Dogs can smell electricity. Cats can heal bones by purring. Kittens can contact their mothers via a secret, ultra-sonic language. Dogs can understand a vocabulary of 200 human words. Every day, it seems, new scientific discoveries are fuelling the age old argument about which of man's two best friends really is the superior species. Augustus Brown fans the flames further with this collection of the weirdest, most wonderful and downright incredible of these truths about cats and dogs. Did you know, for instance, that dogs can see moving objects 900 yards away, and that cats can sense earthquakes coming? Or that dogs prefer Bach to Britney, while cats prefer drugs to chocolate? Fascinating, funny and provocative, his book may not settle the debate once and for all. But it is certain to set cat and dog lovers arguing like, well you know what...

After years of friendship, the women of the SAHM I Am e-mail loop are finally meeting in person. But with two new moms trying to blend in with Dulcie and the gang, there's bound to be trouble! Earth-mother Iona and young mom Hannah are thrilled to join the weekend getaway sans hubbies and kids. But sparks fly when Hannah's know-it-all attitude clashes with the Queen of Ego, Rosalyn. When things go from bad to worse, one mom must step in to save the weekend from total disaster!

When her husband comes home from work one day to announce he's moving out, Samantha Rutgers thinks it's a joke. She hopes it's a joke. It's not. He packs his suitcase and moves out. For twenty-five years, Sam was a corporate wife, a stay-at-home mom. Now she's divorced, adrift, and alienated from her daughter who blames her for the divorce. Ill equipped to be a single woman in a whole new dating culture, she would have foundered without help from an old friend who challenges her to finish up the art degree she put on hold when she married. Her classes open the door to a job at an advertising agency, where Sam makes several new friends and one enemy. There she meets Frank Reynolds, who invites her to take that first step into new love. Gradually, as she slowly builds a new life for herself, Sam learns how to stand strong in the face of adversity, personal and professional.

Covering—the musical practice of one artist recording or performing another composer's song—has always been an attribute of popular music. In 2009, the internet database Second Hand Songs estimated that there are 40,000 songs with at least one cover version. Some of the more common variations of this "appropriationist" method of musical quotation include traditional forms such as patriotic anthems, religious hymns such as Amazing Grace, Muzak's instrumental interpretations, Christmas classics, and children's songs. Novelty and comedy collections from parodists such as Weird Al Yankovic also align in the cover category, as does the "larcenous art" of sampling, and technological variations in dance remixes and mash-ups. Film and television soundtracks and advertisers increasingly rely on versions of familiar pop tunes to assist in marketing their narratives and products. The cover phenomenon in popular culture may be viewed as a postmodern manifestation in music as artists revisit, reinterpret and re-examine a significant cross section of musical styles, periods, genres, individual records, and other artists and their catalogues of works.The cover complex, with its multiple variations, issues, contexts, and re-contextualizations comprises an important and rich popular culture text. These re-recordings represent artifacts which embody artistic, social, cultural, historical, commercial, biographical, and novel meanings. Through homage, allusion, apprenticeship, and parody, among other modes, these diverse musical quotations express, preserve, and distribute popular culture, popular music and their intersecting historical narratives. Play it Again represents the first collection of critical perspectives on the many facets of cover songs in popular music.

Twenty-five contemporary one-act plays by nationally known playwrights designed to fit many needs. Includes plays for one, two, or three actors with a playing time of 10 to 15 minutes with about 5 minutes acting time per character. Each play is a complete work--no cuttings-- and are of contest caliber.

What if Ty Cobb and Shoeless Joe Jackson had stood side by side in Cleveland's outfield? What if integration had taken place in the major leagues before 1947? Who would have won the World Series had a strike not shortened the 1994 season? In this compilation of fantasy scenarios, the history of baseball from 1869 to the controversial 2003 playoffs is literally rewritten by fifty journalists, historians, authors and former baseball players. Topics include playing for pay, Merkle's Boner, rival leagues, the 1919 Series, Mickey Owens and the dropped strike, and integration. Chronologically organized, the experts take up the major events of each era and speculate on the long-and short-term outcomes had history followed a different, but still likely, course. The book concludes with an appendix in which the panel members hold forth on general-interest topics such as star-crossed players who might have gone on to Hall of Fame careers, the greatest big-game players, and World Series pairings.

