Literary Nonfiction. PITY THE ANIMAL, an essay by Chelsea Hodson, explores the concept of human submission and commodification by way of window displays, wild animals, performance art, and sugar daddy dating websites. "How much can a body endure? Almost everything."

"I had a real romance with this book." —Miranda July A highly anticipated collection, from the writer Maggie Nelson has called, “bracingly good...refreshing and welcome,” that explores the myriad ways in which desire and commodification intersect. From graffiti gangs and Grand Theft Auto to sugar daddies, Schopenhauer, and a deadly game of Russian roulette, in these essays, Chelsea Hodson probes her own desires to examine where the physical and the proprietary collide. She asks what our privacy, our intimacy, and our own bodies are worth in the increasingly digital world of liking, linking, and sharing. Starting with Hodson’s own work experience, which ranges from the mundane to the bizarre—including modeling and working on a NASA Mars mission— Hodson expands outward, looking at the ways in which the human will submits, whether in the marketplace or in a relationship. Both tender and jarring, this collection is relevant to anyone who’s ever searched for what the self is worth. Hodson’s accumulation within each piece is purposeful, and her prose vivid, clear, and sometimes even shocking, as she explores the wonderful and strange forms of desire. Tonight I'm Someone Else is a fresh, poetic debut from an exciting emerging voice, in which Hodson asks, “How much can a body endure?” And the resounding answer: "Almost everything."

'Not since Faulkner have I read American prose so bristling with life and particularity.' -- J M Coetzee Following in the footsteps of such chroniclers of American absurdity as Cormac McCarthy, Joy Williams, and Charles Portis, Robin McLean's Pity the Beast is a mind-melting feminist Western that pins a tale of sexual violence and vengeance to a canvas stretching back to prehistory, sideways into legend, and off into a lonesome future. Millennia ago, Ginny's family ranch was all grass and rock and wild horses. A thousand years hence, it'll all be peacefully underwater. In the matter-of-fact here and now, though, it's a hotbed of lust and resentment, and about to turn ugly, because Ginny's just cheated on her husband Dan with the man who lives next door. Out on these prairies, word travels fast: everyone seems to know everyone's business. They know what Ginny did, and they know Ginny isn't sorry. She might not be proud of what she's done, but she doesn't regret it either. To be honest, she enjoyed the hell out of it, and as far as Ginny is concerned, that should be the end of the story. Problem is, no one else seems able to let it go. The community can't bear to let a woman like Ginny off the hook. Not with an attitude like hers. With detours through time, space, and myth, not to mention into the minds of a pack of philosophical mules, Pity the Beast heralds the arrival of a major new voice in American letters. It is a novel that turns our assumptions about the West, masculinity, good and evil, and the very nature of storytelling onto their heads, with an eye to the cosmic as well as the comic. It urges us to write our stories anew--if we want to avoid becoming beasts ourselves.

Explores the complex relationship between humans and animals by examining philosophical, scientific, and literary material.

Sensing the need for fresh ideas in advocacy, and the importance of making animal-rights theory relevant in a time of biotechnology, rapid extinctions and climate change, On Their Own Terms: Bringing Animal-Rights Philosophy Down to Earth challenges us to think of ourselves and other conscious beings in new ways. This book takes the creative and necessary step of calling for a merging of ecological awareness and animal advocacy. It asks us to imagine and appreciate the dignity of free communities of animals thriving in their habitats. As a society shifts to respect animals on their terms, its judges and lawmakers will stop regarding the environment as props and scenery on the stage of humanity¿s drama. They will begin to take the interests of all its living inhabitants seriously. This work explains why the shift is within humanity¿s reach, and how it will come through an animal-advocacy movement that¿s no longer limited to generating pity for Earth¿s other beings, or looking for ways to show how cruel we are to them, or taking steps to make their controlled lives less stressful. On Their Own Terms is an invitation to a movement that can ensure the triumph of animals¿ natural freedom and power, and a practical handbook for the advocate who takes up the challenge.

In a society where predators are always the ones doing the celebrating, Jennifer Fliss's debut collection of short stories, THE PREDATORY ANIMAL BALL, crashes the party. These stories are about the people left in the predators' wake, and the large and small ways in which their grief and fear manifest. Predators appear in the places we least expect it, and this collection turns the previously accepted hierarchies upside down in a series of flash fiction that are often absurd, but always cutting.

Suspected of attacking a boy from town and determined to protect her secrets and her twin sister, Jo flees into the woods, where she discovers the truth behind her mother's disappearance fifteen years ago.

The uplifting true story of an extreme athlete, a stray dog, and how they found each other. “Heroic and heartwarming” (Forbes), this unbelievable adventure will make readers laugh, gasp, cry, and see rescue dogs with a whole new perspective. NOW A MAJOR MOTION PICTURE STARRING MARK WAHLBERG—STREAMING ON STARZ When you're racing 435 miles through the jungles and mountains of South America, the last thing you need is a stray dog tagging along. But that's exactly what happened to Mikael Lindnord, captain of a Swedish adventure racing team, when he threw a scruffy but dignified mongrel a meatball one afternoon. When the team left the next day, the dog followed. Try as they might, they couldn't lose him—and soon Mikael realized that he didn't want to. Crossing rivers, battling illness and injury, and struggling through some of the toughest terrain on the planet, the team and the dog walked, kayaked, cycled, and climbed together toward the finish line, where Mikael decided he would save the dog, now named Arthur, and bring him back to his family in Sweden, whatever it took. Illustrated with candid photographs, Arthur provides a testament to the amazing bond between dogs and people.

"I found myself considering those rare things only books can do, feats outside the purview of film or fine art . . . Gorgeous." —Samantha Hunt, The New York Times Book Review It is New Year’s Eve 1990, in a small town in southeast Australia. Ru’s father, Jack, one of thousands of Australians once conscripted to serve in the Vietnam War, has disappeared. This time Ru thinks he might be gone for good. As rumors spread of a huge black cat stalking the landscape beyond their door, the rest of the family is barely holding on. Ru’s sister, Lani, is throwing herself into sex, drugs, and dangerous company. Their mother, Evelyn, is escaping into memories of a more vibrant youth. And meanwhile there is Les, Jack’s inscrutable brother, who seems to move through their lives like a ghost, earning both trust and suspicion. A Loving, Faithful Animal is an incandescent portrait of one family searching for what may yet be redeemable from the ruins of war. Tender, brutal, and heart–stopping in its beauty, this novel marks the arrival in the United States of Josephine Rowe, the winner of the 2016 Elizabeth Jolley Prize and one of Australia’s most extraordinary young writers.

This acclaimed graphic memoir that Kirkus calls “cathartic and uplifting” is the tale of losing a parent and what it feels like to grieve and to move forward. “I can’t recommend this kind, funny, and poignant memoir enough. It’s an intimate, life-affirming story of resilience that feels like a good friend.” —Mari Andrew, author of Am I There Yet? Tyler Feder had just white-knuckled her way through her first year of college when her super cool mom was diagnosed with late-stage cancer. Now, with a decade of grief and nervous laughter under her belt, Tyler shares the story of that gut-wrenching, heart-pounding, extremely awkward time in her life—from her mom’s first oncology appointment to her funeral through the beginning of facing reality as a motherless daughter. She shares the sting of loss that never goes away, the uncomfortable post-death firsts, and the deep-down, hard-to-talk-about feelings of the grieving process. Dancing at the Pity Party is a frank and refreshingly funny look at what it’s like to grieve—for anyone struggling with loss who just wants someone to get it.