This book is a cultural studies reading of Canadian culture and its security dimension during the Second World War and then later the Cold War. Kristmanson uses a wide variety of evidence to construct a provocative argument about the formation and maturity of the Canadian state during the time period other historians have characterized as Canada's evolution from colony to nation.

This volume addresses the issue of freedom in the philosophy of Deleuze and Guattari. This is all the more challenging in that Deleuze-Guattari almost never use the term freedom, preferring instead, the concept of the refrain. The essays collected in the volume show that freedom has been understood in a remarkably narrow sense and that in fact freedom operates as the refrain in every realm of thought and creation. The motivating approach in these essays is Deleuze-Guattari’s emphasis on the irreality of media and capitalistic sign regimes, which they perceive to have taken over even the practices of philosophy, the arts, and science. By offering a clear and engaging treatment of the underexplored issue of freedom, this volume moves the discussion of Deleuze-Guattari’s philosophy forward in ways that will appeal to researchers in Continental philosophy and a wide range of other disciplines.

Ethnography that explores the political landscape of West Papua and chronicles indigenous struggles for independence during the late 1990s and early 2000s.

'Canadians are not accustomed to thinking of censorship, secret intelligence, and propaganda as a single entity. Much less do they consider that these covertly militaristic activities have anything to do with culture.' So writes Mark Krismanson in this important study of the intertwining activities and careers of those involved in Canada's security agencies and in the state-sanctioned culture industry during the delight of the Cold War. The connections between secret intelligence and culture might appear to be merely coincidental. Both the spies and the arts people worked with words, with symbols and hidden meanings, with ideas. They had regular informal luncheons together in Ottawa. Some members of the intelligence community even found careers in the arts. Less than a decade after defecting, the Russian Igor Gouzenko wrote a pulp fiction Cold War spy novel- for which he received a Governor General's award. And Peter Dwyer, Britain's top security official in North America during World War II, was a playwright who after the war worked in Canada's intelligence community before drafting the founding for the Canada Council and becoming its first director. But Plateaus of Freedom details much more than a casual relationship between security and the arts. As Kristmanson demonstrates, 'the censorship-intelligence-propaganda complex that proliferated in Canada after World War II played a counterpoint between national culture and state security, with the result that freedom, especially intellectual freedom, plateaued on the principle of nationality.' The security and cultural policy measures examined here, from the RCMP investigations at the National Film Board that led to numerous firings, to the harassment of the extraordinary African-American singer and Soviet sympathizer Paul Robeson, 'attest to the fragility and the enduring power of art to effect social change'.

NOTE: NO FURTHER DISCOUNT FOR THIS PRINT PRODUCT--OVERSTOCK SALE -- Significantly reduced list price while supplies last S. Prt. 108-59. Joint Committee Print. November 2004. Report submitted by the Department of State in accordance with Section 102 of the International Religious Freedom Act of 1998. Provides information on matters involving international religious freedom. Covers events from July 1, 2003 to June 30, 2004. 108th Congress, 2d Session. Related products: Human Rights resources collection can be found here: https://bookstore.gpo.gov/catalog/international-foreign-affairs/human-rights Religion & Faith-Based Issues product collection is available here: https://bookstore.gpo.gov/catalog/consumer-home-family/religion-faith-based-issues

Tennessee's Cumberland Plateau played host to some of the most dramatic military maneuvering of the Civil War. As Federal forces sought to capitalize on the capture of Nashville, they moved into a region split by the most vicious guerrilla warfare outside Missouri. The bitter conflict affected thousands of ordinary men and women struggling to survive in the face of a remorseless war of attrition, and its legacy continues to be felt today.