Play The Devil is the debut novel from Scott Laudati. A semi-autobiographical tale of two best friends traversing the backyards of New Jersey in search of the American Dream. Like a 200 page Bruce Springsteen song, Play The Devil is permeated by a sense of nostalgia and loss, of love and redemption, with images of old Americana littering the novel like scenes from a movie, it is the coming-of-age story for the next generation. Welcome to post 9/11 America, where capitalism and apathy run rampant and men like Donald Trump can become president. In this world, the future often appears futile to millennials in their mid-twenties, stuck in that awkward, directionless stage between school and “real” life. Scott Laudati’s debut novel Play the Devil perfectly situates itself within these strange times. - Lara Robertson, Tharunka Magazine (AUS) In his first novel, Play The Devil, Scott Laudati tackles the common coming-of-age story with a refreshing take on the classic cliché. If the idea of truth illuminated in harsh light, with a heavy dose of comedic tragedy appeals to you, pick up Play the Devil. - Sarah Joseph, The Voice (Athabasca University) Scott Laudati's debut novel is simply poetic. It is a brilliant, comedic, adventure served with a slice of truth. - Tristan Sherlock, Dircksey Magazine (Edith Cowan University)

Can you literally sell your soul for rock 'n' roll? In the summer of 1982, the five young musicians of the rock band Entropy came close to finding out when an otherworldly entity beyond their understanding contacted them. This dangerous, terrifying being brought Entropy to the edge of fame, but ultimately tore them apart. Join Marcus F. Griffin as he reveals the true, first-hand story of his band's encounters with the Gray Man - a dark entity so powerful it could punch a hole between worlds and materialize at will. This demonic creature takes them on one of the greatest paranormal journeys anyone has ever experienced. For the members of Entropy, these real-life adventures with the Devil have never truly ended.

"High Fidelity" meets "Touching the Void" in the improbably heroic adventure of an amateur French horn player who quite literally blows himself back into life again.--Bob Geldof, songer/activist.

A chilling account of an evil ideology and the man whose nefarious thoughts made it possible.

(Play Like). Study the trademark songs, licks, tones and techniques of the King of the Delta Blues Singers, Robert Johnson. This comprehensive book and audio teaching method provides detailed analysis of his guitars, techniques, styles, songs, licks, riffs and much more. You'll learn everything you need to know about Johnson's legendary guitar playing, as captured on his 29 known recording from 1936-7. Audio is accessed online using the unique code inside the book and can be streamed or downloaded. The audio files include PLAYBACK+, a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right. Five full songs are included: Come on in My Kitchen * Cross Road Blues (Crossroads) * I Believe I'll Dust My Broom * Kind Hearted Woman Blues * and Sweet Home Chicago, plus excerpts from many more signature tunes.

THE STORY: Jabez Stone, young farmer, has just been married, and the guests are dancing at his wedding. But Jabez carries a burden, for he knows that, having sold his soul to the Devil, he must, on the stroke of midnight, deliver it up to him. Shortly before twelve Mr. Scratch, lawyer, enters and the company is thunderstruck. Jabez bids his guests begone; he has made his bargain and will pay the price. His bride, however, stands by him, and so will Daniel Webster, who has come for the festivities. Webster takes the case. But Scratch is a lawyer himself and out-argues the statesman. Webster demands a jury of real Americans, living or dead. Very well, agrees the Devil, he shall have them, and ghosts appear. Webster thunders, but to no avail, and at last realizing Scratch can better him on technical grounds, he changes his tactics and appeals to the ghostly jury, men who have retained some love of country. Rising to the height of his powers, Webster performs the miracle of winning a verdict of Not Guilty.

Covid-19 seems to be a sort of dirty bomb, thrown into the body to cause havoc. On the same day that the UK government finally made the first of two decisive interventions that led to a conspicuously late lockdown, David Hare contracted Covid-19. Nobody seemed to know much about it then, and many doctors are not altogether sure they know much more today. Suffering a pageant of apparently random symptoms, Hare recalls the delirium of his illness, which mixed with fear, dream, honest medicine and dishonest politics to create a monologue of furious urgency and power.

This important book from a Pulitzer Prize finalist follows the brutal journey a group of men take to cross the Mexican border: "the single most compelling, lucid, and lyrical contemporary account of the absurdity of U.S. border policy" (The Atlantic). In May 2001, a group of men attempted to cross the Mexican border into the desert of southern Arizona, through the deadliest region of the continent, the "Devil's Highway." Three years later, Luis Alberto Urrea wrote about what happened to them. The result was a national bestseller, a Pulitzer Prize finalist, a "book of the year" in multiple newspapers, and a work proclaimed as a modern American classic.

Who is the 'Devil'? And what is he due? The Devil is anyone who disagrees with you. And what he is due is the right to speak his mind. He must have this for your own safety's sake because his freedom is inextricably tied to your own. If he can be censored, why shouldn't you be censored? If we put barriers up to silence 'unpleasant' ideas, what's to stop the silencing of any discussion? This book is a full-throated defense of free speech and open inquiry in politics, science, and culture by the New York Times bestselling author and skeptic Michael Shermer. The new collection of essays and articles takes the Devil by the horns by tackling five key themes: free thought and free speech, politics and society, scientific humanism, religion, and the ideas of controversial intellectuals. For our own sake, we must give the Devil his due.