This book presents a comprehensive study into Plato's theological doctrines, offering an important re-valuation of the status of Plato's gods and the relation between metaphysics and theology according to Plato. Starting from an examination of Plato's views of religion and the relation between religion and morality, Gerd Van Riel investigates Plato's innovative ways of speaking about the gods. This theology displays a number of diverging tendencies - viewing the gods as perfect moral actors, as cosmological principles or as celestial bodies whilst remaining true to traditional anthropomorphic representations. Plato's views are shown to be unified by the emphasis on the goodness of the gods in both their cosmological and their moral functions. Van Riel shows that recent interpretations of Plato's theology are thoroughly metaphysical, starting from aristotelian patterns. A new reading of the basic texts leads to the conclusion that in Plato the gods aren't metaphysical principles but souls who transmit the metaphysical order to sensible reality. The metaphysical principles play the role of a fated order to which the gods have to comply. This book will be invaluable to readers interested in philosophical theology and intellectual history.

This book presents a comprehensive study into Plato's theological doctrines, offering an important re-valuation of the status of Plato's gods and the relation between metaphysics and theology according to Plato. Starting from an examination of Plato's views of religion and the relation between religion and morality, Gerd Van Riel investigates Plato's innovative ways of speaking about the gods. This theology displays a number of diverging tendencies - viewing the gods as perfect moral actors, as cosmological principles or as celestial bodies whilst remaining true to traditional anthropomorphic representations. Plato's views are shown to be unified by the emphasis on the goodness of the gods in both their cosmological and their moral functions. Van Riel shows that recent interpretations of Plato's theology are thoroughly metaphysical, starting from aristotelian patterns. A new reading of the basic texts leads to the conclusion that in Plato the gods aren't metaphysical principles but souls who transmit the metaphysical order to sensible reality. The metaphysical principles play the role of a fated order to which the gods have to comply. This book will be invaluable to readers interested in philosophical theology and intellectual history.

The Tomb of the Artisan God provides a radical rereading of Timaeus, Plato’s metaphysical text on time, eternity, and the relationship between soul and body. First published in French in 1995, the original edition of Serge Margel’s book included an extensive introductory essay by Jacques Derrida, who drew on Margel’s insights in developing his own concepts of time, the promise, the world, and khōra. Now available in English with a new preface by Margel, this engagement with Platonic thought proceeds from two questions that span the history of philosophy: What is time? What is the body?

Plato's Timaeus is one of the most influential and challenging works of ancient philosophy to have come down to us. Sarah Broadie's rich and compelling study proposes new interpretations of major elements of the Timaeus, including the separate Demiurge, the cosmic 'beginning', the 'second mixing', the Receptacle and the Atlantis story. Broadie shows how Plato deploys the mythic themes of the Timaeus to convey fundamental philosophical insights and examines the profoundly differing methods of interpretation which have been brought to bear on the work. Her book is for everyone interested in Ancient Greek philosophy, cosmology and mythology, whether classicists, philosophers, historians of ideas or historians of science. It offers new findings to scholars familiar with the material, but it is also a clear and reliable resource for anyone coming to it for the first time.

This lively and accessible introduction to Plato focuses on the philosophy and argument of his writings, drawing the reader into Plato's way of doing philosophy, and the general themes of his thinking. This is not a book to leave the reader standing in the outer court of introduction and background information, but leads directly into Plato's argument. It looks at Plato as a thinker grappling with philosophical problems in a variety of ways, rather than a philosopher with a fully worked-out system. It includes a brief account of Plato's life and the various interpretations that have been drawn from the sparse remains of information. It stresses the importance of the founding of the Academy and the conception of philosophy as a subject. Julia Annas discusses Plato's style of writing: his use of the dialogue form, his use of what we today call fiction, and his philosophical transformation of myths. She also looks at his discussions of love and philosophy, his attitude to women, and to homosexual love, explores Plato's claim that virtue is sufficient for happiness, and touches on his arguments for the immortality of the soul and his ideas about the nature of the universe. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

This book is a collection of dovetailing essays which together interpret and assess the chief arguments and texts which make up Plato's cosmology. Arguments in the Timaeus, Sophist, Statesman, Philebus, and Laws X are analyzed with an eye to problems which affect the wider understanding of Plato's metaphysics, theology, epistemology, psychology, and physics. New interpretations are given to Plato's views on the role and characteristics of his craftsman God, the nature and status of Forms, the nature of time and eternity, the status and nature of space and the phenomenal realm, and the nature of and relations between reason, souls, bodies, and motion.

Included in this volume are "Euthyphro," "Apology," "Crito," and the Death Scene from "Phaedo." Translated by F.J. Church. Revisions and Introduction by Robert D. Cumming.

Plato’s Euthyphro is important because it gives an excellent example of Socratic dialogue in operation and of the connection of that dialectic with Plato’s earlier theory of Forms. Professor Allen’s edition of the dialogue provides a translation with interspersed commentary, aimed both at helping the reader who does not have Greek and also elucidating the discussion of the earlier Theory of Forms which follows. The author argues that there is a theory of Forms in the Euthyphro and in other early Platonic dialogues and that this theory is the foundation of Socratic dialogue. However, he maintains that the theory in the early dialogues is a realist theory of universals and this theory is not to be identified with the theory of Forms found in the Phaedo, Republic, and other middle dialogues, since it differs on the issues of ontological status.

This study argues that to understand Socrates we must uncover and analyze his religious views, since his philosophical and religious views are part of one seamless whole. Mark McPherran provides a close analysis of the relevant Socratic texts, an analysis that yields a comprehensive and original account of Socrates' commitments to religion (e.g., the nature of the gods, the immortality of the soul). McPherran contends that Socrates saw his religious commitments as integral to his philosophical mission of moral examination and, in turn, used the rationally derived convictions underlying that mission to reshape the religious conventions of his time. As a result, Socrates made important contributions to the rational reformation of Greek religion, contributions that incited and informed the theology of his brilliant pupil, Plato.