This book in Tagore studies offers a fresh analysis of Tagorean thought by working through the philosophy and poetics of plasticity. As a prominent figure in plastic theory,Ghoshexplores Tagore''s views on education, identity politics, environment, and literature through what he calls the 'plastic principle'. This deconstructs Tagore''s thinking on''sahitya'', ecosophy, historicity and philosophy of history, and aesthetic education and the notion of the political. Not a standard intellectual biography or historical study, this book radicalizes how we think and interpret Tagore to arrive at whatGhoshcalls Plastic Tagore. The book, thus, thinksafter yesterday.

The 21st century is steeped in claims to interconnection, technological innovation, and new affective intensities amid challenges to the primacy and centrality of "the human". Flashpoint epistemology attends to the lived difficulties that arise in teaching, policymaking, curriculum, and research among continuous practices of differentiation, and for which there is no pre-existing template for judgment, resolution, or action. Flashpoint Epistemology Volume 1 examines contemporary collisions and reworkings of cultural-political issues in education through arts and humanities-based approaches. How and whether lines are (re)drawn in educational practice – and via who-what – between justice, morality, religion, ethics, subjectivities, intersectionality, the sublime, and the senses are a particular focus. The volume offers innovative relational approaches and new narrativization strategies, examining the aporia experienced when operating in educational domains of inevitable, recurring, difficult, fortuitous, and/or unforeseen flashpoints. The chapters will engage researchers seeking new approaches to education’s complexities, nested discourses, and ever-moving horizons of enactment. It will also benefit post/graduate students and teachers whose work intersects with sociological, philosophical, and cultural studies and who are curious about claims to interconnection, the ethical quandaries embedded in practice, and the affordances and limits of technological innovation.

The Plastic Turn offers a novel way of looking at plastic as the defining material of our age and at the plasticity of plastic as an innovative means of understanding the arts and literature. Ranjan Ghosh terms this approach the material-aesthetic and, through this concept, traces the emergence and development of plastic polymers along the same historical trajectory as literary modernism. Plastic's growth as a product in the culture industry, its formation through multiple application and chemical syntheses, and its circulation via oceanic movements, Ghosh argues, correspond with, and offers novel insights into, developments in modernist literature and critical theory. Through innovative readings of canonical modernist texts, analyses of art works, and accounts of plastic's devastating environmental impact, The Plastic Turn proposes plastic's unique properties and destructive ubiquity as a "theory machine" to explain literature and life in the Anthropocene. Introducing several new concepts (like plastic literature, plastic literary, etc.) into critical-humanist discourse, Ghosh enmeshes literature and theory, materiality and philosophy, history and ecology, to explore why plastic as a substance and as an idea intrigues, disturbs, and haunts us.

This Volume Was An Offering To The Memory Of Rabindranath Tagore On The Occasion Of The Centenary Of His Birth. If The Best Homage To A Great Man Is To Be Paid Through An Understanding Of The Significance Of His Life And Work, This Publication Should Help Inspire Such A Homage Of Understanding. This Reprint Of The Book; Undertaken To Mark The 125Th Birth Anniversary Of The Poet, Will Bring Once Again To The Collective Consciousness Of A New Generation Of Men And Women The Memory Of A Greatness Which Was Amazing In Its Versality And Universal In Its Integrated Vision Of Life. Rabindranath Has Not Only Been A One-Man Synthesis Of The Old And The New, The Ancient And Modern, But He Has Also Been, Because Of His Extra-Ordinary Catholicity Of Mind, A Leading Light To The World Struggling To Be Reborn Into Sanity. Great Poets, It Is Said, Are For Ever Our Contemporaries And Some Of The Essays In This Volume Should Hopefully Drive Home The Relevance Of Rabindranath And All That He Stood For, As A Corrective To Our Age Of Cynic Despair. The Volume Contains Valuable Studies On The Many Aspects Of TagoreýS Personality And Genius Contributed By Eminent Writers And Scholars From Many Parts Of The World. There Are, Besides, A Full And Comprehensive Chronicle Of The PoetýS Life, From Year To Year, And A Bibliography Of His Publications In Bengali And English. Reproductions In Colour Of Some Famous Portraits Of The Poet By Distinguished Artists Add To The Value Of This Publication Which Is As Much A Tribute To The Genius Of Tagore As A Guide To Its Comprehension.

This collection opens the geospatiality of “Asia” into an environmental framework called "Oceania" and pushes this complex regional multiplicity towards modes of trans-local solidarity, planetary consciousness, multi-sited decentering, and world belonging. At the transdisciplinary core of this “worlding” process lies the multiple spatial and temporal dynamics of an environmental eco-poetics, articulated via thinking and creating both with and beyond the Pacific and Asia imaginary.

Perhaps the most versatile of modern creative artists, Indian or Western, not excepting T.S. Eliot and D.H. Lawrence, Tagore doubtless offers us a fairly profound and elaborate aesthetic theory, though, of course, he does not write about art and literature with the deliberate intention of a writer of aesthetics. From a systematic, close study of his pronouncements and cogitations on art and literature, scattered in his variegated writings, emerges an aesthetic philosophy, which is absolutely invaluable to apprehend and appreciate his creative mind as well as the Indian and Western arts and literatures. Much of the finest of the Indian and Western aesthetics has been retouched and modernised by him, and to this he has contributed considerably by dint of his original mind. Hence the need and justfication for a book such as this. There is almost a plethora of critical studies on the various aspects of Rabindranath Tagore’s mind and art. But, curiously enough, only a little attempt has hitherto been made to assimilate and assess his theory-statements on art in detail. This paucity of work further necessitates a thorough exploration of this subject. The present book is an attempt to meet this need. A comprehensive study of Tagore’s aesthetics, the book, it is hoped, will surely help the reader to understand Tagore, art and literature correctly.

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