The Guardian editor and amateur pianist’s account of a remarkable musical challenge during an extraordinary year for news. As editor of the Guardian, one of the world’s foremost newspapers, Alan Rusbridger lives by the relentless twenty-four-hour news cycle. But increasingly in midlife, he feels the gravitational pull of music—especially the piano. He sets himself a formidable challenge: within a year, to fluently learn Chopin’s magnificent Ballade No. 1 in G minor, arguably one of the most difficult Romantic compositions in the repertory. With pyrotechnic passages that require feats of memory, dexterity, and power, the piece is one that causes alarm even in battle-hardened concert pianists. Under ideal circumstances, this would have been a daunting task. But the particular year Rusbridger chooses turns out to be one of frenetic intensity, beginning with WikiLeaks’ massive dump of state secrets and ending with the Guardian’s revelations about widespread phone hacking at News of the World. “In between, there were the Japanese tsunami, the Arab Spring, the English riots . . . and the death of Osama Bin Laden,” writes Rusbridger. The test would be to “nibble out” twenty minutes per day to do something totally unrelated to these events. Rusbridger’s subject is larger than any one piece of music: Play It Again deals with focus, discipline, and desire but is, above all, about the sanctity of one’s inner life in a world dominated by deadlines and distractions. Praise for Play It Again “An absorbing, adroitly crafted tale of humility, discipline and the sheer love of music . . . [Alan Rusbridger’s] triumph is an inspiration.” —Katie Hafner, The New York Times Book Review “A unique mélange of political and musical reportage . . . [Alan Rusbridger] illuminates not only print media in this digital age but also the changing role of the music within.” —Iain Burnside, The Observer (London)

Collecting the socially aware syndicated comic strip.

If Chins Could Kill: Confessions of a B Movie Actor Here we are together in the digital universe. Somehow, you've clicked yourself to this page. If you came here of your own free will and desire, you and I are going to get along just fine. Life is full of choices. Right now, yours is whether or not to download the autobiography of a mid-grade, kind of hammy actor. Am I supposed to know this guy? you think to yourself. No-and that's exactly the point. You can download a terabyte of books about famous actors and their high-falootin' shenanigans. I don't want to be a spoilsport, but we've all been down that road before. Scroll down to that Judy Garland biography. You know plenty about her already-great voice, troubled life. Scroll down a little further to the Charlton Heston book. Same deal. You know his story too-great voice, troubled toupee. The truth is that though you might not have a clue who I am-unless you watch cable very late at night-there are countless working stiffs like me out there, grinding away every day at the wheel of fortune. If Chins Could Kill: Confessions of a B Movie Actor documents my time in blue-collar Hollywood, where movies are cheap, the hours are long, and the filmmaking process can be very personal. To keep up with the times, I've digitized Chins. It was originally published in hardcover/analog fifteen years ago, which is a vast amount of time in the evolution of books and technology, and it was time to get current. The advance of technology is great for a book like this, which is jammed full of pictures. When it came out originally, the photographs all had to be black and white and moderately sized on the page. Now, any photo that was originally taken in color can strut its stuff. Overall, the resolution of the images is off-the-charts better than the first go-around. This is one "sequel" that I'm happy to be a part of, since we could make so many technical improvements. The process was very similar to restoring an old movie. Since I knew that it was going to be reissued, I also had a look at the story being told and decided to condense, move, or clarify some chapters, all or in part. I also tried to add a hint of historical context, since it has been a decade and a half since Chins first came out. I hope you enjoy it. Regards, Bruce Campbell