning that anyone can master • How to become a better critical thinker • Step-by-step processes that will help you evaluate any data visualization (including your own) • How to create and use effective charts, graphs, and data maps to explain data to any audience The Truthful Art is also packed with inspirational and educational real-world examples of data visualizations from such leading publications as The New York Times, The Wall Street Journal, Estado de São Paulo (Brazil), Berliner Morgenpost (Germany), and many more.

For Naguib Mahfouz, Cairo has always been a place of special resonance, a city he loves passionately and has revisited in his writings. Photographer Britta Le Va, a longtime admirer of the novels of Mahfouz, guides us through his pages and treads his streets to produce a collection of visual images of the city. Each complements a verbal image selected from Mahfouzs writings. In his introduction, novelist Gamal al-Ghitani describes a walking tour with the novelist through the streets of Gamaliya, the heart of the old city where both of themmore than thirty years apartwere born and raised. Mahfouz reminisces and remarks on what has changed and what has not in eight decades

A rollicking, exuberant and powerfully moving story of a family swept up by social unrest in post–World War II Cairo Abd el-Aziz Gaafar, formerly a well-respected landowner now in the grip of penury, moves his family to Cairo and takes on menial work at the Automobile Club—a place of refuge and luxury for its European members, but one where Egyptians may appear only as servants. Alku, the lifelong Nubian servant of Egypt’s corrupt king, runs the show in all but name. The servants, a squabbling, humorous, and deeply human group, live in a perpetual state of fear: beaten for their mistakes, their wages dependent on Alku’s whims. When Abd el-Aziz’s pride gets the better of him and he stands up for himself, his death—as much from shame as from his injuries after Alku has him beaten—leaves his widow further impoverished and two of his sons obliged to work in the Club. As the family is drawn into the turbulent politics of Egypt—public and private—both servants and masters are subsumed by the country’s social upheaval. Soon, the Egyptians of the Automobile Club face a stark choice: to live safely but without dignity as servants, or to fight for their rights and risk everything.

"As [four characters] converge on the city of Cairo ... a portrait [develops] of a marriage, a jigsaw puzzle of loyalty and betrayal against a dangerous world of political games, where allegiances are never clear and outcomes are never guaranteed"--Dust jacket flap.

Alex Award-winning author P. Djèlí Clark, A Dead Djinn in Cairo is a Tor.com original historcal fantasy set in an alternate early twentieth century infused with the otherworldly. Egypt, 1912. In Cairo, the Ministry of Alchemy, Enchantments and Supernatural Entities investigate disturbances between the mortal and the (possibly) divine. What starts off as an odd suicide case for Special Investigator Fatma el-Sha’arawi leads her through the city’s underbelly as she encounters rampaging ghouls, saucy assassins, clockwork angels, and a plot that could unravel time itself. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.