Zenya Cobb has had enough of a traditional life with her husband-to-be, Pavell. She returns to her life as a space pirate, setting out to find and claim as much gold and other treasures as she can. Except, due to a freak accident, she crash-lands on a planet that shouldn't exist - The mythical lost planet of Vunerth, reputed to have been the galaxy's richest spot until an asteroid destroyed it many years ago. But it's still very much around, and holds more secrets than even Zenya can imagine. She meets the mysterious natives, a peaceful alien community of traders with their own secrets, and hears whispers of conspiracy. Could Vunerth's disappearance be part of a web of darkness perpetuated by the government? While Zenya reels, her determined partner, Pavell chases her across the galaxy. But when they are reunited, they must make a choice. Leave this bizarre planet in their past and return to a life of peace, or risk their lives teaming up with the natives to save the planet and expose an intergalactic lie?

Erich von Daniken claims to have never seen a UFO. But in the fall of 1987, on a desert ride, he experienced a close encounter of a very different kind. A being materialized before his eyes, and since the "thing" had no name, von Däniken called it "Tomy." This book is the story of Tomy. Some say that Tomy is a scientific impossibility. Yet Tomy was there, science or not. After all, Tomy had for a few weeks lived among us, and that was enough for plenty of interpersonal relationships. God knows that von Däniken was not the only one who had known Tomy; others could see him, as well. Now, after nineteen years of silence, von Däniken has decided to make public the incredible story of Tomy. Here, the bestselling author of Chariots of the Gods makes his foray into the world of fiction. Tomy and the Planet of Lies is a thrilling adventure novel that will keep listeners on the edge of their seats.

“This disturbing but very important book makes clear we must dig deeper than the normal solutions we are offered.”—Yvon Chouinard, founder of Patagonia Works "Bright Green Lies exposes the hypocrisy and bankruptcy of leading environmental groups and their most prominent cheerleaders. The best-known environmentalists are not in the business of speaking truth, or even holding up rational solutions to blunt the impending ecocide, but instead indulge in a mendacious and self-serving delusion that provides comfort at the expense of reality. They fail to state the obvious: We cannot continue to wallow in hedonistic consumption and industrial expansion and survive as a species. The environmental debate, Derrick Jensen and his coauthors argue, has been distorted by hubris and the childish desire by those in industrialized nations to sustain the unsustainable. All debates about environmental policy need to begin with honoring and protecting, not the desires of the human species, but with the sanctity of the Earth itself. We refuse to ask the right questions because these questions expose a stark truth—we cannot continue to live as we are living. To do so is suicidal folly. ‘Tell me how you seek, and I will tell you what you are seeking,’ the German philosopher Ludwig Wittgenstein said. This is the power of Bright Green Lies: It asks the questions most refuse to ask, and in that questioning, that seeking, uncovers profound truths we ignore at our peril.”—Chris Hedges, Pulitzer Prize-winning journalist and author of America: The Farewell Tour

This is what the boy is told: - He woke up on planet Trucon, inside of a fence line he shouldn't have been able to cross. - He has an annirad blaster wound to the back of his head. - He has no memory. - He is now under the protection of a mysterious benefactor. - His name is Chase Garrety. This is what Chase Garrety knows: - He has a message: "Guide the star." - Time is running out.

The impact of The Late Great Planet Earth cannot be overstated. The New York Times called it the "no. 1 non-fiction bestseller of the decade." For Christians and non-Christians of the 1970s, Hal Lindsey's blockbuster served as a wake-up call on events soon to come and events already unfolding -- all leading up to the greatest event of all: the return of Jesus Christ. The years since have confirmed Lindsey's insights into what biblical prophecy says about the times we live in. Whether you're a church-going believer or someone who wouldn't darken the door of a Christian institution, the Bible has much to tell you about the imminent future of this planet. In the midst of an out-of-control generation, it reveals a grand design that's unfolding exactly according to plan. The rebirth of Israel. The threat of war in the Middle East. An increase in natural catastrophes. The revival of Satanism and witchcraft. These and other signs, foreseen by prophets from Moses to Jesus, portend the coming of an antichrist . . . of a war which will bring humanity to the brink of destruction . . . and of incredible deliverance for a desperate, dying planet.

