The third of six books in Arabella Buckley's Eyes and No Eyes series. This book covers detailed plant life found in the fields and gardens. Subjects include flowers, vegetables, fruits, seeds, and the interaction of plants and insects. Intended for early readers, the book uses simple language in each lesson.First published in 1901, this edition is derived from the original book with 8 color illustrations and numerous black and white illustrations by A. Fairfax Muckley. As always, this edition is complete and unabridged.

In this eloquent plea for compassion and respect for all species, journalist and gardener Nancy Lawson describes why and how to welcome wildlife to our backyards. Through engaging anecdotes and inspired advice, profiles of home gardeners throughout the country, and interviews with scientists and horticulturalists, Lawson applies the broader lessons of ecology to our own outdoor spaces. Detailed chapters address planting for wildlife by choosing native species; providing habitats that shelter baby animals, as well as birds, bees, and butterflies; creating safe zones in the garden; cohabiting with creatures often regarded as pests; letting nature be your garden designer; and encouraging natural processes and evolution in the garden. The Humane Gardener fills a unique niche in describing simple principles for both attracting wildlife and peacefully resolving conflicts with all the creatures that share our world.

Plant Life of Kentucky is the first comprehensive guide to all the ferns, flowering herbs, and woody plants of the state. This long-awaited work provides identification keys for Kentucky's 2,600 native and naturalized vascular plants, with notes on wildlife/human uses, poisonous plants, and medicinal herbs. The common name, flowering period, habitat, distribution, rarity, and wetland status are given for each species, and about 80 percent are illustrated with line drawings. The inclusion of 250 additional species from outside the state (these species are "to be expected" in Kentucky) broadens the regional coverage, and most plants occurring from northern Alabama to southern Ohio to the Mississippi River (an area of wide similarity in flora) are examined, including nearly all the plants of western and central Tennessee. The author also describes prehistoric and historical changes in the flora, natural regions and plant communities, significant botanists, current threats to plant life, and a plan for future studies. Plant Life of Kentucky is intended as a research tool for professionals in biology and related fields, and as a resource for students, amateur naturalists, and others interested in understanding and preserving our rich botanical heritage.

Using native plants in a garden has many benefits. They attract beneficial wildlife and insects, they allow a gardener to create a garden that reflects the native beauty of the region, and they make a garden more sustainable. Because of all this, they are an increasingly popular plant choice for home and public gardens. Native Plants of the Southeast shows you how to choose the best native plants and how to use them in the garden. This complete guide is an invaluable resource, with plant profiles for over 460 species of trees, shrubs, vines, ferns, grasses, and wildflowers. Each plant description includes information about cultivation and propagation, ranges, and hardiness. Comprehensive lists recommend particular plants for difficult situations, as well as plants for attracting butterflies, hummingbirds, and other wildlife.

Explores the secret lives of various plants, from the colors they see to whether or not they really like classical music to their ability to sense nearby danger.

Before any other influences began to fashion life and its lavish diversity, geological events created the initial environments--both physical and chemical--for the evolutionary drama that followed. Drawing on case histories from around the world, Arthur Kruckeberg demonstrates the role of landforms and rock types in producing the unique geographical distributions of plants and in stimulating evolutionary diversification. His examples range throughout the rich and heterogeneous tapestry of the earth's surface: the dramatic variations of mountainous topography, the undulating ground and crevices of level limestone karst, and the subtle realm of sand dunes. He describes the ongoing evolutionary consequences of the geology-plant interface and the often underestimated role of geology in shaping climate. Kruckeberg explores the fundamental connection between plants and geology, including the historical roots of geobotany, the reciprocal relations between geology and other environmental influences, geomorphology and its connection with plant life, lithology as a potent selective agent for plants, and the physical and biological influences of soils. Special emphasis is given to the responses of plants to exceptional rock types and their soils--serpentines, limestones, and other azonal (exceptional) substrates. Edaphic ecology, especially of serpentines, has been his specialty for years. Kruckeberg's research fills a significant gap in the field of environmental science by connecting the conventionally separated disciplines of the physical and biological sciences. Geology and Plant Life is the result of more than forty years of research into the question of why certain plants grow on certain soils and certain terrain structures, and what happens when this relationship is disrupted by human agents. It will be useful to a wide spectrum of professionals in the natural sciences: plant ecologists, paleobiologists, climatologists, soil scientists, geologists, geographers, and conservation scientists, as well as serious amateurs in natural history.

In a time of climate change and mass extinction, how we garden matters more than ever: “An outstanding and deeply passionate book.” —Marc Bekoff, author of The Emotional Lives of Animals Plenty of books tell home gardeners and professional landscape designers how to garden sustainably, what plants to use, and what resources to explore. Yet few examine why our urban wildlife gardens matter so much—not just for ourselves, but for the larger human and animal communities. Our landscapes push aside wildlife and in turn diminish our genetically programmed love for wildness. How can we get ourselves back into balance through gardens, to speak life's language and learn from other species? Benjamin Vogt addresses why we need a new garden ethic, and why we urgently need wildness in our daily lives—lives sequestered in buildings surrounded by monocultures of lawn and concrete that significantly harm our physical and mental health. He examines the psychological issues around climate change and mass extinction as a way to understand how we are short-circuiting our response to global crises, especially by not growing native plants in our gardens. Simply put, environmentalism is not political; it's social justice for all species marginalized today and for those facing extinction tomorrow. By thinking deeply and honestly about our built landscapes, we can create a compassionate activism that connects us more profoundly to nature and to one another.

This book has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. So that the book is never forgotten we have represented this book in a print format as the same form as it was originally first published. Hence any marks or annotations seen are left intentionally to preserve its true nature.

In the tradition of The Garden at Chatsworth, this book started out as an account of the gardens of another great Cavendish estate, Holker Hall in Cumbria. It has turned into much more: it is the story of a family, of a life, of a community, of continuity with the past and adaptation to the modern age. Hugh Cavendish writes about the history of Holker, which dates back to the sixteenth century and has never been bought or sold but has passed by inheritance through the family line, with each each generation leaving its impressions. He writes too about his family - his grandparents who, faced with 'serious financial embarrassment' sat down with a list to find savings and 'having identified essentials, they agreed to give up taking Country Life and having hot water and lemon after dinner' - but still thought it not unreasonable to plan to divert a river to run through the park; his mother ('relations with my mother were never good, and often spectacularly bad'); his aunts (collectively identified as the 'Aunt Heap'). He describes his own life, as a child at Holker ('when I look back I allow myself the indulgence of believing I was not quite as stupid as my schoolmasters held me to be; nor quite as lazy) and later as the owner of Holker, finding a way of managing huge resources and responsibilities and also immense debt. And, of course, he writes about the garden.