Following up the first book in her new "Elemental Assassin" series, Jennifer Estep's Web of Lies once again brings readers into sexy assassin Gin Blanco's world, which is populated with giants, goth dwarves, elementals, and some kick-butt BBQ. Curiosity is definitely going to get me dead one of these days. Probably real soon. I’m Gin Blanco. You might know me as the Spider, the most feared assassin in the South. I’m retired now, but trouble still has a way of finding me. Like the other day when two punks tried to rob my popular barbecue joint, the Pork Pit. Then there was the barrage of gunfire on the restaurant. Only, for once, those kill shots weren’t aimed at me. They were meant for Violet Fox. Ever since I agreed to help Violet and her grandfather protect their property from an evil coal-mining tycoon, I’m beginning to wonder if I’m really retired. So is Detective Donovan Caine. The only honest cop in Ashland is having a real hard time reconciling his attraction to me with his Boy Scout mentality. And I can barely keep my hands off his sexy body. What can I say? I’m a Stone elemental with a little Ice magic thrown in, but my heart isn’t made of solid rock. Luckily, Gin Blanco always gets her man...dead or alive.

The most successful and controversial Cuban Science Fiction writer of all time, Yoss (aka José Miguel Sánchez Gómez) is known for his acerbic portraits of the island under Communism. In his bestselling A Planet for Rent, Yoss pays homage to Ray Bradbury’s The Martian Chronicles and 334 by Thomas M. Disch. A critique of Cuba in the nineties, after the fall of the Soviet Union and the dissolution of the Warsaw Pact, A Planet for Rent marks the debut in English of an astonishingly brave and imaginative Latin American voice. Praise for Yoss “One of the most prestigious science fiction authors of the island.” —On Cuba Magazine "A gifted and daring writer." —David Iaconangelo "José Miguel Sánchez [Yoss] is Cuba’s most decorated science fiction author, who has cultivated the most prestige for this genre in the mainstream, and the only person of all the Island’s residents who lives by his pen.” —Cuenta Regresiva Born José Miguel Sánchez Gómez, Yoss assumed his pen name in 1988, when he won the Premio David Award in the science fiction category for Timshel. Together with his peculiar pseudonym, the author's aesthetic of an impentinent rocker has allowed him to stand out amongst his fellow Cuban writers. Earning a degree in Biology in 1991, he went on to graduate from the first ever course on Narrative Techniques at the Onelio Jorge Cardoso Center of Literary Training, in the year 1999. Today, Yoss writes both realistic and science fiction works. Alongside these novels, the author produces essays, Praise for, and compilations, and actively promotes the Cuban science fiction literary workshops, Espiral and Espacio Abierto. When he isn’t translating, David Frye teaches Latin American culture and society at the University of Michigan. Translations include First New Chronicle and Good Government by Guaman Poma de Ayala (Peru, 1615); The Mangy Parrot by José Joaquín Fernandez de Lizardi (Mexico, 1816), for which he received a National Endowment for the Arts Fellowship; Writing across Cultures: Narrative Transculturation in Latin America by Ángel Rama (Uruguay, 1982), and several Cuban and Spanish novels and poems.

Human health depends on the health of the planet. Earth’s natural systems—the air, the water, the biodiversity, the climate—are our life support systems. Yet climate change, biodiversity loss, scarcity of land and freshwater, pollution and other threats are degrading these systems. The emerging field of planetary health aims to understand how these changes threaten our health and how to protect ourselves and the rest of the biosphere. Planetary Health: Protecting Nature to Protect Ourselves provides a readable introduction to this new paradigm. With an interdisciplinary approach, the book addresses a wide range of health impacts felt in the Anthropocene, including food and nutrition, infectious disease, non-communicable disease, dislocation and conflict, and mental health. It also presents strategies to combat environmental changes and its ill-effects, such as controlling toxic exposures, investing in clean energy, improving urban design, and more. Chapters are authored by widely recognized experts. The result is a comprehensive and optimistic overview of a growing field that is being adopted by researchers and universities around the world. Students of public health will gain a solid grounding in the new challenges their profession must confront, while those in the environmental sciences, agriculture, the design professions, and other fields will become familiar with the human consequences of planetary changes. Understanding how our changing environment affects our health is increasingly critical to a variety of disciplines and professions. Planetary Health is the definitive guide to this vital field.

A story for children about why we should care for our little blue planet, the only home we have, to teach ecology, sustainability and responsibility.

A masterwork by Philip K. Dick, this is the final, expanded version of the novellla The Unteleported Man, which Dick worked on shortly before his death. In Lies, Inc., fans of the science fiction legend will immediately recognize his hallmark themes of life in a security state, conspiracy, and the blurring of reality and illusion. This publication marks its first complete appearance in the United States. In this wry, paranoid vision of the future, overpopulation has turned cities into cramed industrial anthills. For those sick of this dystopian reality, one corporation, Trails of Hoffman, Inc., promises an alternative: Take a teleport to Whale's Mouth, a colonized planet billed as the supreme paradise. The only catch is that you can never comeback. When a neurotic man named Rachmael ben Applebaum discovers that the promotional films of happy crowds cheering their newfound existence on Whale's Mouth are faked, he decides to pilot a scapeship on the eighteen-year journey there to see if anyone wants to return.